Bark Cloth – Sustainable Production in Uganda by Karin Zetterqvist

Message holder made of bark cloth from Uganda

Bark cloth is a unique, non-woven fabric produced from the bark of Ficus Natalensins, a rare and novel fig tree species peculiar to Uganda and locally known as Mutuba.

Since the 13th century, bark cloth has been produced in the Buganda Kingdom, and used commercially, ritually and ceremonially by the Baganda, an ethnic group found in central Uganda. Ranging in texture from the coarse and thick to the finest and light, bark cloth, as an article of clothing was worn sarong style and wrap-around by Baganda men and women respectively.

The bark cloth was used to pay land rates and fines by the peasants to their chiefs, who in turn selected the best for presentation to the king’s courtiers. Other rituals and ceremonies where bark cloth used to play a central role include the initiation of twins into the clan and their protection, child naming ceremonies, payment of dowry and during marriage ceremonies, succession rituals and last funeral rites to identify the heirs, widows, orphans and so on.

Only the best of the cloth, fine and light to touch, a rich garnet red with a shiny sheen, was presented to the king for use as clothing and during coronations, royal weddings and other functions.

A Masterpiece of Indigenous Textile Production Skills

Bark removal of the Mutuba fig tree.

Harvest of bark to be used in Ugandan bark cloth.

Banana leaves offer tree protection

The art of making bark cloth, passed from father to son, involves stripping the particular fig tree trunk of its bark by ringing down. A straight cut is then made and the bark is then carefully stripped off the tree.

The bark is then steamed, spread out on big logs 2-3 meters long and carefully beaten with mallets. As the bark is beaten it gets wider, longer and finer. A piece of bark measuring 75 by 150 cm can produce cloth measuring up to 4 m by 1.8 m.

The stripped part of the tree is wrapped in layers of fresh banana leaves and with careful nurturing a single tree can produce up to 400 sq m of cloth in a period of about 40 years. In this way it is not only a natural fabric, but also eco-friendly.

African Ethnic Designs

Bark cloth bag with coloured raffia decoration

Bark cloth purse with raffia decoration

Business cards case made of bark cloth

Bark cloth coin purse (Uganda)

Today the applications, to which bark cloth is put, are endless. Royal Bark Cloth Designs (RBCD) - with the price winning designer Sara Katebalirwe - is working with village community women using bark and other natural fibres specific to Uganda to make various and beautiful novel products. Aesthetic yet functional, the designs are applied mostly by hand.

The design applications, as well as being aesthetic, also give cover to the cloth, to minimize abrasion/friction, thus giving the product a longer life. The best design application so far in terms of bark protection is the raffia couching.


Preserving the Bark Cloth Production Skills
Uganda’s bark cloth was named as part of the world’s collective heritage recognized by UNESCO November 2005. The global body declared the “art of bark cloth making in Uganda a masterpiece of oral and intangible heritage of humanity.”

Watatu (meaning three in Swahili) is a web shop, owned by three friends (two Tanzanians and one Swede), where you can find more of the products from Royal Bark Cloth Designs. Promoting the bark cloth and its use internationally will assist to preserve the bark cloth production skills.


Written by
Karin Zetterqvist
Watatu Textil
www.watatu.com
©Watatu


Sources:
"Bark Cloth" by Royal Bark Cloth Designs


Karin wrote another article for this blog on Kanga and Kitenge cloths, traditional fabrics used as garments in Tanzania. She is a member of our Fiber Focus Group. Visit her page.


Find more photos like this on Fiber Focus

Bark Cloth – Sustainable Production in Uganda by Karin Zetterqvist

The Artist in Her Space: Creative Essence

Many years ago, my mother gave me a cute ceramic wall plaque that said something like "Creative Minds Mean Messy Spaces". Well, it's true in my case. I tend to let things pile up. And, I have a lot of stuff. Sometimes I think I would find freedom in just walking away from it all. If I did, I know that I would just start accumulating supplies all over again! A quilter needs her stash, a painter needs her paints, and we all find treasures that to someone else might just be trash.

I put the word out that I wanted to see people's creative spaces. I think it's important for everyone who is making things to have a space that is theirs for their work. I was extremely pleased with the response. It's so interesting to see how each woman (these all happen to be women) claim their corner, their room, their studio as her own. Some are neat and tidy. A few are so beautiful I would be afraid to sneeze in them. Others, like me, pile it up to the ceiling!

The photos are interspersed with quotes that have nothing to do with the images before or after them. I just thought it would be interesting to see these words on space and art mixed in, kind of creating a collage of thoughts and places. Visit the studio links to see what the final product is of each space! Can you guess what they make by how the studio looks?

Most of the photos will enlarge if you click on them...

Develop interest in life as you see it; in people, things, literature, music - the world is so rich, simply throbbing with rich treasures, beautiful souls and interesting people. Forget yourself.
Henry Miller (1891 - 1980)

ART CREATED BY AHNA & JIMI

Although I am no longer in this space, it is one that I loved for 2 years. What you don't see is the view onto my garden that I designed and created as well (rock walls and a small pond). The only down side was that this work space was in my bedroom that I took over for a small studio. I'm still in the process of moving so next time; new picture.

Links: http://ArtCreated.com
Location: Northern California, USA

Art is making something out of nothing
and selling it.
Frank Zappa (1940 - 1993)

There ought to be a room in every house
to swear in.
Mark Twain (1835 - 1910)

KATHY MCNEIL

Well, it so happens that we are just finishing my new studio. You can see a large design wall in the back ground. There will be a light table and the cutting table will be on lockable wheels so it can move about the room. I will be teaching classes at home, so there is an outlet in the floor under the large cutting table where everyone can put their machines. Great lighting with track lighting and another wire fabric rack to still come.

Links: www.kathymcneilquilts.com
Location: Marysville, Washington, USA
FIBER FOCUS MEMBER

At moments of great enthusiasm it seems to me that no one in the world has ever made something this beautiful and important.
M.C. Escher

CHARMAINE MANLEY DESIGN

As a firm believer in color therapy, I love my work space....bright, happy, and filled with artwork from women I admire. Sadly, it only looked this good for the photoshoot....normally it is chaos. When the desk is actually clear, I use it as my creative work space. Lately I've been messing around with jewelry, trying to figure out a good wire wrapping technique. The computer (an eight year old PC) sits to the right of the chair along with the printer/scanner/copier. Most of my correspondence and other computer work is now done on my MacBook found in the living room next to my favorite chair. With the addition of the laptop, the need to be in my real office has diminished considerably. It still makes me happy though.

Links: http://charmainemanleydesign.com
Location: Central Oregon
FIBER FOCUS MEMBER

Believe it or not, I can actually draw.
Michelangelo

CATHERINE SALTER BAYAR/BAZAAR BAYAR VINTAGE TEXTILES & JEWELRY

I am definitely NOT a morning person. So, this light-filled, east-facing room with the adjacent outdoor terrace would fabulous to work in - IF I were truly awake and at my creative best! This room doubles as our living room, so imagine a sofa, table and overstuffed bookcases in the opposite corner of this 13' x 18' space. And plastic bins full of fabrics, beads, yarns and such stacked high behind a door in the next room. The old tile floors are great to spread things out on once I roll back the kilim, and that trunk in the corner is not usually that uncluttered! The worst thing about this room is that those double doors are the only source of natural light, so afternoons are too dark to work here. I don't open my shop in town until well after lunch, so I work here at home (along with a BIG pot of coffee) on various textile related projects til then. My Singer sewing machine, purchased here in Turkey about 8 years ago, actually has the option to run without electricity with an old fashioned foot treadle. Very handy if the power's out, or we decide to become real nomads one day and live in a goat hair tent...

Links: www.bazaarbayar.etsy.com
http://fiberfocus.blogspot.com/search/label/Catherine%20Salter%20Bayar
Location: Selcuk/Ephesus, Turkey
FIBER FOCUS MEMBER

I see more and more that my work goes infinitely better when I am properly fed, and the paints are there, and the studio and all that. But have I set my heart on my work being a success? A thousand times no. I wish I could manage to make you really understand that when you give money to artists, you are yourself doing an artist's work, and that I only want my pictures to be of such a quality that you will not be too dissatisfied with your work.
Vincent van Gogh

CHRISSIE DAY

After years of finding space by an armchair or on a kitchen table whilst bringing up 2 children who seemed to take over ALL my house during there formative years I promised myself a studio in my garden with room for knitting yarn ,painting table ,etc etc you get the picture.

So now i have the studio in the garden the kids are grown i can Please myself what i do and guess where i do my best work ????? when sitting in my armchair or doodling at the kitchen table so there you go it makes a great store room but i do n ot work in there all the time .having said that i do love to be in there with the buttons ,silks, wools ,cottons, haberdashery bits ,jars of needles, sewing machines ,sketch books, paints and hearing the rain on the roof or the wind making the weeping cedar bang on the window and scare me.

'In truth be careful what you wish for you just might get it'

Links: http://www.chrissieday.wordpress.com
http://www.chrissieday.co.uk
Location: United Kingdom
FIBER FOCUS MEMBER

Art is the only way to run away without leaving home.
Twyla Tharp

ARTWORK BY SARAH

I had this studio space for 5 years, here in Melbourne, in the city. It took me those 5 years to get the space looking how you see it in the picture....a collection. Things I have received as gifts from people, things that I have found in junk stores & from my travels. I love opp shops & second hand stores. I collect sculptures from my travels...Mexico, Italy , Indonesia. (I lived in San Miguel De Allende in Mexico for 5 months. I brought back loads of trinkets depicting 'tribe'...papier mache, ceramics, drawings. I also love Bali. You can see the carved wooden flying mermaid suspended from the ceiling in the photo. The studio was a representation of me.... Much of the trinkets, dolls (I collect these too) are depicted in my paintings & drawings.

I had to shut studio in order to move on, to go overseas. I feel a need for new inspiration for my artistic endeavors.

I have an affinity for Mexico...I will be travelling back to San Miguel De Allende. I feel this way because I'm so drawn to the art & culture. I love the richness & opulence of the festivities. I had the priviledge of being part of the Day Of The Dead in Patzcuaro. I sat in the candle lit cemetary with the locals of the island of Janitizio, was incredible. I also took part in the 'Posada De La Navidad' in San Miguel DeAllende...a celebration of Christmas festival.These are the experiences which have influenced my artwork. My work is also very personal. I don't really consider it to be decorative so to speak....even though it may look 'pretty'. Its a depiction or interpretation of my childhood memories...ficticious/fantasy characters such as 'Merman'....I spent much time playing alone as a child, so I would sew & draw by myself. I also depict my loved ones, people in my life, my experience with them, happy or painful. My drawings& paintings depict feelings of happiness, grief, loss, & joy. So there you have it! This may give you some idea what I'm about....

Links: http://artworkbysarah.blogspot.com
www.flickr.com/photos/sarahs_artwork
Location: Melbourne, Australia

Very few people possess true artistic ability. It is therefore both unseemly and unproductive to irritate the situation by making an effort. If you have a burning, restless urge to write or paint, simply eat something sweet and the feeling will pass. Fran Lebowitz

JADED WOLF STUDIOS-CHRISTINA MARTINEZ

This is my humble and crowded studio I refer to it as the wolf den. My little studio is a 10x10 bedroom. I have supplies in here for everything from painting, drawing, digital work, sculpting, shipping, and paper supplies. I somehow managed to fit in a "dorm" sized recliner (which I'm hardly ever in!) and an Elliptical machine. I fit all my electronics like the computer, its equipment, and the TV, DVR, and Stereo into my little closet cove. I wish I had more room of course, a walk-in closet for storage, and larger windows for better light.... but it works!

Links: http://weblog.xanga.com/JadedWolfStudios
JadedWolfStudios.etsy.com
Location: Fresno, California, USA

What art offers is space - a certain breathing room for the spirit.
John Updike

PAM HEAVRIN

What I love most about my 12' x 22' studio work space is this very large table that my husband builtfor me 16 years ago. It's 4' by 10', there is a shelf under it the same size and floor space under that. I have concrete floors since it's a converted garage. So, for warmth in the winter months, I need carpet. Next on my wish list is to get new carpet. My other favorite things are the three cushionedmats I bought from a beauty supply business. They have made a difference in how my legs feel at the end of the day.

Location: Paducah, Kentucky, USA
FIBER FOCUS MEMBER

Art is a kind of illness.
Giacomo Puccini

The true work of art is but a shadow of the divine perfection.
Rumi

OLIVE AND OLLIE

We live in a 100+ year old house. It still has so much charm and character, but it's been updated in all the right spots, like the kitchen and baths. My studio is in the dining room right now, so I can get some work done during the day while staying home with my two small children. Most of the time it's pretty messy, with piles of fabric and scraps around because I keep things out while I'm working, since I usually only have a few minutes at a time to jump on projects. But, I think it has just the right mix of traditional and modern, old and new that I instill in my creations.

Links: www.oliveandollie.etsy.com
www.oliveandollie.blogspot.com
Location: I'm just outside of Cincinnati, Ohio, USA.

I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and all the rest of it.
Federico Fellini (1920 - 1993)

ADELE THOMAS TEXTILE ART

I used to have fairies at the bottom of the garden, they lived quite happily with my return to nature corner of the garden along with the butterflies and spiders. I then decided after a very long spell away, to return to textiles after a parenting class had taught me to do what used to make me happy. I had taken over the whole of the living room with all my bits and pieces when it became obvious I needed a separate workplace. So this is my shed at the bottom of the garden with the chaos of too many things being dumped after demonstrations and not enough time to tidy away. I love my own workspace but I have found being in my shed a little isolating from the rest of the family. I have a lovely view across fields to the Exe estuary though, I think I am quite spoilt. I try to post regularly on my blog with my latest creations and discoveries, especially now I have finished the City and Guilds course. Keep stitching , Adele X

Links: adelethomas.blogspot.com
Location: Exeter, Devon, United Kingdom
FIBER FOCUS MEMBER

It doesn't matter if people are interested. It's about you taking your stuff and shouting out into the void.
Jadelr and Cristina Cordova, 07-11-2006

LINDA LYNCH

I absolutely LOVE, LOVE, LOVE my studio! I am a compulsive organizer. I get crazed while creating and make a gigantic mess until I complete my project, and then it all gets put away, maybe not right away..... My studio is my "sanity site." I can be me without any holding back. I sew, I paint, I pound on metal, I knit, I collage, I glue, I scrapbook, I embroider, I felt, and so much more!

Links: www.lindalynch.com

http://wwwlindalynch.blogspot.com

http://www.picturetrail.com/lindalynch
Location: Couer D'Alene, Idaho, USA
FIBER FOCUS MEMBER

To invent, you need a good imagination and a pile of junk.
Thomas A. Edison (1847 - 1931)

Lord Ronald said nothing; he flung himself from the room, flung himself upon his horse and rode madly off in all directions.
Stephen Leacock (1869 - 1944)

DREAMWOVEN

Space.............. the final frontier.

This is a collage of my space. This was prior to the 'big clean up". I had a studio built onto the house at the end of 2006, fully completed (with bamboo flooring, yum) by Feb 2007. Within a period of 3 months, I had outgrown it. Prior to that time, for at least 8 years, I had traveling studio space. It moved wherever I was comfortable, the dining room bearing the brunt of it. This last July I decided to split up my studio.... the real impetus was an 18 year old daughter who had vacated her room. I swooped in and made it mine. Now I have my studio where I do my paperwork and finishing work on my pieces as well as photography and shipping and I have a room for inventory and a wall to display a lot of the hand dyed yarns that I use. I am not a neat worker. In fact, once I cleaned up the studio and the inventory room, I could not create anything. Hence, my 'space' reference in the title. I work well with the "Big Bang Theory". As soon as I started bringing things in and laying them on the table in the studio, hanging them on hooks, placing them on cabinets, draping them on my chair, etc., pieces started to come together. If it is clean and tidy, I can't work. My brain is the same way. It is rarely, if ever, clean and tidy. It moves fast, makes connections on the cuff, searches out specifics and bundles ideas up so that I can use them. My work space is the same way.

Links: http://DreamWoven.blogspot.com
http://DreamWoven.com
http://DreamWoven.Etsy.com
http://DreamWovenSupplies.Etsy.com
Location: (She's in California, USA)
FIBER FOCUS MEMBER

If a cluttered desk is the sign of a cluttered mind,
what is the significance of a clean desk?
Laurence J. Peter (1919 - 1988)

VICKI DUNK

I love that i have a space to mostly call my own, but it is too small, especially when the kids are in there with me. My hubby says to ban them from the room, at first I didn't do this, they make me feel so guilty when I don't let them in, but now I really have to - they just make too much mess and take up too much room and distract me way too much (again with the guilt).

My favourite things in the room are my sewing machine and the fold out table that my dad built for me. It is at bench height rather than desk height so I can stand up and work when I want too - I really need a drafting chair as well, but it wouldn't fit in the room.

My dream studio would have a table for the kids, heaps of storage and display space, room to spread out a whole quilt and some nice comfy chairs so that my husband could sit and have a cuppa with me in there. I think my hubby should get me that dream studio for my big 4-0 this year!

Links: http://fiberartsmixedmedia.ning.com/profile/VickiDunk
Location: Townsville, Australia

You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet, still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet.
Franz Kafka (1883 - 1924)

CHRISTINA SILVERIO/HOYDEN DESIGNS

I love my workspace! It's right in the middle of all the family commotion. It's so inspiring for me to be with my family while I'm creating. The house we live in is a 1915 era cottage and all of the wodwork is original. The little table that I keep my newest paintings on is actually my grandmothers old sewing table, with some vintage luggage next to it that I store supplies in, and I have another corner by the window that I've placed a comfy chair and table that I can paint at. I really couldn't ask for more; I love it!

Links: http://www.hoydendesigns.com/
http://www.hoydendesigns.blogspot.com/
http://www.etsy.com/shop.php?user_id=59651
http://www.cafepress.com/hoydendesigns
Location: I live in the San Francisco Bay Area (California, USA). It's busy, but there are so many wonderful things close by that you can always find something fun to do.

You must have a room, or a certain hour or so a day, where you don't know what was in the newspapers that morning... a place where you can simply experience and bring forth what you are and what you might be. Joseph Campbell (1904 - 1987)

WATATU

As we have a web shop you can say our work place is mainly the cyber world. But we have an office, where we have the stock, and also in one corner a show room where our customers can come and try to see how to carry their baby. What we like most is when we go out and meet our customers during trade fairs or special events.

Links: www.watatu.com
Location: Vsterhaninge, Sweden
FIBER FOCUS MEMBER

The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.
Carl Jung (1875 - 1961)

CARYL BRYER FALLERT
/BRYERPATCH STUDIO

Caryl didn't submit a statement about her space, but she is a dear friend of mine and I know that this is her dream come true. Visit her website to see the rest of her wonderful space (and her gorgeous work!).

Links: http://www.bryerpatch.com/wkshops/BryerpatchStudioTour.htm
www.bryerpatch.com
Location: Paducah, Kentucky, USA
FIBER FOCUS MEMBER

My holy of holies is the human body, health, intelligence, talent, inspiration, love, and the most absolute freedom imaginable, freedom from violence and lies, no matter what form the latter two take. Such is the program I would adhere to if I were a major artist.
Anton Chekhov, 1888

RAYELA ART

Well, finally there is my space. Hmmmm... that phrase has been taken, hasn't it? This photo shows what would have been the dining room in a "normal" house. Ha! This is where I sew and where I pack product from online sales. These plastic bins you see are in every room except kitchen and bath. The computer is in the bedroom. I share my space with four monster dogs. That's Juba, there. It's a constant war against chaos. Unlike DreamWoven, who says she thrives in it, if things get too out of control, I can't think straight. I long for a wall where I can pin up queen size fabrics, for a table big enough to spread a large quilt out and more than anything, a space which I can close the door on. I feel kind of guilty because so many people around the world have so much less and I want so much more. But, on the other hand, the whole state of Kentucky has less people than metro-Chicago, where I came from, so there is room to spread out here. All I know is that home is where my stuff is!

Links: http://www.rayela/etsy.com
http://stores.ebay.com/RayelArt
www. the page you are looking at (Fiber Focus)
Location: Paducah, Kentucky, USA
FIBER FOCUS MEMBER

Note: Whew! This took a lot longer than expected. Please let me know if I made any mistakes. It was a challenge keeping everybody's info straight!

The Artist in Her Space: Creative Essence

Watatu: Kanga, Kitenge and Proverbs from Tanzania

Kanga and Kitenge

– a living part of the East African culture

The Kanga (also spelled khanga) is an about 1 meter wide and 1,5 meter long piece of textile, which is used mainly in Kenya and Tanzania as garment, for carrying babies etc. In Uganda it is called Leso. The Kanga is of cotton and is printed using the silkscreen technique with a frame (pindo in Swahili) and a theme (mji) inside it. There is also often a slogan or proverb (ujumbe or jina) printed on the textile. The Kanga is easy to fold, tie and wind. It is often bought in pairs, and then cut to two pieces – one to wrap around you as a skirt and the other piece around your shoulders.

Kanga

The ujumbe or jina here says “I wish you all the best”.

The Kitenge (vitenge in plural) is another kind of textile, but of a thicker quality, and it has usually an edging only a long side or not at all. It is printed using rotary spinning machines. Even kitenge is sold in lengths sufficient to cover ones body. Specific patterns are designed for national holidays, jubilees etc. While similar textiles as the kitenge can be found all around Africa, the kanga is specific for East Africa and it has a fascinating history.

Kitenge

Women of Zanzibar created the Kanga
In the middle of the 19th century there was an abundance of imported goods in the bazaars in Zanzibar. Textiles were imported from India, the Far East and Europe. The Portuguese contributed with printed textiles to be used as shawls. They came in 0.50 meters wide rolls with square patterns. Normally you would cut off one square and sell it, but some women bought six squares instead, cut it in two pieces and sew them together to get new patterns.

The story goes that the new patterns were called “Kanga” as they reminded of the plumage of the speckled guinea fowl. In Swahili, the word kanga means precisely that: guinea fowl. However, in the book “Kanga – the cloth that speaks” - available at Watatu - the writer Sharifa Zawawi, who is Professor Emeritus of Classical Languages, has a completely different theory on the origin of the word, which we will not reveal here.

”I am also a kanga”

”A wife is a fruit to take well care of”
In the beginning of the 20th century the trader Kaderdina Hajee Essak in Mombasa, often called Abdullah, got the idea of printing texts on the textiles, preferably proverbs from the rich Swahili cultural heritage. His textiles, which carried the trademark "K.H.E.-Mali ya Abdullah", quickly created a new fashion, which lasts up till today.

The texts are in Swahili, which is spoken in East Africa and Central Africa. It is the official language in Kenya and Tanzania (a union of Zanzibar and Tanganyika). The words on the kangas can often - if not just being printed for a jubilee or being political or religious slogans - have a double meaning. With a kanga you can indirectly say what you want to your neighbour, rival or others. The texts can be seen as document of historical and political events as well as prevailing values in the Swahili society and how they have changed during times.

The Mji and Jina (see above) are what characterizes the kanga and its popularity. The popularity of the Mji, that occupies the most important area of the kanga, save for its colours and the art, may be overshadowed by the context of the jina. The jina is usually printed in uppercase letters in colours that match the central motif and most likely on white background to improve its readability. Kangas without text are called kanga bubu – a dumb kanga.

The ujumbe or jina here says, “A wife is a fruit to take well care of”.

In the beginning the pattern at the kangas was printed by hand using wooden stamps. Nowadays it is an industrial item, where the textile industry in Tanzania has to compete with cheaper copies (but of less good quality) of kangas from India and China, where even the text in Swahili is copied.

In sorrow and happiness
In Tanzania the kanga is used for all events in life. When a girl is going to be married, she is covered with kangas. She is also given kangas as gifts. Also when people go to celebrate the birth of a child, the women put a kanga around the waist, and when someone has passed, and people go to pay their respects, the women put a kanga around the waist.

Also notice here the dress at the bottom is made of a kanga!

There is a special design of a kanga called kisutu. It has a beautiful pattern with a lot of details and you can get it in red and black or blue. The red and black one is called kisutu cha arusi and in Zanzibar the bride is wrapped in it at the wedding day. At the permanent kanga exhibition at the National Museum of Zanzibar, they tell you that this specific ”wedding kanga” has a bloody story linked to it. It is said that a woman killed her husband with a knife, because he didn’t give her this kanga.

Kisutu cha arusi

A kanga or kitenge for you
The kanga and the kitenge are wonderful products, you can really use them for everything. Our online shop has a wonderful selection of kanga and kitenge, other African textiles, baby carriers, African fashion, coffee, and much more! And, if you sew, kanga and kitenge work great in quilts or made into your own clothing, bags, curtains, or table cloths.




We are three old friends, Watatu (=three in Swahili), one from Sweden and two from Tanzania who are trying to promote the use of kanga and kitenge also outside East Africa. Do come visit our site!

Written by

Karin Zetterqvist
Watatu Textil
©Watatu

Sources:
”Textil i Afrika” by Erik Cardfelt, Karin Olsson
“Kanga – The Cloth That Speaks” by Sharifa Zawawi
Article “The Kanga” in Bang Magazine, July/August 2007

See Karin's article on Bark Cloth in Uganda.

Watatu: Kanga, Kitenge and Proverbs from Tanzania