TAFA: The Textile and Fiber Art List

Showing posts with label HeART of Healing Gallery. Show all posts
Showing posts with label HeART of Healing Gallery. Show all posts

Saturday, November 13, 2010

The TAFA Team's Catalog of Shops: Cultural Textiles

TAFA Team member, Catherine Bayar, sells vintage textiles, knits and is setting up a workshop for women in Istanbul, Turkey.


TAFA: The Textile and Fiber Art List was launched in February, 2010.  As it has grown, now to over 200 members, so have the members who have Etsy shops.  About half of us use Etsy as our retail platform.  We decided to organize as an Etsy Team (a program Etsy has for sellers to organize under themes or locations) and set up a blog where we can talk about what is important to us and where we can show off our shops.  The blog has eight pages of shops, divided into themes and serves as our Team Shops Catalog.  Although many of us sell things that do not fit neatly into those categories, most of us do have a focus.  I am introducing each of those categories here, hoping that this will encourage you to go over there and shop, shop, shop, until you drop!  These eight pages have over 100 shops, filled with wonderful eye candy that will surely delight anyone who appreciates all the many techniques and traditions that are found in the needle and textile arts. 

Today's focus:  Cultural Textiles
 
 Afghan Tribal Arts sells vintage textiles and beads from Afghanistan and the region.  
Many of the beads are hand-carved semi-precious stones which support artisans who have been living in refugee camps for decades.
 
 
Although I love all kinds of textiles and the techniques that go with them, I have to say that my passion lies with cultural textiles, especially embroidery from Central Asia.  I quilt and embroider and sew and make all kinds of stuff, but when I see these embroideries, touch them, and think of all of the work that goes into them, my mind goes into sensory overload.  That is part of the attraction for me: the skill, the use of basic materials to create something beautiful, the textures and images created in and through fabric and thread...  The other magnet is the knowledge that these pieces come from communities where crafts are central to the cultures they represent.  They bring with them centuries of stories, of traditions, of symbolism.  They are pictures of people, most of whom face terrible difficulties in our modern world.  War, famine, global warming, deforestation, pesticide use, land grabbing, aids, and so many other devastating perils threaten communities that we have called "ethnic" or "tribal" in the past.  Along with their displacement and poverty goes their knowledge and ability to produce the textiles and crafts that tell their stories.
 
 
 Valerie Hearder, a quilter, started African Threads to help women in South Africa find new markets for their embroidery and other crafts.  She has introduced contemporary images, like the Michael Jackson icon above, along maintaining traditional ones.
 
 
An understanding dawned on development leaders in the 1970's that crafts had potential as an economic development tool.  There was a handmade revolution back then, too, with the hippie movement and all of the do-it-yourself projects that were starting to roll out to market through kits.  Remember all the macrame projects?  Cutting glass?  There is a parallel that remains true today:  people who have exposure to making things themselves appreciate handmade things from around the world.  Other reasons for interest in cultural crafts have to do with travel, support for causes, empathy, and so on.  So, way back then, the Peace Corps taught the Otavalo Indians how to knit sweaters using Scandinavian designs, other development groups began looking at how crafts could employ the people they were working, churches saw that they could also do this and the concept of fair trade came into being.  Thirty years later we continue to see efforts all over the world, formally and informally, of using craft production as a means to both preserve cultural traditions and village structures through and economic development focus.  Many of these models have brought relief closer to home.  Alabama Chanin, for example, has successfully created a business which employs women in Alabama to make gorgeous handmade clothing using sustainable practices and materials.  All of our TAFA Team members who are working with cultural textiles also have social missions which encourage economic development in the communities they represent.
 
 Indira Govindan of dharmakarmaarts is an artist who is inspired by her Indian ancestry.  ALL of the proceeds of her Etsy sales go to support a handicapped project in India.


When I started TAFA, I made the conscious choice of giving both cultural and contemporary textiles and fiber art the same importance in sharing a common platform.  One of the challenges we face when working with these textiles is that they have been perceived as less valuable than contemporary work.  A weaver in Guatemala is called a producer or artisan while a weaver in Santa Fe is referred to as a fiber artist.  All of this translates into dollars.  As these traditions disappear, we will end up having a handfull of masters or living cultural treasures and then cheap imitations that are churned out by sweat shops or machines.  Already, the places in the world where carpets are still produced have dwindled to a handful of countries.  As they industrialize and destroy traditional nomadic or village life, the need for and ability to maintain production disappears.


 MayaMam is a new effort working with a weaving group in Guatemala.


All of us who sell online have to master many skills in order to present our goods successfully: we have to become great photographers, product designers, learn how to practice good customer service, learn about shipping to places around the world, and so on.  Our Team has many levels of expertise and we have implemented a mentor program where experienced sellers can guide the newbie ones.  Yet, none of us can move forward without support from a willing customer base, you!  Whether these textiles are purchased for their beauty or for the good that they do, there is a necessary bond that connects the maker to the seller to the buyer.  There has been a strong bias on Etsy against cultural crafts because most of us who sell them are not making the product.  Yet, the makers, in these cases, are often illiterate, have no access to computers, are living in terrible conditions and they need us as a bridge to bring their work to market.


 Dr. Christi Bonds Garrett of HeArt of Healing has one of the largest mola collections in the MidWest.  As an art quilter, she also loves vintage japanese kimono which can be cut up and used in new pieces.  As a practitioner of Integrative Medicine, Christi is especially interested in the Kuna medicinal traditions and how they are documented in their molas.  The above mola shows a Kuna woman working on a weaving while she smokes her pipe.

I find it interesting how many of us in our Team who work with cultural textiles also make our own work.  This cultural exchange is not new.  Picasso, Gauguin and many others were influenced by tribal or ethnic work that made their way to Europe.  The Moors changed the art of Southern Spain and Portugal.  With all of the technological exchanges we have in our world today, we see global fusion happening in all areas of life: crafts, food, music and even in the choices we make for marriage partners and social circles.  It's a fascinating time in history.  There is a constant choice we make in what to assimilate and what gets lost in the translation.  This is where the preservation of vintage textiles are so important.  We can keep them as references to the past while we explore new ways to relate to the present and future.


My shop, Rayela, has vintage textiles from around the world and remnants which can be incorporated into new pieces.  A special love I have: ralli quilts from India and Pakistan.


Interest in cultural textiles often leads to increased knowledge about the people who made them which can then foster actual connections.  Several of our members offer cultural tours specializing in textile production.  Valerie Hearder is taking a group to South Africa in 2011.  Fiona Wright (Glitzandpieces on Etsy) sells vintage saris and textiles on Etsy, but spends most of her time on workshops and leading her cultural tours around India.


 Wouldn't a cultural tour with Fiona be something to remember forever?

It's a beautiful world and we bring some of it to you through our Cultural Textiles.  Do not hesitate to contact the shops for more information on what they are doing.  We are a social group, anxious to make connections and friendships along the way!

Click here to visit our Cultural Textiles in our TAFA Team Catalog of Shops.

And, while you are there, click on the other tabs to see our other Team member shops.  We aim to be the best in textiles and fiber art on Etsy!




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Friday, April 23, 2010

Rayela Art and HeArt of Healing Gallery Welcome Quilters to Paducah!

Rachel Biel and Christi Bonds Garrett, AKA Rayela Art 
and HeArt of Healing Gallery, join hands and share 
in their love of cultural textiles.


The quilters are here!  The quilters are here!  The AQS event stirs Paducah into action, waking up the town after a wintry sleep.  Awaited with anticipation, the quilt show is our big yearly event, the core for those or us who love fabric and textiles in Quilt City USA.  I have had a booth at 212 Broadway in an antique store for three years now.  Ownership of the space changed and is now operated by Tanya and Randy, who have truly developed the space into a wonderful eclectic mix of antiques and local crafts.  Christi moved her inventory from her clinic/gallery in LowerTown to a large booth space across from mine making our combined space into a large ethnic delight of textiles from around the world. 

Rachel Biel in front of Afghan Tribal Arts' booth of beads.

Our friend, Abdul is also here,. renting a temporary space.  Stocked with beads, mostly semi-precious hand-carved stones from Afghanistan, his booth is a must visit for anyone who uses them in their work.  I like to incorporate beads and findings into my textiles and encourage other art quilters to think outside of the box in how stones can be incorporated into surface design.

Christi and I have many overlapping interests and then specialties that complement our product mix.  HeArt of Healings focus:  vintage kimono and molas.  Christi rattles off all the different names for the working, wedding, women's, men's and other kimono, how they should be worn and the techniques that were used in decorating the fabric.  There are hundreds of them!  Gorgeousness on racks!  Initially, her idea was to cut them up and sell them as fabric for quilters, but they are just too beautiful to randomly suffer attack under the scissors.  As her collection has grown, so has the quality, making them valuable pieces of wearable art.  She has often adapted her kimono to make them more functional for her lifestyle: if the sleeves and length are shortened, the remnants can be used in other projects.  And, the molas....  my, my!  What a stunning collection!

Christi Bonds Garrett modeling a kimono and 
straightening a rack from her booth.


Rayela Art focus:  My textiles are mostly from Central Asia, although I have started branching out and investing in small objects for the booth.  I was able to purchase some fair trade items that add a fun touch to my space: Bolivian instruments and dolls, palm visors and fans, and lots of Indonesian sarongs, always a big seller.

I get a big kick out of seeing all the action downtown during the quilt show.  Paducah becomes alive and we all benefit from both the financial contribution the quilters bring to our local economy as well as the relationships that are formed during this time.  I've met a couple of my cyber friends in person for the first time, transforming names and photos into real people, which was great fun.  And, there is just a wonderful exchange of stories and sharing that happens which is truly wonderful.

If you are in Paducah, please do stop by the Antique Galleria and visit us.  We are just a couple of blocks from the Quilt Museum, down by the flood wall.  If you are not here, then visit us online:

Rayela Art
HeArt of Healing Gallery
Afghan Tribal Arts


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Monday, December 21, 2009

Rayela Art and HeART of Healing Gallery Bring the World of Textiles to Paducah!


Handmade ornaments from Thailand, India and Indonesia

Dr. Christi Bonds and I, Rachel Biel, have a passion in common: textiles!  Both of us are members of Paducah Fiber Artists, a group that meets monthly for show and tell, potluck and support.  Both of us quilt.  And, both of us love textiles from around the world.  Christi, a medical doctor who practices Integrative medicine, has an alternative health clinic in the heart of LowerTown's art neighborhood.  A large gallery room was dedicated to this love of textiles, housing HeART of Healing Gallery.  I had a booth downtown at 212 Broadway and was working two afternoons a week at Christi's gallery.  We decided that it would make sense to move the gallery downtown and free up the space for more health related programs.  We now have both of our booths across from each other, separated by an aisle.  It looks like one big ethnic textile shop! 



HeART of Healing Gallery's new space 
at Antique Galleria, 212 Broadway in Paducah




Rayela Art's booth faces HeART of Healing's

The booths work really well together as we have different specialties.  HeART of Healing Gallery has grown an impressive collection of molas made by the Kuna Indians in Panama.  Most are unfinished panels that can be framed or made into pillows, bags, or incorporated into quilts.  But, there also many mola blouses, an unusual find in most mola circles.  The blouses have panels on front and back and are set into the traditional gauzy floral fabrics so loved by the Kuna women.  These people are tiny, tiny, so most of us will have to enjoy these blouses as textiles, although I suppose they could be altered to fit some of us more Nordic types.


Kuna mola blouses from Panama

Another major focus found at HeART of Healing's booth are scores of vintage Japanese kimono, both long and short.  Christi originally bought these for the fabric as many quilters enjoy working with it, but we have found that our customers also love wearing the kimono.  So, cut it up or put it on, it's up to you!


HeART of Healing's closet of Kuna blouses and kimono.


Kimono + windchimes = good feng shui at HeART of Healing!

Rayela Art's focus moves to Central and South Asia: textile stamps from Afghanistan, ralli quilts from Pakistan, and Suzani embroidery from Uzbekistan. 


Rayela Art's textile stamps are always a big favorite!


Ralli quilts: use them on your bed or hang them on a wall.




Rayela Art also carries tribal and vintage clothing, 
kilim rugs, Indian spreads and other textiles.

 
Uzbeki coat and sarong from Bali, both Rayela Art.


Both of our booths also have plenty of small gift items, jewelry and interesting crafts that are bound to find their way to someone's home.  HeART of Healing also has a nice display case filled with African beads and some nice sculptures, not pictured here. 



HeART of Healing: Chinese cosmetic pouches, 
Oaxacan carvings, and more!


Rayela Art: Chinese statues and Moroccan lamps.



HeART of Healing: bamboo woven porcelain, 
bone carvings, Quan Yin, and jewelry.



Rayela Art: natural seed jewelry, tribal necklaces

Between the two of us, anyone who loves cultural textiles and crafts are bound to find something they like!  Nikki May of IList Paducah was kind enough to mention us in her tour of historic Paducah's hot shopping spots.  We invite you to travel the world with us, sharing in this wonderful gift of creativity and talent that connects all craft and textile people to each other!

Both Rayela Art and HeART of Healing Gallery have shops on Etsy.

Learn more about us on our websites:


HeART of Healing




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