TAFA: The Textile and Fiber Art List

Showing posts with label Georgia. Show all posts
Showing posts with label Georgia. Show all posts

Wednesday, October 6, 2010

Invoking the Muse "with a little help from my friends"...



I just issued a challenge to the TAFA Team (TAFA's members selling on Etsy) to explore the theme of "Invoking the Muse" in blog posts, treasuries and in any other way they can think of.  As I chewed on what that meant for myself, I thought about two things:
  • The creative place is an altered one, the closest I experience as described by mystics who engage in prayer or meditation.
  • That altered state is often enhanced by our "friends": alcohol, caffeine, sugar, nicotine or other mood alterants.
Howard Finster came to my mind.  An outsider artist and preacher from Georgia, Howard Finster has passed on to the ultimate altered state, death.  But, his work continues on as a legacy.  I love how his pieces are sermons of his world view (not necessarily my own), but his story also captivated me a long time ago.  Finster was a revival preacher until one day, when he was fixing a bike (if I remember correctly), a splotch of oil on the ground looked like Elvis to him.  He saw that as a calling from God to become an artist.  Finster is often described as a "man of visions", not only because of his huge body of work (all supposedly numbered into the tens of thousands), but because he also had actual hallucinogenic encounters with Elvis, Marilyn, Kennedy and other icons of our pop mythology.

Why?  Maybe because he only slept four hours a night, added sugar to his coca-cola and drank chicory coffee all day and night.  He produced so much work that his wife laid down the law and allowed one piece in the house and the rest had to be outside.  That led to outdoor sculptures, the creation of Paradise Garden, and his growth into a tourist attraction, much to the chagrin of his neighbors.

In his book, "Howard Finster", JF Turner, addresses this question of altered states among artists.  He quotes Dr, Dean Edell, to whom he showed samples of Howard's work:

"If I knew nothing about this man and just looked at his art, I wouldn't be surprised to find that this person was a chain smoker and a coffee drinker.  Nicotine and caffeine have synergistic effects on the body and the mental state.  In one test where nicotine was given by injection and not identified, many of the subjects throught it was cocaine.  Nicotine is a very strong "upper" that has effects on the mind that are only now being unraveled...

... You don't have to look deep or hard in art history to find a relationship between artists, alcohol, and even chain-smoking.  This is the sense that people utilize to keep them going.  It would be hard to imagine somebody like Mr. Finster putting out his kind of energy in a consistent way without some pharmaceutical or spiritual help, and that in itself alters aesthetic expression.  Mr.  Finster is borderline, meaning only  that he experiences hallucinations.  By this definition, most of the world's great visionaries may have been psychotic.  I think that with high dosages of caffeine and nicotine, a borderline personality can be thrown into a visionary or hallucinogenic state."

Notice how the good doctor says "pharmaceutical or spiritual help" but does not explore the spiritual side of this formula.  Finster was driven by both.  He was deeply motivated by what he felt he needed to share with the world through his direct connection with God.  As his art was a sermon, so was his message to anyone who would listen.  Here's an example (feel free to roll your eyes...):





I know I have my mood alterants.  For me it is nicotine and wine.  I'm one of the last smokers that I know and hate it.  I've tried to quit so many times that it's become like Mark Twain's quote, "Giving up smoking is the easiest thing in the world.  I have done it thousands of times."  I've been seriously considering going the medicated route and am scared to death of messing with my chemical balance.  For, even with this horrible crutch, I am even tempered, wake up happy, and rarely feel any signs of depression.

But, even as I feed my muse its offerings of smoke and the red fruits, I believe that my creative spirit comes from a deeper place, from my own understanding of God's grace.  Whatever you may call God, for me it is a place of love, forgiveness, and meaning.  The world view I was taught as a child fits within that, but it also goes beyond any intellectual understanding of what faith may be.  My father once described faith to me as stepping out into darkness.  That image stuck with me because that really is what life feels like.  Decisions are made, chances taken, doors open and close, with no real knowledge of what the consequences will be down the road.  When I enter the creative mode, something physical happens where that darkness is lit up.  It's the only way I have been able to experience mysticism. 

If we, as artists, really can be diagnosed as psychotic, then what happens in a healthy world?  Does the drive disappear?  I don't think so.  The same energy is re-harnessed with a different drive.  Perhaps those of us who need some help from our "friends" are only doing so because our bodies are out of balance and we compensate in this way.  Something to chew on...

I was able to make my pilgrimage to Paradise Gardens many years ago.  Mr. Finster was still alive, but not well on the day that I was there.  His grandson had him sign some pieces that I bought there in the gift shop, but I did not meet him in person.  I walked around and let Howard's art fill me with joy.  What I know for sure is that we must all invoke our muses and allow them to speak loud and clear.  The world is full of angels.  Mr. Finster was one of them.



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Monday, June 15, 2009

A Pilgrimage to the Santa Fe International Folk Art Market


If I were to go anywhere in the world as a pilgrimage, my choice would be the Santa Fe International Folk Art Market. I can't think of another place that would be a Mecca of all my interests in culture, people and the wonderful things they make. Sure, there are many other folk art festivals that would be interesting, but this has to top them all! Every year I hope I can go and so far I haven't been able to afford the trip. You see, it's not only going there and experiencing the environment that would thrill me, but I also would want to buy, buy, buy!!!! Someday it will happen!

Meanwhile, you go. Go be my eyes and ears and report back about how much fun it was! Tell us all about the wonderful people you met and what treasures you bought. The Market will be loaded with all of the ingredients to make anyone clap with joy, dance with delight and participate to their heart's content. There will 140 artists present representing 41 countries! You can travel the world just by walking around! Workshops, ethnic foods, live music and cultural presentations combine to make this a world event in one of the most interesting cities of the world.

Here is a video from last year's market:



My biggest joy would be to interact with the artists and see them at work. The International Folk Art Market's website has a full listing of those who are scheduled to come with a bio of their work. I picked a sampling just to give you an idea of the wonderful diversity of both regions represented and the work they produce, although I have to admit that even though I love all craft forms, I do tend to gravitate towards the textiles. The photos and text belong to the Santa Fe International Folk Art's site and I am quoting a partial bio just to entice you over to their site. Click on the Artist's name to see their full page.


Peru
Artisan Committee of Centro Poblano de Chijnaya
Chijnaya Foundation
Embroidery
The Andean village of Chijnaya was born after a flood in 1963 devastated villages near Lake Titicaca. As part of the resettlement project, and through the influence of Peace Corps volunteers, the concept of having the children embroider scenes of daily life took hold. What emerged were “bordados” employing hand-dyed alpaca yarn embroideries soon captured world attention and on a ground of “bayeta” or hand-woven simple weave woolen cloth.



The Palestinian Territories
Sulafa Embroidery Shop/project of the United Nations Relief and Works Agency
Embroidery

The United Nations Relief and Works Agency runs a self-supporting embroidery program which employs over 500 refugee women in the Gaza Strip to produce articles to sell at the Sulafa Embroidery Shop, helping preserve valuable traditions and increasing family incomes.


Niger
Silver and Gemstone Jewelry

Moussa Albaka is from Niger, Africa, and as a metal-smith he designs gorgeous jewelry using sterling silver, Tuareg silver and semi-precious stones. His techniques include engraving intricate geometric designs, using decorative inlay, and a lost wax process.


Georgia
Georgian Textile Group
Embroidered, Woven and Felted
Textiles and Objects
Nino Kipshidze, founder and president of The Georgian Textile Group (GTG), has been involved in crafts since her studies at the Academy of Fine Arts. GTG is an association of artists, designers, researchers, art historians, and ethnographers working to revive and improve the quality of Georgian folk textile art and craft and to support artisans works and by creating an international market for their work.


Brazil
Tesoros Trading Company
Woodblock Prints and Chapbooks


José Borges, one of Latin America’s most celebrated folk artists, wields his knife and piece of wood in his humble workshop, attracting collectors and curators from around the world. Considered an unlettered folk poet, Jose has more than 200 cordel, or chapbook, titles to his name and is still writing.


Yuzhen Pan
China
Minority People Textile Folk Artists Cooperative of Southwest China
Weaving, Embroidery and Batik
Yuzhen’s family continues to farm in Guizhou while she lives part time in Beijing working in an embroidery workshop and selling Miao textile items at an open air market.

*****

As you can see, each artist comes with a story, a life-line that connects them to their region. It will surely be fascinating for anyone who can make it to the festival. But, I also think this is such a profoundly valuable opportunity for all of the participating artists. I have worked in multi-cultural groups for many years and remember how disturbing it was to me that each group has its own set of biases, misconceptions and stereotypes that can lead to racism and narrow-mindedness. This is not only about white people learning about the world and "helping" through their dollars, but instead, contact and interaction opens all people to a larger world filled with new opportunities. We all have the need to both give and receive, to teach and to learn, to share and to grow and this makes the world a safer, healthier and more dynamic place to live.

If you make it to the Market, please report back here and tell us how it went! Or, if you like to write, I would love to have your experiences documented in a post. Take lots of photos and share them with us! Someday I will make my pilgrimage, but until then, enjoy yours!

Visit the Santa Fé Convention and Visitors Bureau for travel info.

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