TAFA: The Textile and Fiber Art List

Saturday, December 24, 2011

Happy Holidays from Rayela Art!



I had a lot of fun putting this Christmas card together.  My friend, Pat, took about 20 photos of me and the dogs sitting on the porch outside of my house.  My dogs HATE being photographed and I look like I am choking them in all the pictures.  At least on this one, they are both sitting next to me...

I send you my best wishes for a wonderful Christmas if you celebrate it.  And, along with that, may all of you have a great end of the year and receive the new one with the hope and joy that comes with new beginnings. 

Peace on earth!

Good will to all!

(Lofty aspirations for the mess we live in, 
but we can all keep on trying and hopefully make a difference...)

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Thursday, December 8, 2011

Art Quilt Challenges by Donna Hussain

Monochromatic exercise, quilt by Connie Horne.

Recently a group of my quilting friends in Sacramento, California (USA) decided to form Pins and Needles, a new quilt circle that would focus on making art quilts. Most of us had mastered traditional quilting skills, but now wanted to learn about basic art and design principles such as balance, perspective and scale, concepts that painters, sculptors, and photographers apply to their work. We also wanted to use materials such as beads, stamps, mirrors, paints, and a wide range of embellishment techniques but were reluctant to experiment on our own. Group support has helped our members venture into new avenues of creativity.

Monochromatic exercise, quilt by Donna Hussain.

This past year we studied one chapter a month of The Quilting Arts Book by Patricia Bolton and made small samples of the techniques described in each assigned chapter. Circle members also participated in two major quilt projects: the making of monochromatic quilts and sewing two panoramic quilts of the Sacramento skyline.

Monochromatic exercise, quilt by Helen Burke.


Making monochromatic quilts was an exercise in value. One of our members collected paint chips from a paint store and put them in a paper bag. With eyes closed each member of our circle drew one of the paint chips from the bag. The color of the paint chip determined the color of the 9x15 inch quilt each member was required to make.  Only light and dark fabrics of the paint chip’s color could be used. The quilt design was up to the individual.  After three months all of the participants brought their monochromatic quilts to our monthly meeting.  We were thrilled with the results.

Monochromatic exercise, quilt by Kim Brownell.


Monochromatic exercise, quilt by BJ Bailey.

For the second major group project our art quilt circle decided to make a panoramic slice quilt, chosing a photo of Sacramento’s skyline taken by Evan Wisheropp (the son of one of our quilters)  to be the image we would reproduce in fabric.

Donna Hussain's working copy of the skyline.


A committee of three set the guidelines and rules for the project. Since ten quilters wanted to participate in the project, the committee decided that we should make two identical panorama quilts, five slices each.  After deciding what each of the finished quilts should measure (70 x 220 inches) the committee printed two enlargements of Evans’ photo that size.



Each paper enlargement was then cut into five vertical segments (14 x 44 inches). After outlining the basic shapes on the patterns with felt pen the committee randomly distributed the slice patterns to the quilters. We quilters were advised to pay attention to the horizontal lines on the patterns so that the slices would match up when joined together.

Each quilter also received a 4x6 inch color photo of the panoramic scene to help in the selection of fabric colors for her slice. Since we planned to hang the five slices of each quilt from a single sleeve we were told to omit a traditional quilt binding.  To cover the edges of my quilt I added ¼ inch to the pattern specifications for the quilt top (but not to the batting or back fabric), then folded the ¼ inch excess to the back of the quilt and secured it with a hem.

Sacramento Skyline I, Quilters left to right:
Lori Wisheropp, Denise Schmidt, Helen Burke, Judith Imel, Sunni Hamilton

The committee requested that the quilters work independently, not showing their quilts to others during their construction. We were given five months for the completion of the slice panels. As you can see from the pictures that accompany this article the panoramic quilts turned out to be spectacular.

Sacramento Skyline II:  Quilters left to right:
Connie Horne, Jan Soules, BJ Bailey, Donna Hussain, Kari Bauer

At our December meeting of Pins and Needles we will be choosing an art quilt book for the coming year that has exercises to help us refine our artistic skills. In addition we will be collecting suggestions for one or two group projects for 2012.

______


Note:  The images and drawings on the skyline are copyrighted and used with permission here.   Several people were involved in the process and are available if you would like to commission a similar pattern for your own photo:

Step 1: photoshot in the Yolo Causeway. Photographer; Evan Wisheropp 
Step 2: Photo manipulation: Lori Wisheropp and Sandra Torguson
Step 3. Cartoon sketch; Sandra Torguson
Step 4: Combining sketch and ghosted photo image and full size print output pattern: Lori Wisheropp
Step 5: Distribution with full size pattern and small photo for reference.


California quilter, Donna Hussain, has exhibited in major quilt shows around the country, authored books, and is a regular contributor to Fiber Focus. Click on her name to see all of her past articles. 

The photo shows Donna with her husband, Pascha.
 

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Saturday, December 3, 2011

Obsessions Manifested: Stereoviews

Stereoviews on Rayela Art

When I was a kid, I spent my allowance on two things:  arts supplies and stamps.  Both were obsessions.  If I wasn't making something, I was organizing my stamps, spending hours and hours pasting them into my various books, eventually ending up with over 15,000 of them.  Yes.  I counted them!  I learned a lot about the world through those stamps.  How different countries called themselves, their landscapes, historical happenings.  It broadened my interest in the world and I traveled around through them.

Now I have a new obsession:  Stereoviews.  Also called stereographs, stereo optic cards, and many other names, these photos were the first 3-d images to capture the public's imagination and thirst for world travel.  A special camera with two lenses captured the scene at a slight change in position.  When mounted on a card, side by side and viewed with a viewer (called a stereoscope), the images popped into 3-d:

Stereoscope

I've picked up a couple, here and there, at antique shops, just because I thought they were interesting.  But, recently, I was able to purchase a whole slew of them, around 300 cards and have started to organize and list them on Etsy.  You can see them in my shop:  click.  I didn't really have an idea of their value so I've had to do some research.  Stereoviews enjoyed over 60 years of popularity and millions of copies were made.  They were used as educational tools, parlor entertainment, and were treasured as windows to the world.  Photographers captured the Wild West, historical buildings, everyday scenes, theatrical plays, vegetation, animals, and almost anything you can imagine.  They are an invaluable record of life in the late 1800's.

The earliest stereoviews were actual photos pasted on to cardboard.  Later, lithographs were made of those same photos and towards the end, collections were printed by the thousands.  Of course, the most valuable are the earlier ones, dating before the 1880's and those of photographers who became famous and collectable. About half of the ones I have are lithos and the other half are the old photos.  Many are in poor condition, but who knows?  Maybe a couple will win the lottery!  As I list them, I look them up on google and have been fascinated by the stories I am finding.

One example is of the Cliff House:

Cliff House Stereograph on Rayela Art

The above image is the card that I have for sale.  It has a fold in it and is not a great, collectible item.  Looking at it, I wondered why anyone would build a big old mansion on the end of a cliff like that....  Turns out there is whole story behind it and one man has made his obsession manifest:  Gary's Cliff House Project.  He has pages and pages of documentation on this grand old hotel in San Francisco, visited by Roosevelt and other dignitaries. 



Gary's project is a fascinating documentation of history zoomed in on one spot on the globe.  The Cliff House did not last long, consumed by a fire in 1907:

Cliff House Fire

His site documents the fire, news stories, reconstruction, and on to current day images of the site, a total transformation.  One could spend hours going through everything he has collected.  Why?  Because this snapshot somehow tells us about our own history, how our collective past shaped the world as it is today.

The photographers who went out and collected these images had to have an adventuresome spirit and the physical ability to face the challenges of carrying the equipment and putting up with the hazards of travel: no infrastructure, living in tents, exposed to the elements and to hostile encounters.

"Taking a tramp in the country"
Universal Series, Stereoscopic Gems
Of American & Foreign SceneryCopyright 1901 by C. H . Graves

One of the photographers who made his mark on history was T. Enami, a Japanese photographer who captured the late 1800's and early 1900's in Japan with thousands of sensitive, beautiful and historical images.


Rob Oechsle has a website dedicated to his work, T-Enami.org, another place you can spend a good chunk of your day.

Photos by T. Enami


As the stereoview obsession grew, so did the publishers who collected images and reproduced them, often without any thought of copyrights or ownership.  I have a couple of Japanese litho cards listed, but do not know if they were originally Enami's:
Vegetable Peddler, Yokohama, Japan

Shinto Priests in Tokyo

Some of the commercially printed cards have stories about the image on the back.  These can provide some pretty shocking attitudes of the times, especially towards native peoples.  I have this card listed of an Egyptian girl:

Portrait of Bisharin Girl, Stereoview
The text on the back says:

No. 1380. PORTRAIT OF BISHARIN GIRL, UPPER EGYPT

If beauty is but skin deep, so is ugliness, and both are a matter of taste. May we not assume that the boy in the background personifies open-mouthed wonder at the beauty of the idol of his heart? Or did the poet think that this girl when he smote the lyre, singing: "A kiss from her two rosy lips would make me hale and whole?" The man who took this picture is authority for the fact that the original was the proud daughter of the richest man in the village, who owned twenty goats, two donkeys and four camels, a wealth unparalleled among all the Bisharin tribes twenty miles around, and that she was considered a great beauty among all the marriageable young men of her race, but was held as a great prize by her father who would not give her away for less than one camel and ten goats. The background of the picture is formed by the wall of the tent, made from plaited grasses and stretched on poles which the Bisharin call a house, easily folded together and carried away on a donkey's back, when the animals have eaten up the scant vegetation in one place, and quickly set up again a few miles further on.

Yikes!  Ethnocentric to say the least...

It will take me awhile to get all of my cards listed and I will have to re-open my shop on eBay.  That is where the stereo view community congregates and I don't want to overwhelm my Etsy shop with non-textile items.   I'll announce it here when that happens, so stay tuned.

How about you?  Have any obsessions manifested themselves in your life?  Collectors often seem like the nut in the hood, but some of these obsessions have also preserved stories from the past for the rest of us.  Is it a mis-fire in the brain that takes us to an extreme in pursuing an interest?  Or, is it the same part of the brain that propels scientists to zoom into the minute details of how the world operates?  Share your obsession with the rest of us.  It is bound to be an interesting story!

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Thursday, December 1, 2011

New Textile Stamps from Oshiwa!

Oshiwa on Etsy

We got some more textile stamps listed on the Etsy shop.  We used an old, rusty iron table that I have as a background and they just pop!  

Oshiwa Designs is a fair trade carving workshop in Namibia.  Rayela Art is their North American rep.  These stamps are great to use to print on fabric or paper and can also be used to press into clay or soap.  The carvers insist on making one of a kind designs, although there are similar themes that pop up often, like elephants...

Oshiwa elephant printing stamp.

Here are a couple of examples of fabrics printed with the stamps:







Great gifts for your artsy friends and a wonderful stocking stuffer!  Come shop!




Paulus, one of the carvers, shows how to use the stamps on fabric.  

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