TAFA: The Textile and Fiber Art List

Showing posts with label Trim. Show all posts
Showing posts with label Trim. Show all posts

Thursday, September 30, 2010

A Different Memory Quilt: Mom and Dad's 50th Anniversary

Donna Rae Gislason and Cliffored Eugene Biel

This year Memorial Day weekend was a special time indeed.  My parents celebrated their 50th anniversary in Wisconsin.  There was a big party organized by my brother and sister-and-law at a hotel, my sister had worked on invitations, sang at the reception, put party favors together, and I offered to make a memory quilt for my parents.  Ha!  I knew that it couldn't be big as their wall space is already loaded with the memories 50 years can accumulate.  And, as my mother told me many Christmases ago, "Please!  No more art!"  She just didn't know where to put it all and it ended up in drawers.

So, the challenge was to come up with something that they would want to display, that would not be too intrusive and that could reflect my genius.  Heh, heh.  I chewed and chewed and chewed on ideas.  The celebration was getting closer and closer.  (I had had TWO years to get this together, but of course....  procrastination is queen.)  I toyed with an idea of creating something that could be hung on the wall or folded into a box.  As my parents have had Christ and the church as the anchor of their lives, I was trying to figure out how to make a cross shape work in that way.  If you flatten out a box, it will look like a cross...  Well, I gave up.  I ended up making a "book" with memory pockets.

"50 Years", Memory Quilt by Rachel Biel, front

I transferred four of their wedding photos on to fabric and stuffed the inside with cardboard to stiffen the panels.  The panels are held together with vintage sari fabric and decorated with vintage lace and fresh water pearls.  The whole thing can be folded up and stored as a book.  One structural headache was figuring out how to make the piece stable enough to stand upright an yet have enough room to fold it up.  This was resolved by crimping the sari fabric at the top with decorative clamps, not pictured here.


"50 Years", Memory Quilt by Rachel Biel, back


The back of each panel has a pocket for memories.  I used vintage crocheted doilies to make the pockets.  Then, I sewed little sachets out of old photos, also transferred on to fabric, and stuffed them with lavender.  A friend from Brazil made a booklet for them which fits in the pockets and an aunt also came up with a little collage.  The pockets also hold all the cards they got at the reception.

Each panel was machine quilted, front and back, before I assembled them together.  The tricky part was flipping the panels once the sari borders were added.  I closed the tops with  a fiery red trim that also has some symbolism, at least for me.  Flames often adorn the tops of Mexican religious popular art.  In this piece, these are the flames of love.


"50 Years", Memory Quilt by Rachel Biel, detail, cake





Cliff and Donna Biel, September 2010

Fifty years is a long time to be married, especially nowadays when 25% of couples in the United States choose to live together in partnership rather than being married.  My own marriage only lasted for four years.  Are my parents soul mates?  Their personalities are very different from each other, as are their interests and hobbies.  I'm sure that this has been a source of frustration from time to time, but I cannot imagine one without the other.  All of us are rather eccentric, difficult people in our own way, but at the core of their marriage is the belief that their union is holy, set apart to do God's work.  Within that framework, they bend and accept and work towards becoming a better partner for the other.  It is not a perfect marriage, but one that I tried to emulate.

"50 Years", Memory Quilt, detail, Hope Lutheran Church


A year after they were married, I was born.  Six months later, they took off to Brazil for 18 years of service as Lutheran missionaries.  They were 24 and 26 years old.  Babies, it seems now.  They went through language school, immersed themselves in a culture that experienced profound transformations while they were there, and gave each of us a childhood we will never forget.  I have started to document some of this in my blog, Biels in Brazil.


Relatives whom I had not seen for years and years came to the reception, a wonderful reunion!  One of my aunts brought a gift which was very exciting for me and this blog that I am working on.  She had saved the letters my mother had written during their early years in Brazil.  Loads of them, packed with interesting information of life in Brazil during that time.  I will slowly transcribe these letters to that blog.

Another highlight at the reception was a viewing of the dress my mother wore for her wedding.  The dress had originally been made for my aunt LaVonne, who married my Dad's oldest brother the year before.  Stan and LaVonne are my godparents.  Many years later, Laurie, their daughter, also wore the dress in her wedding.  My sweet niece, only 11 yeas old, modeled the dress and all former brides posed with her.

 
Wedding dress with former brides.

Fifty years points to one undeniable and inescapable truth:  we are all aging.  My parents are now in their 70's, I am approaching 50 and my brother and sister agree, "Yes, my hips hurt, too."  We have almost lost my father twice now, once to a diabetic coma and once to heart disease.  We came together to celebrate a life well lived, while lurking behind that joy is the certainty that we will also come together to bury one another.  Who will be around ten years from now?  We don't know.  What we do know is that their love for each other and for each of us empowered us to come into our own selves fully and with courage.  Within our flaws, weaknesses and failures, there is also the certainty that we have been loved, accepted, forgiven and blessed.



Was my gift a success?  My father wrote me in a thank you note:

"Dear Rachel,

The celebration of our golden was golden indeed.  Thanks for being a part of it.  We appreciate all of the hours of work and creative effort it cost to make the quilted family panel you made.  We will always cherish it.  Donna is already making plans of where she wants to take it and who to show it to.

You children are all so special to us!  Each is so different from the other.  Each is gifted in a different way, yet the bonds of love and faith hold us powerfully together.  

Again, thank you!

Love, Dad



Yes, it seems that they liked it.  However, I am the one who is filled with gratitude.  Mom and Dad, I thank you for those fifty years of love and example that the two of you have given us.


"50 Years", Memory Quilt by Rachel Biel, detail, Kiss



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Wednesday, May 12, 2010

Sari borders! A great way to make your sewing projects look rich and royal!

Vintage sari (saree) border, available on Rayela's Etsy shop.

I just listed several vintage sari borders on Etsy.  Hmmmmm....  Do I really, really want to sell them?  No, no, no!!!!  I want them!  Oh, the difficulty of parting with such gorgeousness!  But, I have my own stash, so I just have to do the right thing and pass them on to others who will also know how to use these wonderful remnants.


These sari borders are all from India, rayon, and commercially manufactured.  At least, I assume that none of them have been hand woven.  They are probably around 20 years old, salvaged from saris that became worn, torn, or stained.  Handwoven saris from the good old days actually included real metal threads in the brocade (silver, copper, brass, and even gold).  Until around the 1970's, those old saris that were damaged were burnt to recover the metal content.  Then, the fiber lovers from the West started buying up vintage textiles in Asia and a new market opened up for salvaged textiles.  Now, there are many cottage industries in India and Pakistan that work solely with these salvaged textiles, making quilts, pillows, bags and other things out of the handmade embroideries and weavings so abundant in their ancestral traditions.


The great thing about these sari borders is the length.  Most of the rolls I listed have around 7 yards of length to them, plenty to work with in any project!  Because of their age, they do have weak spots and small tears.  I usually use a light fusible backing to support those areas.


The rich colors and metallic threads transform plain fabrics and projects into royal beauty!  Those of you who enjoy a Victorian look will especially love what the borders can do for your projects.  Imagine them accenting curtain bottoms in a room that blends old and new....  Ah, yes!



Rayela Art hats, using ultrasuede and vintage sari borders.



I've used the sari borders in hats, bags, pillows and in one quilt.  Projects need to take into consideration the fragile nature of the borders.  So, using them on a jean jacket or a purse that will take a beating might not be the best use of the trim.


 Rayela Art evening bag: ultrasuede, sari border, beads and trim.

I had great fun using the borders in a quilt that I made for a friend.  I really need to get a better photo of the quilt, but here is one that will at least give you an idea of how the border was used:




The border frames the top and bottom of the quilt.  You can see the top here.  This is a huge quilt, part of the reason why I haven't gotten a good photo of it yet.  Terribly difficult to display with proper lighting.  It took me nine months and over 1,000 hours to make.  

There.  Now you have an idea of what you can do with these vintage sari rolls.  Click here to see what is available on my Etsy shop.  If I am out of stock, know that I will get more in soon.  Have you used these in your work?  I would love to hear about your ideas on how to use them, too!





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Wednesday, June 3, 2009

Magical Mending with Laura Foster Nicholson

Uzbek Bag Magically Mended with LFN Artist Ribbons

by Laura Foster Nicholson


I bought a wonderful Uzbek embroidered bag 2 or 3 years ago – totally covered in a silk cross-stitch, and finished with handles and bottom made of a hand-woven, silk satin-weave ikat fabric. It was run through with gold mylar threads.

Well, what a conundrum. The needlework on the bag – I believe it is Tadjik – is glorious. Weeks of work in fine, tight stitches. The bag itself was thrown together with a rayon lining and zip, and the satin ikat trim was destined to wear out quickly. So I have been gradually reinforcing and mending this wonderful item with my own ribbon. Nearly all of the satin is worn out – the bottom remains but it will have to be patched soon.

The first thing to go was the connection between the handles and the body of the bag, so I patched the junctions with squares cut from my Dandelion and Labyrinth ribbons, which went well with the colors of the bag.

Dandelion Ribbon by LFN Textiles


Labyrinth Ribbon by LFN Textiles


You can see that the satin is really frayed here:

Uzbek bag in need of strengthening.

Now the straps have worn through, so today’s job was to reinforce/cover them with ribbon. I used a black 1 ½” grosgrain and sewed it first to the underside of the handles straight through the old straps. Then I turned the strap to the face, and sewed on my Samarkand Scroll (Yay! An Uzbek-inspired pattern) to the face of the strap, centering it along the way. I sewed it down with a decorative feather stitch. The craftsmanship is more “direct”, I would say, than “careful”, but in the spirit of the original it gets the job done.

Uzbek inspired Samarkand Scroll Art Ribbon by LFN Textiles


Detail of mended Uzbek bag using LFN Art Ribbon.


This should get this bag through the next 6 months of daily use; then I will have to amend the bottom of the bag and will probably use another Labyrinth ribbon – or maybe Samarkand in emerald.

Samarkand Art Ribbon, Emerald, by LFN Textiles
Uzbek inspired!

Laura Foster Nicholson, nationally known for her brocaded tapestries, owns LFNTextiles, which produces jacquard textiles and ribbons. LFNTextiles' ribbons reflect the same attention to detail as the hand made tapestries. Both ribbons and tapestries are ornate and elaborate woven textiles, whose only function is to provide decoration, richness, and a sense of delight.

http://www.lfntextiles.com

http://lfntextiles.blogspot.com



LFNTextiles ribbons are in the permanent textile collections of these museums:

The Cooper Hewitt National Design Museum of the Smithsonian Museum

The Minneapolis Institute of Arts



Laura Foster Nicholson’s tapestries are in the permanent collections of these museums:

The Archives of the Venice Biennale, Venice, Italy

The Denver Art Museum

Cranbrook Academy of Art/Museum

The Cooper Hewitt National Design Museum of the Smithsonian Museum

The Minneapolis Institute of Arts

The Racine Art Museum

and in many private and corporate collections nationwide.






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