TAFA: The Textile and Fiber Art List

Showing posts with label Fiber Focus Group. Show all posts
Showing posts with label Fiber Focus Group. Show all posts

Thursday, November 20, 2008

Baby Fiber Artists

Rachel Biel Taibi, AKA Rayela Art
Campinas, Brazil, 1962

These photos were taken of me when my parents first arrived in Brazil, still unpacking. I think they are my favorite baby photos, partially because they combine three of my great interests: travel, clothing and fabric. A baby is a clean slate. Any doting mother might look at their child and wonder with awe and great trepidation, "Oh, Lord! What will become of this little one?"

"Please! Listen to my prayer!
Anything but an artist!!!!"

Said in jest, but with a grain of truth... Several years ago my mother asked me not to give her anymore art. She would rather get nothing for Christmas than something I made. This comes out of a practical frustration of not having enough room to display all that she already has. And, the cleaning and dusting and clutter effects...

Looking back, I wish that I had a "real" trade, or one that provided a secure income. Some artists are able to make a living from their work, but most of us struggle along, facing poverty or living on the edge. That's fine in your twenties but becomes more difficult with age. Looking back once again, I know that this has been my road, unavoidable and rich in texture. My parents played their part in this, encouraging me at a young age to learn everything that interested me. They paid for painting classes, embroidery tutoring, piano lessons, and gave me an allowance to spend on paints, threads, and other art supplies. I learned how to carve, work with clay, draw, paint, refinish furniture, and finally settled in the fiber arts.


My mother read to us every night, up into my teens. Her voice trained my ear to later indulge in NPR and audio books. Love and care was the signature of my childhood. Creativity, laughter, and tactile experience abounded. These fibers wove themselves into a tapestry of wonder.

I invited members from our Fiber Focus group to submit images of themselves as a baby along with some text. Such tenderness!

Charmaine Manley

"Here's a photo of my mother holding me when I was tiny. I've dabbled in quilting and embroidering, and a little bit of sewing. Mainly, I oggle. I'm very good at appreciating the work of other fiber artists!"

http://charmainemanleydesign.com/
http://etsyhighdesertdiva.blogspot.com/



Catherine Salter Bayar

"November 1961 - Nomad in Training: I'm 9 months old and have just been peeled out of the backseat of our mauve colored, tail-finned Imperial automobile of massive proportions by my Aunt Martha, in Mount Sterling, Kentucky. I've ridden all the way from California with my parents and my grandmother, who apparently complained the entire time. This was the first road trip of many I've taken over decades now - for pleasure, for work, with family, friends or by myself.

I used to travel the world to design and weave textiles for big manufacturers; now I travel Turkey for our handwoven textile shop. I knit, felt and weave...though not as well as those nomad women of years gone by."

http://www.bazaarbayar.etsy.com/
http://www.bazaarbayar.com/





DreamWoven


http://dreamwoven.com/
http://dreamwoven.1000markets.com/
http://dreamwoven.etsy.com/
http://dreamwoven.blogspot.com/
http://thisandthatandtheothertoo.blogspot.com/



Is there a common denominator that grows a baby into a fiber artist? Nature vs. nurture? In my family, my Dad's side is loaded with talented hands, mostly woodworkers and painters. My Mom's side has sprouted literary minds. The four of us here as babies all seem to have had plenty on the nurture side. I am sure that we are the lucky ones and that there are many fiber artists with less fortune in terms of being a happy baby.

In times past, many fiber art traditions came from moms, grandmothers and aunts who made quilts, knitted socks, and sewed curtains, clothing and other functional items. Many of us now have no role models within the family, but look for knowledge through books, the internet and peers. We sometimes embrace function, but often push beyond the scope of what our ancestors would have considered appropriate.
Baby fiber artists! Yarn, straw, felt, fabric, thread, raffia, grass, reeds, wool, silk, and yes, even polyester... Imagine the world without us... Wouldn't that make you feel sad and cold?

Rachel Biel Taibi, Brazil, 1962

Would you like to add your baby face to this post? Use the Contact Me link in the third column of the blog and send a photo (attached as a jpeg), your text and links and I'll add you on!

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Friday, October 31, 2008

Favorite Halloween Projects by the Yin-Yang Knitter

Bokaclava

My RSS feeds are a visual blast these days. Crafty bloggers are really busy turning out wonderful Halloween creations. Here are some of my Halloween picks from this season. Click on the images to visit the source.

My favorite of all, a Candy Corn bag. [Yes, I’ve added it to my queue…]

This charming young lady is modeling a knitted and felted bag.

And more on the candy corn theme: HATS!

by Sarah Nopper (a free Ravelry Download)

But, many more caught my eye...

Gruesome knitted eyeballs

What would Halloween be without skulls and ghosts?



And of course, funny things for your head?


A knitted Elvis wig, anybody?

Funky hats

Very clever and intricate “bokaclavas” after Bok,
a demon from “Doctor Who.”


Bats, too, of course...

[For some reason, she makes me think of a young woman I once saw on a subway dressed as a bunch of grapes…lots of purple balloons…]

…even one on a dishcloth…


And, lots of pumpkins!

Another dishcloth by blackrayne:


A bag for your treats:


Felted style, off the vine...


One of the children noticed that with their new triplets, this family had exactly the right number for Snow White and the Seven Dwarves!


This is just a hint of all the creative juices flowing out there! Great fun to see what people come up with!

Happy Halloween, one and all!

Diane Gerlach, AKA The Yin-Yang Knitter, is a regular contributor to Fiber Focus. An avid charity knitter who keeps both Afghan children and our military warm with her hats, mittens and socks, Diane is passionate about the world and all the stories it holds. She was a Peace Corps Volunteer in Micronesia in the 1970's and continues to have ties there through her adopted daughter. Diane is also a member of our Fiber Focus group on Ning.

The photo shows her with some of my monsters when she was here in Paducah. She took care of my babies while I was out of town and went through a minor but scary earthquake that shook them all up!


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Monday, October 20, 2008

Dead Muses: Tombstone Rubbing Silk Scarves by Alissa Sorenson

"Infant Mortality" Silk Gravestone Rubbing
by Alissa Sorenson

“Over here!”

I heard her voice – excited and breathless – and saw her waving her hands to catch my attention: all in my head, of course. Leaves crunched under my boots as I walked, stopping at each grave stone, waiting to sense a presence, and then moving on to the next. It was a large white obelisk marked “Olive,” the only word still legible after 170 years of erosion.

"Olive" and her tombstone

“Quick! Take it!” she cried, as if I were photographing her, or sketching her portrait. Take her likeness, I thought. I felt her anxiety, as if once her name were completely worn away, she knew she would be utterly forgotten.

I traced the remnant of a word with my finger. “Wife.”

“Yes, wife.”

“Buried by a loving husband,” I thought.

“Yes.” She seemed very still.

“Age 27 years,” I read. “Young.”

She seemed to be sitting under the nearby, ancient tree, dressed in a white gown with the full skirt and petticoats of her era, waiting for someone, perhaps the husband who had buried her.
My mind was flooded with stories as I draped the silk over her monument and began moving my fabric crayon over the raised letters. Did he remarry and move on? Did he die somewhere else? Away at war? Are they forever separated? I'll never know. I can only imagine these things. Perhaps I am imagining all of it.

"Olive" Detail of Tombstone Silk Scarf
by Alissa Sorenson


But I see Olive in my mind's eye: dark hair, fair skin, pretty, young, and patiently waiting under the tree by her tombstone at Greenlawn Cemetery in Columbus, Ohio.

My desire to take the likenesses, as it were, of the long dead may seem strange to some. My father died when I was young, but I have sensed his comforting presence as long as I can remember. Perhaps this closeness with one spirit helps to develop the ability to sense the presence of others. I am no medium, and I never see the dead with my eyes, but I sometimes hear their voices and see their faces in my mind when they are present.

"Nouveau Decay", full length of the silk scarf and detail below.


As I enter a cemetery, I proceed slowly. It feels like most of the dead are slumbering, and I wait to be called by someone. I've noticed whenever there is a persona involved with a piece, the work will go more smoothly, and the finished silk will have a strange and unique beauty.

As I meander through the old sections of cemeteries, I watch for tombstones with optimum potential: raised letters, large graphics, and less erosion. Once I have developed a sense for who wishes to be remembered, I will usually complete the work using imagery from other grave stones, asking permission first of anyone who might linger. For example, with Olive, I used simple, floral designs to complement her sweet, endearing personality.

Floral details of "Olive", tombstone rubbing on silk.

Respect is my ultimate goal, along with remembrance. This is why I choose the oldest sections of cemeteries, making sure all markers were placed prior to WWII. What a horrible thing it would be to find a tombstone rubbing scarf for sale on Etsy of your beloved family member's head stone.

I am often asked how I came up with this idea. I had wanted to create my own textiles, and purchased Habotai silk, fabric crayons and rubbing plates. The plates did not interest me, however, and my supplies sat unused. This autumn, I went on the annual leaf gathering walk with my children. We bring the fallen neighborhood leaves of maple, elm, and oak home, and make leaf rubbings with crayons on paper, just like I remember doing in primary school. I realized I could do this with my silks and fabric crayons, and enjoyed the process of imprinting something real – contact with nature, more than just design.

When I began trying to think of something for Halloween, I realized I could use the same technique with tombstones, as I had done with chalk and paper in my youth. On my first cemetery outing, I wasn't sure what to expect. The call of the dead surprised me, but it felt comfortable. I enjoyed spending time with them and flexing my 6th sense, or imagination, whichever it happens to be.


"John Grim"
Details of tombstone rubbings on silk.


Sometimes I worry I might bring someone, or something, unfriendly home. After returning from my first visit, I felt a little uneasy, but decided to ignore it. I reasoned that any spirit so closely attached to a location wouldn't be able to stay with me for long. When my children came home from school, my oldest son, who has always been sensitive, walked into my studio and asked, “Who is in here?”

“Just me,” I replied.

“Oh. I heard someone say hello to me, and it wasn't you.”

“Was it a woman's voice, or a man's voice?”

“A woman's.” He looked around as if he might find someone else, sure of his senses, but then shrugged and walked away.

"Hannah Died"

I never told him where I had been or what I had been doing.
I had been to Hannah's grave that day, and I wondered if she might have followed me home, curious about my activity at her grave site. I feel she didn't stay long, though. Once the oil from the crayon has dried, the spirits seem to rest again, perhaps more content to be remembered a little longer.

"Olive" by Alissa Sorenson


You can read more stories and see more tombstone rubbing scarves on my blog: creatrixjane.blogspot.com.
Scarves are available at my Etsy shop: creatrixjane.etsy.com.

Note: Alissa is a member of our Fiber Focus group on Ning. Visit her page for more photos of her work. She also started the knitting group on Fiber Focus. Fiber Focus is a gathering place for people who are passionate about fiber art and its place in the world. Many of us are artists with stores on Etsy, but we also have interior designers, collectors and just people who want to be around fiber art discussions. We welcome new members!

The slide show below is of more of Alissa's work:


Find more photos like this on Fiber Focus
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Saturday, August 30, 2008

Artists and Crafters Guide to Preparing for the Holiday Shopping Season: Handmade Sellers Getting Ready for a Rush of Buyers! It's about that time!

Shalana, the Funky Felter, offered to share this article with us here at Fiber Focus. It is also running in her blog, The Funky Felters News and Tips. Shalana is a seller on Etsy and a member of our Fiber Focus ning group where many of us are sellers on Etsy, eBay or through other venues. The photos in the article are her felt products, most of which are available in her Etsy store. Click on the image and it will take you to the listing. Thank you for sharing these great tips with us, Shalana!

"Oh, the weather outside is frightful, but the . . ." Wait a minute! Does it seem a little too early to be singing a Holiday song. Considering that the weather where I live is still frightfully hot, I'd say "YES!" - but if you're the owner of a small arts and crafts business, you know that it is prime time to start preparing for the Holiday selling season. If you haven't already been hurriedly creating new things and getting ready for those Holiday shoppers, then you should be. It is not too late though! Below you'll find a few of my personal tips on how to get ready for a (hopefully) big Holiday rush of shoppers.


Ready, Get Set, GO!

1. Spiffy up Your Etsy Shop and Other Online Venues
Make sure that your overall shop is looking its very best! If you need to, invest in a new banner and avatar for your Etsy shop. Check out my previous article post to find some free banners or buy one from an Etsy seller. You might even get festive and have a special Holiday banner and avatar. And, let your product photos speak for themselves and be at their absolute best because that is going to be your potential buyer's first impression. Also, be sure to have clearly defined shop policies and a nice, friendly profile. It is all those little details that add up to make your shop be as professional and welcoming as possible.


2. Stock Your Shop! And have more inventory on hand . . .
Because you just never know! Not only do you not know how many potential sales you might make, but you also don't know what kind of Holiday busyness will get in the way so that you don't have time to create new things. Stocking your shop and preparing item photos and descriptions early will make it easy to list new items when you're busy with other things this Fall/Winter. Now is the time to stock your online shop as well as stash some inventory away. Personally, I like to have 100+ items listed in my Etsy shop and some waiting in the wings to replace those that sell. It may seem like a lot to some, but the more items that you have, the more chances there are for you to be found in the pile of listings that are added each day on Etsy.


3. Organize Your Shipping and Packaging
This is perhaps what caught me by surprise last year, but this year, I'm going to be prepared! If you print your labels via PayPal and use Priority Mail boxes and envelopes provided by the US Post Office, that can make things a bit easier when it comes to mailing. Also, if you are a large volume seller (or a small one who doesn't like hassle), you might consider paying for a mail service like Endicia or Stamps, but I've heard mixed reviews about both of them so do a little research before you invest in such a service. Personally, I'm an old-fashioned girl when it comes to mailing. I like to print my own return address labels and write or print my shipping labels too. I also trek down to the local post office (yes, in person) and mail off my orders. Since I am so hands on about it all, I try to keep my packing/shipping area organized. I print several return labels at once to have on hand as well as keep my mailing envelopes and boxes in open face plastic bins for easy access. I also have my jewelry boxes, organza bags, and pretty gift wrapping supplies in similar easy access bins. I just finished ordering some mailers from my current favorite place to buy, Upaknship. You can also find good packaging supply deals on Ebay - yep, you heard me right - Ebay! And, don't forget to recycle! I always recycle whatever packing supplies that I can. It is an all-around good thing when you recycle! By the way, here's a great little article by The Worsted Witch on eco-friendly mailers so check it out for ideas.


4. Advertise, Market, and Publicize! Get the word out people!
Buy some online and print advertising on blogs/sites and in magazines that pertain to your target market. Also indie shopping guides are a great thing to take part in to boost your exposure. You can find good advertising space in all price ranges. Read more about all of this in my Online Advertising post. Also, tell your friends, family, and coworkers about your shop, and tell them to tell others! If you don't already, post in forums regularly as well as keep up with your social networking sites because there will be a lot more people trolling the internet for presents this Fall/Winter. There are many, many ways to promote so take advantage of every avenue that is available to you!


5. Pursue off-line selling too! Craft fairs and local events!
I must admit that I'm so much more comfortable sitting in my pj's and selling online from the luxuries of my own home, but it does pay to get out and do some fairs, festivals, and events. Often times, I have seen sellers make more at one show than they would make in a month or more selling online - especially during Holiday shopping season. It is not too late to seek out local venues in your area. Try checking these sites to see what's going on in your area: Indie Craft Fair Guide, Festival Network, Indie Craft Shows, Craft Lister, and Luna Craft. And, even if you aren't planning on selling at a local event, visit a few to buy your own Holiday gifts and support local area artists and crafters.


Finally, I just want to remind you to continue to create and do things as usual - don't get lost in all the hubbub of the Holiday selling season. After all, hopefully you have a shop and sell your creations because you love what you make first, then the sales and money that come along with it.

Original article by Shalana, the funky felter. Please take a minute to visit her blog and Etsy shop. Shalana is a fiber artist specializing in traditional feltmaking who also writes about her endeavors as an independent craft business owner.


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Thursday, August 28, 2008

Watatu: Kanga, Kitenge and Proverbs from Tanzania


Kanga and Kitenge
– a living part of the East African culture
The Kanga (also spelled khanga) is an about 1 meter wide and 1,5 meter long piece of textile, which is used mainly in Kenya and Tanzania as garment, for carrying babies etc. In Uganda it is called Leso. The Kanga is of cotton and is printed using the silkscreen technique with a frame (pindo in Swahili) and a theme (mji) inside it. There is also often a slogan or proverb (ujumbe or jina) printed on the textile. The Kanga is easy to fold, tie and wind. It is often bought in pairs, and then cut to two pieces – one to wrap around you as a skirt and the other piece around your shoulders.

Kanga


The ujumbe or jina here says “I wish you all the best”.

The Kitenge (vitenge in plural) is another kind of textile, but of a thicker quality, and it has usually an edging only a long side or not at all. It is printed using rotary spinning machines. Even kitenge is sold in lengths sufficient to cover ones body. Specific patterns are designed for national holidays, jubilees etc. While similar textiles as the kitenge can be found all around Africa, the kanga is specific for East Africa and it has a fascinating history.

Kitenge


Women of Zanzibar created the Kanga
In the middle of the 19th century there was an abundance of imported goods in the bazaars in Zanzibar. Textiles were imported from India, the Far East and Europe. The Portuguese contributed with printed textiles to be used as shawls. They came in 0.50 meters wide rolls with square patterns. Normally you would cut off one square and sell it, but some women bought six squares instead, cut it in two pieces and sew them together to get new patterns.

The story goes that the new patterns were called “Kanga” as they reminded of the plumage of the speckled guinea fowl. In Swahili, the word kanga means precisely that: guinea fowl. However, in the book “Kanga – the cloth that speaks” - available at Watatu - the writer Sharifa Zawawi, who is Professor Emeritus of Classical Languages, has a completely different theory on the origin of the word, which we will not reveal here.

”I am also a kanga”

”A wife is a fruit to take well care of”
In the beginning of the 20th century the trader Kaderdina Hajee Essak in Mombasa, often called Abdullah, got the idea of printing texts on the textiles, preferably proverbs from the rich Swahili cultural heritage. His textiles, which carried the trademark "K.H.E.-Mali ya Abdullah", quickly created a new fashion, which lasts up till today.

The texts are in Swahili, which is spoken in East Africa and Central Africa. It is the official language in Kenya and Tanzania (a union of Zanzibar and Tanganyika). The words on the kangas can often - if not just being printed for a jubilee or being political or religious slogans - have a double meaning. With a kanga you can indirectly say what you want to your neighbour, rival or others. The texts can be seen as document of historical and political events as well as prevailing values in the Swahili society and how they have changed during times.

The Mji and Jina (see above) are what characterizes the kanga and its popularity. The popularity of the Mji, that occupies the most important area of the kanga, save for its colours and the art, may be overshadowed by the context of the jina. The jina is usually printed in uppercase letters in colours that match the central motif and most likely on white background to improve its readability. Kangas without text are called kanga bubu – a dumb kanga.

The ujumbe or jina here says, “A wife is a fruit to take well care of”.

In the beginning the pattern at the kangas was printed by hand using wooden stamps. Nowadays it is an industrial item, where the textile industry in Tanzania has to compete with cheaper copies (but of less good quality) of kangas from India and China, where even the text in Swahili is copied.

In sorrow and happiness
In Tanzania the kanga is used for all events in life. When a girl is going to be married, she is covered with kangas. She is also given kangas as gifts. Also when people go to celebrate the birth of a child, the women put a kanga around the waist, and when someone has passed, and people go to pay their respects, the women put a kanga around the waist.

Also notice here the dress at the bottom is made of a kanga!

There is a special design of a kanga called kisutu. It has a beautiful pattern with a lot of details and you can get it in red and black or blue. The red and black one is called kisutu cha arusi and in Zanzibar the bride is wrapped in it at the wedding day. At the permanent kanga exhibition at the National Museum of Zanzibar, they tell you that this specific ”wedding kanga” has a bloody story linked to it. It is said that a woman killed her husband with a knife, because he didn’t give her this kanga.

Kisutu cha arusi


A kanga or kitenge for you
The kanga and the kitenge are wonderful products, you can really use them for everything. Our online shop has a wonderful selection of kanga and kitenge, other African textiles, baby carriers, African fashion, coffee, and much more! And, if you sew, kanga and kitenge work great in quilts or made into your own clothing, bags, curtains, or table cloths.




We are three old friends, Watatu (=three in Swahili), one from Sweden and two from Tanzania who are trying to promote the use of kanga and kitenge also outside East Africa. Do come visit our site!


Written by

Karin Zetterqvist
Watatu Textil
©Watatu

Sources:
”Textil i Afrika” by Erik Cardfelt, Karin Olsson
“Kanga – The Cloth That Speaks” by Sharifa Zawawi
Article “The Kanga” in Bang Magazine, July/August 2007




See Karin's article on Bark Cloth in Uganda.

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