TAFA: The Textile and Fiber Art List

Showing posts with label Fiber Focus Group. Show all posts
Showing posts with label Fiber Focus Group. Show all posts

Thursday, May 20, 2010

Oshiwa Designs textile printing stamps now available through Rayela Art!

Oshiwa Designs: Gorgeous Handcarved Printing Stamps

For months now, Anita Brandt of Oshiwa Designs and I have been emailing back and forth, ironing out details of how Rayela Art will become the U.S. distributor for Oshiwa.  Finally, the first shipment of stamps has arrived and we begin this relationship which will hopefully extend into a long, successful future.

 The Oshiwa Design Team, Namibia

Oshiwa was started in 1994 by Anita in Namibia, Africa.  The small fair trade group supports a team of carvers and support staff.  They have had success at marketing both the stamps and finished textiles that used the stamps in their local markets, but want to expand to a larger audience.  Difficulties in shipping out of Africa has made the United States a natural target audience.  Anita and I met through our Fiber Focus Group and have had an easy time connecting online as we share many common interests.   The logistics of how this will all work out are still daunting, especially on the banking end.  It seems incredible that in this day and age there should be so many obstacles towards having a business relationship between countries.  Africa, especially, has even more challenges as Pay Pal still does not operate in many countries there.  We will figure it out, with the goal of getting back as much income to the Oshiwa group as possible.

 Oshiwa carvers working on the textile stamps.

Phase 1 of our marketing program is to make the stamps available to the public through my website, Rayela Art.  We now have stamp sets and individual designs available on this page.  Prices have been figured out to fit a formula: $1.25 per square inch.  We are hoping that this will be enough to cover Oshiwa's costs while still maintaining an affordable price point for buyers.  As most of our customer base will be artists who will use the stamps on fabric, paper or clay, we know that most of them are also struggling to make ends meet.  Smaller stamps seem comparable to the prices I have had on the vintage Afghan stamps I have been selling, but larger pieces do seem quite pricey.  One way to look at it though is that these are tools that have a lifetime of use ahead of them.  And, when the stamps are not in use, they could be hung on the wall as art work.  One can easily attach a picture hanger on the back for quick display.  In fact, the stamps are art.  The carvers refuse to make repeat designs (which would make my task a lot easier!) as they do not want to get bored with their work.  They invent animals that have never roamed in Africa or elsewhere and their geometric variations are endless.

An Oshiwa textile stamp that has had some use.

 In time, we will also look at carrying some of Oshiwa's finished products.  They also make beautiful carved wooden frames, similar to the stamps.  And, they have a home interiors line of pillows and accessories that have used the stamps in the fabric designs.

 Oshiwa Designs Pillow Covers


Oshiwa Designs Table Runner


Oshiwa Designs Exhibit in Namibia

Aren't they just beautiful?  Can you see it in your mind's eye?  How would you use the stamps?

After I finish sorting through and organizing the current batch, the stamps that have not sold through my website will go to Etsy.  Oshiwa will have its own store there.  Right now, the selection on my site is 10% off with free shipping on orders over $100.  International orders orders over $100 will get a $10 discount off of shipping.

View and purchase the stamps on Rayela Art.

Visit Oshiwa Designs for more information on the group and for instructions on use and care of the stamps.
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Sunday, January 10, 2010

1000 Markets: A Winter Outfit


DreamWoven     $290

Yesterday I wrote a post about winter wear on Etsy.  We've had a terrible cold spell here in Kentucky, so I picked woolen goodies that I could lust after.  There is nothing like wool to keep you warm when those temps hit rock bottom!  I have a store on Etsy and like to support the sellers there whenever possible.  I also have one on 1000 Markets and it didn't seem fair to do a post on Etsy without also doing on on 1000 Markets.  Actually, many of us sell in both places and several of the sellers shown have joined the fiber art/textiles network I started on Ning, The Fiber Focus Group.  Over time, those who are more active online and in social networks start bumping into each other, forming cyber friendships.

Now, to shop on 1000 Markets!  I am looking for an outfit that will keep me warm from head to toe.  Maybe it's a bit too fancy to sit at the computer as I am now, but this is the destination I have in mind.  A cold house with freezing floors.  The water pipes have burst and six inches of water have flooded the whole ground under the house.  Head to toe, I need warmth.

The place to start is the head.  Cover your head when you are cold!  And, why not do it with art for your head?  DreamWoven's hats have been a long time favorite of mine.  Someday I will own one.  "Simone", the hat above is the bestest hat in the whole wide world!  I love it, love it, love it!!!!!  All of the images are hyperlinked to the product in this post and you must click on DreamWoven's hat so that you can see it from all angles.  DreamWoven and I have been cyberfriends for quite awhile now.  We're both Rachels and we both enjoy the role of helping others find larger markets for their work.  She is on staff at 1000 Markets and has always been a great support, encouraging us all to move forward with our work. 

 
TickledPinkKnits    $98

DreamWoven's hat is open at the back, so I will need to keep my neck warm with this beautiful scarflette by Tickled Pink Knits.  The fibers are various soft wools, including alpaca, so it is sure to be luxurious!  I like the frilliness, harking back to Victorian wear mixed with enough ruggedness and texture to fit a Viking like me.

 
Coco and Juan   $45

Coco and Juan specialize in Plus Size wear which is perfect for me.  I like the lines in this top and think it will work just fine with what I've got so far.  Notice how the side panels of the blouse curve in, helping provide at least an illusion of a slender figure.  I know I need all the help I can get!  I would prefer a solid knit and it looks to me like Coco and Juan would probably work with you on your choice of fabric and color.

Modern Era Design makes these custom choices clear upfront.  The brown in these pants isn't going to really work well with what I have picked, but they have color swatches to pick from and there are several other choices that I could go with.  In fact, they will make it to your size, too.

 

Comfort was what I was looking for, which I found, with the added benefit that the cotton jersey is organic.  Gotta support those green industries!

I'm thinking that those comfy pants might just not be warm enough, so I'm going to add these custom dyed leggings from Dye Diana Dye.  When I first saw her name, a long time ago now, I just thought it was the most clever play on words!  Her work is impeccable and she has many other dyed garments that are stunningly beautiful.   Keep dyeing, Diana, but live a long, long life!

 
Dye Diana Dye     $36

This photo is a little dark, but I loved these tabi socks by Twiddle Toes.  (Another great name!)  Tabi socks were originally used by the Japanese with their wooden kimono flip flops.  Now, we can also wear them and Twiddle Toes has them in a bunch of different colors!

 

The tabi socks will need some booties, so I picked a pair made by my friend Catherine at Bazaar Bayar, another of my cyber friends.  She has been knitting up a storm lately and you will have to go look at her other lacey slippers. I thought these slippers were very reasonably priced!

 


Many of Catherine's knitting designs use complex color and texture patterns and some hearken to her second home, Turkey.  I decided that I really, really wanted one of her hand warmers, too.

 

Those rusty colors are perfect for me.  I would like the thumb and finger area to be a little longer, down to the first knuckle.  Can you do that, Catherine?  My friend Diane made the one I have on now and the thumb area goes almost all the way to the thumbnail.  I really like that.  Catherine has several other pairs in her store.  Type away and keep your fingers warm!

I'm feeling like my top is not enough.  I shopped around and couldn't find a sweater or vest that I liked on 1,000 Markets.  I wanted something long and roomy.  If you are a knitter, know that there is very little competition with those products right now.  Might be a good niche for you!  But, I did find something else that I really liked:



Isn't this a stunning piece?  Marge calls it a "fling" because you can fling one end over a shoulder.  She was inspired by the Middle Eastern marketplace and used a variety of threads, including bamboo (!!!!), to weave this piece.  Will it match my hat?  I've got a lot of different reds going on here, but I think it will all work.  I am warm and I am beautiful!  All because I shopped on 1000 Markets!  My total bill?  Only $923....  Interesting.  About the same I "spent" on Etsy.  (In my dreams!!!)

How does shopping here compare to Etsy?  Well, one thing is for sure, the search here works.  It is so easier to find things here because they are in defined categories.  The drop down menu is available on every page and is as smooth as butter.

How about the product selection?  I was disappointed to see that some categories were pretty sparse.  1000 Markets is a juried venue so each store has to be approved before it hits the marketplace.  That means that the approval process is much more laborious, but it eliminates all the junky stuff you might see elsewhere.  There is a lot of talent on 1000 Markets and I am sure that if the exact item cannot be found, someone would be willing to make it for you.

Have you visited 1000 Markets?  Shopped there?  I would love to hear of your experience, as a buyer, seller or voyeur....  Stay warm and dress well!

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Wednesday, December 9, 2009

The Fiber Focus Group, Entrepreneurs with Handmade Gifts from Around the World!



Update, August 2010
The Fiber Focus Group is now closed.  Ning, the hosting platform, started charging for the site and as I had started TAFA: The Textile and Fiber Art List in February 2010, I found that I did not have the time to manage both groups.  However, these artists and businesses are still going, so the post remains relevant.

Several months after I started this blog, I felt the need for a community of fiber artists and fair trade people who might use the group to share the experiences of their communities, serve as a critique forum and support group for each other and who had a genuine interest in the condition of the world.  I looked around and didn't really find something that fit my idea of a social network, so I started one on Ning, The Fiber Focus Group.  The group has grown to 335 members.  Most of us are women who are exploring some aspect of working with fiber (sewing, quilting, dyeing, spinning, basketry, felting, etc.).  Many of us have lived in several countries, speak multiple languages, and have an entrepreneurial spirit.  I thought it would be fun to showcase some of the gorgeous pieces represented by our group.  This is just a small sampling of what you will find by poking around in our Fiber Focus Group!











Like what you see?  Click on the links below the images to visit the stores.  Overwhelmingly, we are on Etsy.  But, you will also be led to 1,000 Markets, Artfire and personal websites.  Want to learn more about this artist/producer?  Each of us has a page on our Fiber Focus Group where you can see more photos and visit links to blogs and other sites.  Copy and paste the artist's name into the search box on any page of our group.  You can also see more work by other artist's not represented here by poking around on our Photos page, where all our images can be viewed communally.



 







































 















  

We meet through interactions on our pages, forum discussions and through groups that share similar interests.  Would such a group be of benefit to you in your fiber art or textile journey?  Come join us!  And, of course, we do hope you will consider shopping with us this Holiday season!  Don't forget to stop by my shop, as well!  Rayela Art on Etsy.  Happy Holidays!







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Tuesday, September 22, 2009

Do Fusible Products Harm Your Artwork?

Autumn's Edge, by Gina DeLorenzi

Research continues on discoloring and degradation of fusible sprays, webs and batting.


by Gina DeLorenzi


To help artists in make informed choices when they buy fusible products, Janet Evenson and Patricia Cox-Crews, U Nebraska - Lincoln, published recent research on fusible sprays, webs and battings. They wanted to know how these products discolor and degrade over time since they could find no published results concerning the long-term performance of adhesive-containing products available to quilt makers and home sewers..

Scientists at the university used infrared spectroscopy to determine the chemical classification of the adhesive sprays. Fusible batting adhesives were identified by proton nuclear magnetic resonance.

The goal was to identify discoloration, yellowing, strength loss, bleed through, stiffening and color changes other than yellow. Various methods to accelerate aging were used.

Major brands of fusible products were studied. Control samples were prepared for comparison. Since different products have different chemical properties, and product formulas change over time, comparing different brands of fusible sprays for example, can only be stated as “this product developed more stiffening than that”. In other words, there can be no exact comparisons between 2 brands performing the same function, merely in relation to each other. One brand may become stiffer, or cause more yellowing, or lose strength sooner. In several cases, percentages of degradation are given for these comparisons, making the information more relevant.

It is reassuring to read in the report that fusible batting products do not appear to deteriorate or cause deterioration in quilts. “The fusible batting adhesive formulations may contain cellulose ethers. Cellulose ether-based adhesives are quite stable to light and have been used for long-term conservation treatments.”

The results for fusible sprays and webs are more disturbing. Read the complete article, its methodology, findings and conclusions.

Evanson and Cox-Crews conclude:

“The fusible webs evaluated, while acceptable for quilts intended to last for 10 to 20 years, could not be recommended for quilts intended to be handed down from generation to generation or for studio art quilts intended for sale to serious collectors or museums. A museum curator or knowledgeable collector will not want to pay thousands of dollars for a quilt that only has a lifespan of 20 years."

Quiltmakers should carefully consider their long term expectations for each quilt they make and select adhesive-containing products accordingly.

We gratefully acknowledge the financial support provided for this research by the International Quilt Association and Quilter’s Newsletter Magazine.” (quoted excerpts from the referenced article)

Do you have a disappointing "fusing story" to share?
Please leave a comment with your experience.






Gina is a self taught quilt artist. She creates visual and emotional impressions in her fiber art by allowing a relationship between various fabrics to emerge. The stunning results of her dyeing and sewing techniques energize the direction each art work takes.

Gina is a regular contributor here on Fiber Focus. Click here to see her past posts. She is also the quilt moderator for our Fiber Focus Group.





www.quilts4u.com
modern interpretations of a traditional art form
www.contemporaryquiltart.org
your inspiration zone

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Thursday, August 13, 2009

Bark Cloth – Sustainable Production in Uganda by Karin Zetterqvist

Message holder made of bark cloth from Uganda

Bark cloth is a unique, non-woven fabric produced from the bark of Ficus Natalensins, a rare and novel fig tree species peculiar to Uganda and locally known as Mutuba.

Since the 13th century, bark cloth has been produced in the Buganda Kingdom, and used commercially, ritually and ceremonially by the Baganda, an ethnic group found in central Uganda. Ranging in texture from the coarse and thick to the finest and light, bark cloth, as an article of clothing was worn sarong style and wrap-around by Baganda men and women respectively.

The bark cloth was used to pay land rates and fines by the peasants to their chiefs, who in turn selected the best for presentation to the king’s courtiers. Other rituals and ceremonies where bark cloth used to play a central role include the initiation of twins into the clan and their protection, child naming ceremonies, payment of dowry and during marriage ceremonies, succession rituals and last funeral rites to identify the heirs, widows, orphans and so on.

Only the best of the cloth, fine and light to touch, a rich garnet red with a shiny sheen, was presented to the king for use as clothing and during coronations, royal weddings and other functions.

A Masterpiece of Indigenous Textile Production Skills



Bark removal of the Mutuba fig tree.



Harvest of bark to be used in Ugandan bark cloth.



Banana leaves offer tree protection


The art of making bark cloth, passed from father to son, involves stripping the particular fig tree trunk of its bark by ringing down. A straight cut is then made and the bark is then carefully stripped off the tree.

The bark is then steamed, spread out on big logs 2-3 meters long and carefully beaten with mallets. As the bark is beaten it gets wider, longer and finer. A piece of bark measuring 75 by 150 cm can produce cloth measuring up to 4 m by 1.8 m.

The stripped part of the tree is wrapped in layers of fresh banana leaves and with careful nurturing a single tree can produce up to 400 sq m of cloth in a period of about 40 years. In this way it is not only a natural fabric, but also eco-friendly.

African Ethnic Designs



Bark cloth bag with coloured raffia decoration



Bark cloth purse with raffia decoration


Business cards case made of bark cloth



Bark cloth coin purse (Uganda)


Today the applications, to which bark cloth is put, are endless. Royal Bark Cloth Designs (RBCD) - with the price winning designer Sara Katebalirwe - is working with village community women using bark and other natural fibres specific to Uganda to make various and beautiful novel products. Aesthetic yet functional, the designs are applied mostly by hand.

The design applications, as well as being aesthetic, also give cover to the cloth, to minimize abrasion/friction, thus giving the product a longer life. The best design application so far in terms of bark protection is the raffia couching.


Preserving the Bark Cloth Production Skills
Uganda’s bark cloth was named as part of the world’s collective heritage recognized by UNESCO November 2005. The global body declared the “art of bark cloth making in Uganda a masterpiece of oral and intangible heritage of humanity.”

Watatu (meaning three in Swahili) is a web shop, owned by three friends (two Tanzanians and one Swede), where you can find more of the products from Royal Bark Cloth Designs. Promoting the bark cloth and its use internationally will assist to preserve the bark cloth production skills.


Written by
Karin Zetterqvist
Watatu Textil
www.watatu.com
©Watatu


Sources:
"Bark Cloth" by Royal Bark Cloth Designs


Karin wrote another article for this blog on Kanga and Kitenge cloths, traditional fabrics used as garments in Tanzania. She is a member of our Fiber Focus Group. Visit her page.


Find more photos like this on Fiber Focus
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