TAFA: The Textile and Fiber Art List

Showing posts with label Crochet. Show all posts
Showing posts with label Crochet. Show all posts

Thursday, August 5, 2010

TAFA Members Talk: Patty Benson of Papaver Vert

Felt Podlets by Papaver Vert


Patty Benson of Papaver Vert creates gorgeous objects through crocheting and wet felting.  Her web presence consistently showcases her work through beautiful photography and careful presentations of her work.  Patty lives in Alameda, California, and as part of our series, "TAFA Members Talk", she describes her artist community there.  


Visit Patty's full member profile on TAFA for links to her website, Etsy shop, blog, and other links on the web.

Do you have a good support group? 
In regards to a support group for fiber art, not really. But I have a great support group in regards to other artists in different mediums - fashion, ceramics. All who have small business so I'm constantly picking their brains about business, marketing etc.

What do you long for?  
It would be great to know more fiber artists but I don't think it's extremely necessary since my other artist friends are a wealth on information. But it would still be nice to ask specific questions to those fiber people who know a lot more than me!

What excites you about where you live?
The bay area is so beautiful. You can go from urban to lush and green in minutes. I love walking all over my town, Alameda. I can visit the library, my local produce store, bookstore and get a coffee without getting in a car. There are a lot of artists in my area too and great fairs and shows.

Patty Benson's studio.

How do you market yourself?
Doing shows, facebook, blog, newsletter and e-mailing stores that I would like to be in.


 
What are your long term goals as an artist?
To be a true artisan in my medium. I want to really hone my craft and discover new ways of creating using wool and yarn. Eventually it would be a dream of mine to create installations and have my pieces in a gallery -  either in 3D form or hanging on a wall.




Papaver Vert's booth at the Renegade Craft Show
San Francisco, 2010

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Friday, June 18, 2010

Maria and Claudette: traditional and contemporary weavers share a platform on TAFA

TAFA member, Whitney Taylor, (Little Mango Imports)
works with Mayan weavers in Guatemala.
Whitney with Sovesteña in Panajachel

Maria lives in a village in Guatemala.  She weaves brightly colored fabrics which will make their way to the American and European markets.  She also works on traditional huipiles, the blouses worn by women in her village, when she has time.  Maria has been to the capital a couple of times and visits relatives in nearby towns, but mostly stays in her village and likes it that way.  She knows how to read and write, has four small children, loves to laugh, and dreams of having a new fence built around her garden so the chickens will stay out of it.

Claudette also weaves.  Her work often depicts contrasts between light and dark, using urban themes that reflect her life in Paris.  She zooms in on a car's headlight, a hand on a door, high heels on the sidewalk...  sometimes there might be splashes of red, alluding to blood or violence.  Her work is not "pretty" and it will take that special collector who will want to buy it.  Claudette has exhibited internationally and traveled around the world .  She has no children, sometimes she drinks too much, and she definitely wishes she could stop thinking all the time.

 "Big Green Barn" by TAFA member Laura Foster Nicholson



Maria and Claudette are fictional, just made up characters in my mind, but symbolic of the range of women represented by TAFA's membership.  TAFA: The Textile and Fiber Art List is a project I started earlier this year.   Launched in February, the membership has grown to 115 working artists and fiber related businesses.  TAFA's main mission, to provide its members with access to larger markets, has at its core an intentional agenda of bringing Maria and Claudette together, sharing the same platform and audience.  These two women have little in common aside from the materials they use to execute their craft.  Their personal interests, how they spend their time, and the goals they have for their lives reflect not only the physical distance that separates them, but the cultural expectations their peers have of them.  They do, however, share a form of sign language.  If they stood side by side with their looms, they could speak to each other and learn from each other through their threads, the movements of their hands, and the final products.  A language only weavers would understand.

Both also share in the need for a market that will support their work.  Maria might be represented by someone like Whitney Taylor (first photo), or by TAMMACHAT Natural Textiles who work with weavers in Laos and Thailand.



Traditionally, the two weavers, Maria and Claudette, and those who represent them, would have looked for their markets in very different places.  Maria does not have computer skills nor access to galleries.  Her weaving would be described as a craft and would not qualify for most competitions.  Claudette would have to put a portfolio together, have professional photos taken and either look for high end customers on her own or have a gallery represent her in doing so.  Their markets and the words used to define who they are and what they do have been as separate as their physical worlds.

 "Koch Snowflake Fractal"  
Univeral Language Series 
by TAFA member Donna Loraine Contractor 


I've worked with handmade crafts from around the world for over twenty years.  Even now, I struggle with what words to use when I describe a product.  Is it art? Craft?  Handicraft?  Folk Art?  Traditional? Contemporary?  We are struggling with these terms on TAFA as well.  The middle column has a list of labels titled "Themes and Places".  Intended as an index, key words describe the mix found in TAFA's membership.  We decided to use  "Member Made" as a way to describe a member who makes their own work.  "Cultural Textile" describes members who are representing a group.  The challenge lies in keeping the list short enough to make it usable for those who visit the site and yet inclusive enough to cover the different kinds of work represented on TAFA.

Even worse: how do we describe Maria and Claudette?  Is Maria an artist? Fair traders often refer to people like her as "producers".  Claudette would certainly have a fit if she were labeled a crafter.  The divide that has separated these two has historically come from an ethnocentric position that, I believe, is fundamentally racist, classist, and must change.  Maria might actually have better technical skills than Claudette.  What makes her work less valid in the art world?  One might argue that she lacks imagination in design, that she is simply replicating work that has been done for centuries in her village.  Yet, many contemporary weavers are not weaving powerful, moody work like Claudette's.  They are interested in the materials, patterns, look of the weave itself.  TAFA member Laos Essential Artistry has an interesting video which tries to address this tension between the artist, creativity, and the relationship to the product itself.  In my mind, we stumble in trying to perpetuate this divide:




Why racist and classist? Because if the same work were made by an American, a Parisian, or an Australian, it would be called art and, a key point here, the price would also reflect it.  I believe that we have been passive about giving credit where it is due.  We believe that it's OK for the Marias of the world to live on minimal income generated by their skill while those of us who live in the "developed" world can charge what we consider a fair wage for our work.  Sure, there are many issues that affect the price point of a weaving or textile:  materials used, intricacy of detail, age, the currency exchange rate, creativity, fame, and so on.  But, the same debate that has raged on in the quilting arena also rages here.  Quilters debate what is art or craft all the time.  So, now we have "art quilts" which have their own shows and juried criteria, separate from "traditional quilts".  And, again, definition often makes a big difference in price point.  An Amish quilt may sell for several hundred dollars while an art quilt with the same skill level may enter the market for several thousand dollars.  It's a matter of how we perceive and define our selves, our work and those around us.  But, when it comes to Maria, I believe that most of us think it's OK for her to earn less because she is a peasant, lives in a hut, doesn't have much education and should just be grateful that we are helping her by buying her "stuff".



Fortunately, things are changing for Maria and other like her.  Several global trends in these last twenty years have decreased the supply of cultural crafts.  Industrialization, war, natural disasters and migration have all affected the production of traditional arts world wide.  It used to be easy to get gorgeous, intricate embroideries from any of these villages for almost nothing.  Travelers who became small importers brought these goods to market and appreciation for them grew.  Now it's hard to find the older stuff and we have to pay more for current work.  Less people are also making the traditional work, opting instead to work in factories or as maids or in the hospitality industry for secure pay and possible benefits.  War and natural disaster have disrupted village life around the world.  As less of the vintage textiles have become available, more efforts and recognition has been given to those who have the ability to perpetuate these age-old skills.  We also see more exchanges happening between the Marias and Claudettes, increasing market receptivity by developing products that use the skills, appeal to elite markets and generate a higher ticket price.  Escama Studio in Brazil is one such example.  Low income women crochet clothing and accessories out of pop tabs:





Women like Maria are traveling more, seeing how a Claudette would interact with their work. Novica carries their purses, selling them for a couple hundred dollars each, accompanied with a photo, bio and quote by the artist.  The Santa Fe International Folk Art Market sponsors traditional crafters from around the world every year.  They are called "artists" on their website and literature.  HandEye Magazine offers a glorious exploration of materials, techniques, and overwhelming eye candy from around the world.  They make no distinction between traditional and contemporary.  It's all crazy and all good.  FiberArts Magazine always has a section dedicated to traditional cultural crafts, although their focus is on contemporary textile art and craft.  The trend moves towards inclusion and recognition.  We need this to happen in order to both preserve the knowledge the Marias have and to encourage the vision a Claudette might bring to the medium.  We still have a long way to go, but all of us can help redefine what the platform is that we share with each other.  It starts with exposure, by standing next to each other, and continues with the dialogue that is in our hands, that sign language that we can speak through our craft.  Finally, it matures when all of us can make a decent living through our work, have our basic needs met, and know that life as a working artist can happen here, in Paris or in a village in Guatemala.

 Alia Kate with Fatima
TAFA member, Kantara Crafts
works with weavers in Morocco.






Interested in becoming a TAFA member?  TAFA members all have an established web presence.  They are working artists, textile or fiber related businesses, authors, collectors, or gallery owners.  For more information, check out the Membership page on our site.








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Thursday, September 17, 2009

Murder in Paducah. My Neighbor is Dead.

Don't Shoot, By Miles Tebbutt

There is a house across the street that is full of people. It's a problem house. Dogs run around without a leash, scaring the postal worker and kids walking by, fights break out between the tenants and other neighbors, and there is just a sense of chaos around that place. Last night it escalated into real violence, ending up with the death of one of them. My relationship with them has centered on frustration around their lack of dog control as they cross the street and provoke mine, who are fenced, into a frenzy.

At 4AM last night, a loud bang woke me up and my dogs went out of control with their barking. The noise sounded about the same as when the electrical terminals exploded during the Ice Storm we had in February, so I thought another one had shorted out. When I opened the door, I found that there was a firetruck, ambulance and around ten cop cars out front. There was a lot of action on the front porch on that house across the street. I watched for about an hour, knowing that I wouldn't be able to go back to sleep. There was a lot of screaming and crying. I saw the medics go to the back of the house and come back with a body on a stretcher. I finally went back to bed and had nightmares for the rest of the night.

In the morning, the cops were still there. One of the tenants crossed the street and told me what had happened. Some girlfriend of some guy who didn't live there was at the house, the boyfriend came and when one of the guys opened the door to him, he was shot in the chest with a shotgun. Dead. Gone. I kept having images in my head of him playing with his dog, joking around. He was very sweet in his own way.


I moved to Kentucky four years ago from Chicago. Big city to small town, USA. Lots of differences, but all of the same social problems, although there is less organized gang violence here. Still, there is plenty of good and bad in both places. I was in the heart of the inner city in Chicago and had seen my share of bad stuff. I was at a pastor's house once and we ducked as a bullet came in through the kitchen window. I saw a teenager walking around with an ouzi. My apartment was broken into twice and once I nabbed the burglar. He slipped out of my grasp and jumped out of the window and ran, duh, TOWARDS the police station a block away. They caught him with my camera and boombox in hand. When I first moved to Chicago in 1984, I made a decision that I would not live in fear. I would try not to be stupid, but I knew that I was not the probable target and that if I were sensible, I'd probably be OK. Same thing here.

But, when I first arrived in Paducah, I had a part-time job at Hancock's of Paducah, one of the largest suppliers of specialty quilt fabrics in the world. As I cut fabric, I enjoyed the stories told by the sweet women who worked there. Repeatedly, they warned me that if someone broke into my house, I was to make sure to kill, not injure. Apparently, a thief can sue you if they come on to your property and your dog bites them. Later, I kenneled my dogs when I went out of town with this tiny, little, blond woman who had a bunch of horses, labs, and birds. When I picked them up, I told them that I was going to take the dogs to a forest preserve, Land Between the Lakes, so they could go swimming. She said she never goes there without her gun, but I should be OK with four dogs to protect me. It's a very strange thing to move from a place where the criminals have guns to another one where the citizens also subscribe to being armed. Feels like what my friend Abdul describes in Afghanistan, where everyone has rifles hanging from their kitchen ceilings.


Like most things in my life, I have contradictory feelings about all of this. I have no interest in owning a gun, I know that I would never defend myself that way, and I believe that the argument for owning these weapons are flawed and unconvincing. We live in a violent society which has violence on a pedestal. I'm part of it, too. I love well-done war movies, I listen to murder mysteries all the time, and I understand the need people have to feel like they need protection. Without my dogs, I would feel terribly vulnerable here. Yet, anyone with a gun could come in and shoot us all down in a few seconds. It's all a very sad and hopeless state of affairs. Friends report on the escalation of violence in large cities in South America where homes are now protected with high walls and topped off with electrical fences. They say it feels like one is a prisoner in their own home. I really don't see how we can change all of this except to choose peace and conflict resolution in our own small circles and hope that it will become contagious. I know that the law of the land here will never support gun control as it is in other industrialized nations, so I just have to hope that when a bullet comes my way, I can duck fast enough... By the way, the cops here in Paducah are really great. I have seen them deal with several crises and they are always calm, cool, collected and they get their job done. They caught the suspect!

Shotgun Chair by Alex Reh of Texas


The following facts are from the
Illinois Council Against Handgun Violence:


FACT: In 2006, there were 30,896 gun deaths in the U.S: 12,791 homicides (41% of total deaths), 16,883 suicides (55% of total deaths), 642 unintentional shootings (2% of total deaths), 360 from legal intervention (1.2% of total deaths) and 220 from undetermined intent (.8% of total deaths).

(Numbers obtained from CDC National Center for Health Statistics mortality report online, 2009.)

"Standard Issue Smith & Wesson," by Stephanie Syjuco


FACT: Suicide is still the leading cause of firearm death in the U.S., representing 54.6% of total 2006 gun deaths nationwide. In 2006, the U.S. firearm suicide total was 16,883, a decrease from 2005 total of 17,002 gun suicides. Total gun suicides in Illinois for 2006 were 372, a decrease of 12% from the 2005 number 424. Over half of suicides in the U.S. are committed with firearms.

(Numbers obtained from CDC National Center for Health Statistics mortality report online, 2009; and the American Association of Suicidology.)


FACT: While handguns account for only one-third of all firearms owned in the United States, they account for more than two-thirds of all firearm-related deaths each year. A gun in the home is 4 times more likely to be involved in an unintentional shooting, 7 times more likely to be used to commit a criminal assault or homicide, and 11 times more likely to be used to attempt or commit suicide than to be used in self-defense.

(A Kellerman, et al. Journal of Trauma, August 1998; Kellerman AL, Lee RK, Mercy JA, et al. “The Epidemiological Basis for the Prevention of Firearm Injuries.” Annu.Rev Public Health. 1991; 12:17-40.)

pistol own skin 2004 by Joanneke Meester, Netherlands


FACT: 59% of students in grades six through twelve know where to get a gun if they want one, and two thirds of these students say they can acquire a firearm within 24 hours. (Harvard School of Public Health.)


FACT: As of 1994, 44 million Americans owned more than 192 million firearms, 65 million of which were handguns. Although there were enough guns to have provided every U.S. adult with one, only 25% of adults owned firearms. Seventy-four percent (74%) of gun owners possessed two or more firearms.

- National Institute of Justice, May 1997

Precita Park memorial bench. Made with 130 melted guns in honor of a young couple gunned down by an unstable relative. Guns into Art.


FACT: Every two years more Americans die from firearm injuries than the total number of American soldiers killed during the 8-year Vietnam War. In 2003, the total number of people killed by guns in the United States was 30,136.

- Based on data from CDC National Center for Health Statistics WISQARS online data collection system, 2006.


And, this one is from the American Bar Association:

"The overall firearm-related death rate among U.S. children younger than 15 years of age is nearly 12 times higher than among children in 25 other industrialized countries combined."

Centers for Disease Control and Prevention. Morbidity and Mortality Weekly Report, 1997;46:101-105.


"He will judge between the nations and will settle disputes for many peoples. They will beat their swords into plowshares and their spears into pruning hooks. Nation will not take up sword against nation, nor will they train for war anymore."
-Isaiah 2:4

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Sunday, December 28, 2008

Hanukkah, A Festival of Lights in Fiber

Sieberdesigns Hanukkah Wall Hanging on Etsy

"Hanukkah (Hebrew: חנוכה‎, IPA: ['χanuka], alt. Chanukah), also known as the Festival of Lights, is an eight-day Jewish holiday commemorating the re-dedication of the Holy Temple in Jerusalem at the time of the Maccabean Revolt of the 2nd century BCE. Hanukkah is observed for eight nights, starting on the 25th day of Kislev according to the Hebrew calendar, and may occur from late November to late December on the Gregorian calendar."

So begins Wikipedia's explanation of Hanukkah, a complex story of revolt, miracles, and celebration, layered in history and Jewish tradition. The holiday's most recognized symbol, the Menorah, represents the Festival of Lights.

Traditional Menorah

"The festival is observed by the kindling of the lights of a special candelabrum, the nine-branched Menorah or Hanukiah, one light on each night of the holiday, progressing to eight on the final night. An extra light called a shamash (Hebrew: "guard" or "servant") is also lit each night, and is given a distinct location, usually higher or lower than the others." (Wikipedia)

The Hanukkah story is complex to non-Jews, reflecting a people's history of struggle and liberation. Leonard Nimoy does a wonderful job of making the story come to life through his narration, "Chanukah in Story and Song". NPR runs the program yearly and each time, the delightful program seems fresh to me:

"Narrated by Leonard Nimoy and sung by the acclaimed vocal sextet The Western Wind Vocal Ensemble, Chanukah in Story and Song is a unique holiday program created especially for public radio listeners. This delightfully engaging program presents 25 eclectic selections, from the Ladino songs of the Spanish Jews and Yiddish melodies of Eastern Europe to modern Israeli tunes and the ensemble's original version of "I Have a Little Dreydle." The ensemble performs a cappella as well as with instrumental accompaniment. The narration, written by Rabbi Gerald Skolnik, sheds new light on the holiday's customs and rituals."

I thought it would be fun to find some Hanukkah quilts for this post, but found that there were not many via a Google search. I did find an interesting site, JudaiQuilt, which explores Jewish textiles. The site owner, Cathy Perlmutter, states:

"Both the process and the product of quilting dovetails beautifully with Jewish ritual and history. As in most cultures, Judaism involves an abundance of beautiful and thought-provoking textiles, whether for daily use, holidays, or lifecycle milestones. Learning about the history and meaning of these textiles has been one of the most fascinating and fun parts of my journey."

The site welcomes submissions from Jewish fiber artists around the world, including the Hanukkah quilt below made by Sue Fineberg:

Hanukkah Quilt by Sue Fineberg

I also found another site, Kol Haverim, which stumped me a bit. A community of humanistic Jews, they seek to explore identity without being religious, yet many of their celebrations are rooted in religious tradition. I understand the desire to connect with ones roots, but it seems to me that some things cannot be sliced away from their point of origin and still remain meaningful. In any case, they use this beautiful quilt as their icon:


I took a look on Etsy and found lots of beautiful clay and metal menorahs plus a couple of Hanukkah-themed fiber items:

Hanukkah Menorah Afghan by crochetbunny


Felted Chanuka Tapestry by Nushkie

If you know of any other sources, please leave them as a comment so that we have some more references for the future.

I must end this post with my two favorite political comics, Jon Stewart and Stephen Colbert, as they sing about Hanukkah and Christmas. Enjoy!


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Sunday, December 7, 2008

Obama and McCain: Two Puppets Seeking Attention!

Crocheted Obama and McCain Finger Puppets

Right around election time, I got a package in the mail from my dear friend Diane, the Yin-Yang Knitter. "Hmmmm....." I says to myself, "What's this?" Opening it up, I find these two guys, political finger puppets, one of the funniest things I had seen in a long time! "Oh, Diane... You are something else!"

Backside of the puppets.

Note the detail of McCain's bald spot:

(Cackles like an old hag....)

Diane got the patterns for free through Lion Brand Yarn Studio. They rate the pattern as easy, although to me they look anything but easy!


I kept forgetting to photograph them, but finally got my act together. So, what to do with these guys? I guess you are supposed to play with them... For your entertainment, here is a little fun with the puppets:

McCain and Obama present their pedigrees to the world.


McCain and Obama pledge to run a clean campaign...


The candidates pontificate, debate, and repeat their key phrases
over and over and over and...



Obama wins!


But, McCain is still around, waiting for his turn...

Diane sent a couple of other links to projects she thought looked like fun. She is a regular contributor to Fiber Focus (Past articles). Click on the photos to visit the sites:


We can poke fun and roll our eyes, but finally, we must remember that people have died for this right and continue to fight around the world today for a voice in how their countries are run. Let us just hope that our elected officials take to heart the trust they have been given by their positions of power and leadership.

(And, FIX this broken mess!)

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Friday, December 5, 2008

U.S. Border Patrol Keeps Subversive Knitters Out

Do you knit? Crochet? Make a political statement out of your doilies?
Well, beware if you are American and leave the country for a vacation. Border Patrol just might not let you back in. Stephen Colbert covered one such case in this exclusive report:



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Monday, November 3, 2008

Election Day, Patriotic Fervor, Red White and Blue by the Yin-Yang Knitter

Crocheted American Flag Afghan

Amidst the patriotic fervor of Election Day [although what with early voting it’s really been Election Month], I wanted to share some of my favorite red, white, and blue-themed projects seen on knitting blogs and websites. As a charity knitter, I’m an enthusiast for patterns like these which designers offer for free. (Click on the photos to visit the source sites.)

The flag-style afghan above is crocheted, but I’m flexible. I think it’s beautiful, and it looks great draped on the couch, but somehow wrapping my cold feet in it just wouldn’t feel right to me. Oops. Sorry about the pun.

How about a ”hackysack” for the kids? That’s a great crocheted star.

Stars and Stripes Hackey Sack

I’ve limited myself to five photos, but I did like these:

Felted Patriotic Hot Pads

Get cozy in a flag decorated sweater.

Flag Sweater, Pattern Available

I can’t resist including a picture of me wearing a sweater I made 30+ years ago for my brother. I have no idea what happened to the pattern for this, but I asked for it back with the intention of “reverse-engineering” it sometime. It was made in 70’s acrylics or it might look better than it does…but then who know how my brother might have mistreated it had it been wool. It IS hard to kill acrylics. Wish I’d thought to wear it when I voted early!

Diane Gerlach, the Yin-Yang Knitter in her very own flag sweater
(OK, so she gave it to her brother...)

For your feet, some colorful socks:


Patriotism on your feet...


And my favorite things to knit, hats:

USA Knit Hat

The troops for whom I frequently knit as part of The Ships Project are very fond of patriotic-themed hats. These are some of hats I’ve sent:

Hats Knit by Diane Gerlach for the Ships Project

Get out and vote if you haven’t already. However it turns out, we all own it for the next four years, so it’s important that we each do our part to push things in the direction we want it to go. A few years ago, my city of about 90,000 people elected a mayor by just ONE VOTE, and that was with a recount, reminding us all here that each of our votes does indeed count.

Citizens of the United States of America:
Vote!

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Wednesday, September 17, 2008

Just A Hat? Hmmm... Dreamwoven Makes Art for Your Head!

Art For Your Head - 'Tendril' - Wearable Art with ATTITUDE

When I first saw DreamWoven's hats on Etsy, I drooled all over my keyboard.  Oh, yuck!  Well, OK, I didn't really, but I felt like it.  I wanted every hat I saw.  "Oh, this one is nice..."  "Hmmm...  this one is really cool, too...."  "Oh, but this one!  Gasp!..."  DreamWoven's hats transcend function.  They are headpieces intended to transform the wearer into art themselves.  

Several months later, I contacted her about something or other.  I didn't think I would hear back.  In my mind's eye, I imagined her to be part of the fashion world elite, a gorgeous model-like young black woman (probably because of the dreads in the hats), maybe like Tyra Banks:

In other words, someone way too cool to take the time to get back to some unknown chick like me.  (Kind of looks like one of DreamWoven's mannequin heads, doesn't she?)  Well, she did get back to me and she is wonderful!  Accessible, funny, helpful, joyful, and thoroughly happy with what she does.  We even share the same name, Rachel, so that was something to chuckle about, too.

Inca 'Winter Sky' Hat

DreamWoven's hats come in two basic styles: soft, crocheted or knitted, drapey, comfortable ones that often have long tassles or dreadlocks built into them, or ones that are more tightly constructed out of felt, also highly embellished.  The crocheted and knit hats are roomy, easily accomodating big hair.  She also weaves, so a combination of all her skills end up in some of the hats.  (Talent, talent!  Tsk, tsk...)

'Stellar'

I've made many hats over the years, too (but mine don't make me drool...).  It's always a joy to me when people wear hats, especially when they know how to give them just the right angle or tip to accent the eyes.  Sadly, many of my customers have been cancer patients who have lost all of their hair.  DreamWoven's hats would make great head coverings and much more comfortable than wigs!  So, if you have a baldy friend who needs a soft, fashionable perk, you can be assured that a DreamWoven gift would be a wonderful boost in the time of such suffering.

'Musique'

The felted hats are beautiful constructions often reminiscent of the 1920's or 1930's but with that DreamWoven twist.  Rarely is a DreamWoven hat predictable: one side may be longer than the other, pleats and embellishments come in unexpected places, and every angle means a different look.  You really have to go into each listing to see all the different ways a hat can be worn or how it looks from different perspectives.

'Amelia' 

DreamWoven's hats sell almost as quickly as she can make them, so if you see something you like, do not hesitate: buy it!  Be sure to explore her sold items on Etsy.  If you see something that you want there, ask her if she can make another similar one for you.  Also, check her blog as she may have new ones there that might not be listed yet.

'Ambrato'

DreamWoven occasionally also offers some pretty wild accessories: neck pieces and wrist cuffs.  Now, how cool is this feather tickler?  It can be worn up, as shown in the photo, or with the feathers draping down.  Wonderful fun!

'Black Dahlia' 

DreamWoven is also a member of our Fiber Focus Group on Ning.  I now count her among one of my most cherished cyber friends.  This is the wonderful side of working with handmade goods.  A real person is behind the product and when that person has a heart of gold, you know that your money is well spent!

Here is how Rachel describes her journey:

Rachel (DreamWoven) was born in an era where she was told that life must be led a certain way. Of course she believed that she could do anything she wanted and so she went wandering. She went terribly astray and far off the beaten path... but always ended up on her own two feet in a place where she was mostly understood. Rachel learned that if she wanted to do something badly enough, all she needed to do was try and even if things didn't come out just like she had thought they would, they could still be wonderful. Textile/fiber work has always been present in her life, in one form or another. And so it goes.....


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