TAFA: The Textile and Fiber Art List

Showing posts with label California artist. Show all posts
Showing posts with label California artist. Show all posts

Thursday, September 3, 2009

Where Quilters Quilt by Donna Hussain

Donna Hussain quilts in her bedroom.

Most professional quilters have a studio dedicated to their quiltmaking, either commercial space or a studio addition to their homes. Other quilters sew on the dining room table which must be cleared of their sewing activity at mealtime. In between these two extremes are quilters who share hobby space in crowded households with other family members. Their challenge is to find a nook where they can sew undisturbed and crannies for the storage of their fabric and supplies. Most of these quilters do not have a sewing room of their own until their children grow up, move out, and leave an empty bedroom behind.

My sewing area is at one end of our master bedroom. The work surface for my sewing machine and cutting mat is a flat door that I bought from Home Depot which I’ve set on table legs belonging to an old desk. The size of the door is particularly useful when machine quilting because it can support a large quilt under construction. Unfortunately, the placement of my cutting mat is too low for back comfort. Another disadvantage of the mat location is that I have repeatedly cut the cord used to raise and lower my window blind. The cord somehow gets buried in material waiting to be cut into patchwork strips, then gets sliced by my rotary cutter.

Wire baskets used for fabric storage,
the quilter's stash.


I store fabric scraps in small wire baskets that sit on the rungs of a closet ladder leading to the attic. A wide wire rack nearby holds the rest of my stash. I no longer buy yards of fabric on a whim. The only fabric I purchase is material needed for a quilt under construction.

Threads and quilting tools kept in storage bins.

My design wall is a piece of foam wallboard on which I pin blocks and quilt top sections as they are sewn. I like the ease with which I can move the wallboard from room to room to catch the best viewing light. Finished quilts are stored on the two mattress of a trundle bed in the guest bedroom. The drawback is that I must fold and stack the quilts in the master bedroom when we have house guests. Beads, trim, and doodads fill plastic boxes on the floor of my husband’s closet. Thread and quilting tools are kept in a colorful drawer set bought at Costco (warning: the drawers tend to slip out of their support tracks). Projects in progress fill red plastic stacking containers.

While working on this article I visited the homes of several of my quilting friends to document where they sew and how they organize their fabric and quilting supplies. It was obvious from the moment I stepped through their front doors that I was entering the homes of quilters. The walls of every room were decorated with hanging quilts. Closets and cabinets were filled to overflow with fabric and supplies, while sewing machines, irons, and cutting boards were set up ready for action.

Quilting in the family room.

Ruth quilts in her family room, a room that also has a couch and TV for family relaxation and entertainment. The cabinet which supports her sewing machine has a folded leaf to one side that can be lifted to give Ruth a wide surface for her cutting mat.




Shelves along the wall contain her quilt books, fabrics and a small ironing station for patchwork projects.



Blanche has created quilting workstations in two small rooms of her trailer.

PVC leg extensions help reduce back pain
at a quilter's cutting table.


One of her cutting tables is raised in height with PVC leg extensions, a good idea for back comfort.

Movable wire baskets allow for mobility of quilt projects.

She also has several stacks of wire baskets on wheels for fabric and quilting tools that can be stored in a closet or moved from room to room. Blanche is so organized and neat that she leaves no trace of her sewing when she quilts in the living room, at the dining table, or on her porch. This amazes me because I make a mess when quilting: dropped pins, fabric scraps everywhere, scissors and other tools lost, thread stuck to my clothing, and stacks of fabric spread across the floor.

Quilters fill their closets with fabric and supplies.

Janet’s children are grown so she can use their childhood bedrooms for her quilting hobby. Since Janet is very productive it was not surprising to find her sewing rooms and closets filled with fabric and sewing supplies.

Flat labeled boxes used for quilt UFOs.

She even has shelves for boxed UFOs (unfinished projects).


But she still sews on the dining room table when machine quilting large quilts.

For years Juanice stowed her quilting supplies in a corner of the kitchen, and sewed on the kitchen table between meals. When her daughter grew up and moved away Juanice acquired a sewing room. A few years later, Juanice’s husband initiated another room switch to give Juanice more room to sew. He moved their bedroom furniture into the sewing room where the couple now sleeps giving Juanice their master bedroom for quilting.

Using a computer table as a sewing space.

Quilter's fabric stored in cardboard boxes.

Juanice has many good ideas for organizing a sewing room. For example, her sewing machine sits on a computer table bought at Staples. Note the large roll of batting stored in the corner behind her machine. Juanice packs her fabric sorted by color in large cardboard boxes on shelves designed for garage storage, and she keeps her thread in transparent plastic boxes bought at a toy store for collections of “Hot Wheels.”

Hot Wheels case used to organize quilting thread.

Joyce quilts in a former carport converted into a quilting studio by her husband many years ago. What impressed me most is how well the room has been designed to meet Joyce’s quilting needs. The room is spacious, yet colorful and cozy.

A lucky quilter might get a whole carport or garage
to meet her needs.


The walls are lined with open-shelf storage, and enough floor space to set up more than one sewing machine. It has a built-in design wall, a white board, and wall space for pinning memos and photos. Joyce is constantly at work in the studio and invites her quilting friends, her art quilt circle, and our guild’s Community Service Committee to her house to sew on a regular basis.

All of the women in this article and thousands more throughout the country make beautiful quilts that they gift with love to their family and friends. They also generously donate their quilts to sick children, the elderly, disaster victims, and others in need. I feel honored to be part of this quilting community.



California quilter, Donna Hussain, has exhibited in major quilt shows around the country, authored books, and is a regular contributor to Fiber Focus. Click on her name to see all of her past articles.


The photo shows Donna with her husband, Pascha.




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Wednesday, August 5, 2009

Quilters Join Crafters in Making Decorative Postcards by Donna Hussain

Transform your fabric scraps into beautiful postcards!


My stash of fabric scraps left over from quilting is taking over the closet of my guest bedroom. Although I try to diminish the scrap piles by using the fabric for accent colors in new quilting projects, my stash continues to grow. Could it be true that scraps stored in a dark warm place multiply?


My friend, Lyn Strauch, who shares my love of quilting, recently introduced me to new creative activity: making decorative postcards from colorful fabrics, buttons, sequins, fancy threads, paint, stamps, trim and assorted doodads to send to friends and loved ones. If addressed and stamped, the US Post Office will deliver the postcards by mail. While a quilt takes months to sew, a decorative card takes only an hour or two to make. We quilters already have most of the needed supplies on hand. Our pleasure is threefold: we enjoy the creative process of making the postcards, we bask in the delight and smiles of those who receive our cards, and we rejoice in finding a use for fabric in our stash.


Several weeks ago my art quilt circle spent a very pleasant Sunday afternoon making decorative postcards under Lyn’s guidance. I learned many useful tips from Lyn that I now share with you.

Getting instruction from Lyn Strauch.


Lyn Strauch teaching a class on fabric postcards.


Supplies and Directions

Cut Timtex or Peltex available at fabric stores into 4x6 inch rectangles, postcard size. These stiff products are used for the postcard base. One side of the card is for the mailing address and message. The other side is decorated with fabric and embellishments that are fused, machine sewn, glued, painted, stamped, or hand-stitched to the surface.

All kinds of remnants can be used in a fabric postcard.

The decoration is made by a selection of:
Fabric scraps
Beads
Decorative threads
Rickrack
Buttons
Crystals
Sequins
Yarns
Ribbons
Fabric trim
Found objects
Tulle
Netting
Stamps
Paint
Rosettes
Doodads


Fusible web products like Wonder Under or Steam a Seam are used to fuse fabric designs to the card. Iron these fusible products to the back side of your chosen fabric before you cut the fabric into desired decorative shapes. Some Peltex products are manufactured with a fusible web surface, but you will still need a fusible web product for layered fabric designs.


CAUTION: Cover the ironing board surface with parchment paper or an appliqué press cloth before you begin to fuse. Without this protection your ironing board cover may be damaged with sticky fusible web scraps. In addition, always place an appliqué press sheet between your iron and the items you are fusing. Without this interface you risk permanent damage to your iron.


Fuse muslin or a light-colored solid fabric to the message-address side of the card. Write the word POSTCARD with a pen along to top edge of the card (a Post Office requirement), then draw a vertical line down the center of the card to separate the left-hand message area from the address area to the right.


Sew borders for your postcards with your sewing machine using the satin stitch, blanket stitch or zigzags. Decorative machine stitching can also be used in the embellishment of your cards.


The post office should have a standard rate for mailing decorative postcards. Unfortunately, the rate seems to vary from one city to another. So take your decorated cards to the post office to check the mailing rate. Flat postcards should need only a postcard stamp. If the card has heavy decorations it may require the stamp rate of a letter. If you have decorated the card with three-dimensional protruding objects, like shells, you will be required to send the card in a padded envelope.


Lyn has a collection of over one hundred fifty decorative postcards that she has made or received from others in postcard swaps. The postcard photos in this article are from her collection. To learn about swap options, type the words Yahoo Groups Postcards in the search window of your computer. You can join a group that interests you by asking to enroll as a member. When a new swap is posted you learn the theme of the swap, for example Purple, Autumn, Triangles, or Warm, and the date your postcards are due. You later have the pleasure of receiving postcards in return from your swapmates. Sounds like fun.

Lyn Strauch with her postcard collection.

For further information on making decorative postcards, I recommend (click on the links to go to Amazon):

Fast, Fun, and Easy Fabric Postcards
by Franki Kohler



Quilt Designs for Postcards
by American School of Needlework



Positively Postcards
by Bonnie Sabel and Louis-Philippe O’Donnell






California quilter, Donna Hussain, has exhibited in major quilt shows around the country, authored books, and is a regular contributor to Fiber Focus. Click on her name to see all of her past articles.


The photo shows Donna with her husband, Pascha.




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Tuesday, July 21, 2009

Ecological Arts by Rebecca Burgess

"The role of Ecological Arts is to create art in order to understand and revitalize natural systems. Founder Rebecca Burgess has been a teacher and artist for many years."

As an environmental educator and textile artist, I am consistently looking for ways to engage students and the public in hands-on textile arts techniques that move us one step closer to living in greater harmony with the planet.

Ecological Arts offers a series of workshops
on using natural dyes and weaving.


I created EcologicalArts in 2004 as a way to house the sustainable textile arts processes that I was both creating and learning from other artisans around the world. Inspired initially by villages like Pejeng, Bali, and Sukhonakon, Thailand, places where women grow and spin organic cotton, raise and ferment indigo, and work cooperatively to produce beautiful finished goods. These villages illuminated sustainable textile production for me. Upon returning home, I felt the calling to start my own tradition.

California Fleuristic Province, home of Ecological Arts.

I live in the California Fleuristic Province, it is among the 25 most bio-diverse places on the planet. I felt there must be species here, in my homeland, that I can use for color- and thus avoid the carbon footprint incurred from ordering all of my dyes from overseas, or even out of state. In the process, I have become a natural dye harvester, restoration gardener, and an unintentional steward. I prune, I weed, I replant, and I seed- it's all a part of the harmonious and reciprocal process. Stewardship and dye work are now hand-in-hand activities for me. My garden is both a restoration site for native and useful dye plants, and an experimentation zone of Indigo, prairie wildflowers, and pokeberry.

From plant life to yarn color, dyes by Ecological Arts.


While there are still dyes such as cochineal, and logwood, whose colors I have not found sustainably harvested substitutes for, I was able to find and create recipes for every color of my hearts desire. And, there is still a lifetime of experimentation left in the fields and hillsides of my homeland.


As a canvas for these natural colors- I connected with the local sheep ranchers, angora producers and organic cotton farmers. These relationships have given me the opportunity to economically support local fiber producers. They create some of the highest quality raw materials in the world, and yet their origins are at most 70 miles from my home!


These processes I undertake are nothing new in history, they are in fact quite ancient, and yet- I feel that every moment of creating with nature’s raw materials is a novel experience. The permutations and possibilities for what a textile artist can do with the resources within his or her community is truly stunning.


Yarns by Ecological Arts.




Rebecca Burgess graduated from UC Davis in Art History, and while in the central valley spent time studying at DQ Native American University. Searching for art outside the academic canon, she found a Native American basket weaver. The artistry, ecology, and function of the native baskets became her inspiration. While traveling throughout the United States, and Asia she found remnants of ecologically focused textile art traditions.
Through each investigation she became increasingly inspired to begin a local tradition within her own bio-region. Ecologicalarts was born in 2004. An organization dedicated to creating, reviving, and teaching, art forms that utilize resources to promote thriving eco-systems.

Rebecca is a member of the Fiber Focus Group, has a blog, website and sells on Etsy.



Find more photos like this on Fiber Focus
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Wednesday, July 1, 2009

"Traveling This Summer? Sew A Money Belt!" by Donna Hussain

Pickpocket

All travelers worry about the safety of their credit cards, tickets, passports, travelers checks, and cash. Wearing a money belt for valuables under your clothing when traveling is a foil to pickpockets, purse snatchers, and careless loss, like a wallet dropping out of a pocket when you place your jacket in the overhead bin of a plane.

A home-made money belt is easy to sew and inexpensive to make. Surprisingly, it is also comfortable to wear. My husband does not limit the use of his money belt to travel, but wears it daily. He keeps only a few bills in his pockets knowing that he has extra cash and credit cards in his money belt for unexpected expenses.

Money Belt by Donna Hussain
(Zipper open to show possible contents...)

To sew a money belt, follow the directions below.

Supplies:
A 12-inch all purpose non-separating zipper
11½ inches x 18 inches of soft, durable, 100% cotton bottomweight fabric
3/4 yard elastic waistband, 1 to 2 inches wide

Money Belt Supplies

1. Fold the cotton fabric in half lengthwise. Center the zipper on the cut edge. Make a mark on the cut edge of the money belt fabric at the start of the zipper opening and at the end of the zipper opening.

Marking the zipper location.

2. Remove the zipper. Stitch the raw edges of the folded fabric together on your sewing machine. The stitch line should be about ½ inch from the raw edges. Use your regular stitch-length from the fabric edge to the first mark, back stitch ¼ inch, then forward stitch ¼ inch. Stop.
Change the stitch length to long stitches (for later easy removal). Sew to the second mark. Stop.
Change the stitch length back to regular stitch length. Sew ¼ inch forward, ¼ inch backward, then forward again to the fabric edge.
(The backstitching helps lock the seam on each end of the zipper.)

Sewing the seam

3. Press the seam allowance open.

Seam allowance pressed open


4. Place the zipper wrong side up over the sewn seam line using your marks on the fabric as a placement guide. Baste the upper half of the zipper to the upper flap of the open seam allowance. Make sure that your basting stitches penetrate the flap only, not the money belt itself.
Baste the lower half of the zipper to the lower flap of the seam allowance. Check to make sure that your basting stitches do not go into the fabric of the money belt tube.

Baste the zipper to the seam allowance flaps

5. Machine stitch the zipper to the seam allowance (flaps only).

6. Turn the money belt tube inside out. The zipper is now hidden from view. Cut the seam directly over the zipper with sharp scissors or a seam ripper to expose the zipper. Check that the zipper opens and closes with ease.

7. Adjust the money belt tube so that the zipper is aligned near the top. Press the money belt flat.

Pressed money belt

8.
Prepare to hem the raw edges at the sides of the money belt. Do so by turning the raw edges of the fabric ½ inch to the inside of the tube for a hem. Press.
Before machine stitching to close the sides of the money belt, insert one inch of the elastic waistband into one end of the money belt at zipper level. When stitching the side seam closed the elastic will be stitched in place. Do not cut the elastic to size or sew the second side seam until the eventual user tries on the money belt to measure the length of elastic needed for comfort.
For durability sew three rows of stitching on the right and left sides of the money belt. A row of stitching is also advisable along the bottom fold. It does not matter that the rows of stitching are visible. After all, the belt will be worn underneath clothing.

Money belt stitching


9. For family travel abroad a money belt made with two pockets joined by elastic, one worn in the back, one covering the belly, is helpful. Items you need infrequently, like passports and tickets, can be stored in the pocket worn in the back. The front pocket is handy for easy access to cash and credit cards.


Happy Travels!


California quilter, Donna Hussain, has exhibited in major quilt shows around the country, authored books, and is a regular contributor to Fiber Focus. Click on her name to see all of her past articles.


The photo shows Donna with her husband, Pascha.




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