TAFA: The Textile and Fiber Art List

Showing posts with label Africa. Show all posts
Showing posts with label Africa. Show all posts

Sunday, September 21, 2008

Sarah's Artwork and Her Traveling Muse: Australia, Mexico and Africa!

We have this little gadget on the front page of our Fiber Focus Group that pulls images from Flickr tagged "fiber art".  Last week this cute guy with a red face and wings popped up:

Merman by Sarah's Artwork

I quickly clicked on it as I wanted to know more about it.  I knew instantly that this was a piece that would be close to my heart.  And where there was one, there would probably be more.

I was right!  Merman led me to a treasure trove of wonderful work! I am especially attracted to work that is influenced by ethnic art, yet twisted into something new.  If you visit the Sarah's Artwork blog, you will find this to be true in this case. The blog is loaded with images of inspiration and how they become translated by Sarah into something new.  For example, take this piece from her series, My Tribe

Source of inspiration: Africa!

Other My Tribe pieces all recall Africa, although Sarah said that she is also inspired by the immigrants she sees in Melbourne, often wearing tribal tattoos or henna designs from their place of origin.

But, Merman, looked distinctly Mexican in flavor to me.  Hmmmm....  Sure enough, Sarah has been to Mexico and fell in love with it!

And, where does this well of creative juices spring from?  AUSTRALIA!!!!  It's A Small World After All started playing in my head...  Sorry.  It's all that childhood indoctrination...

Its A Small World (After All) - Disney

Sarah is prolific and diverse in her work.  The soft sculptures are heavily embellished and expressive.
Woman by Sarah's Artwork
King by Sarah's Artwork
She also draws, filling space intensely, creating wonderful environments of chaotic order:
.
The Embrace by Sarah's Artwork
Sometimes the sculptural and figurative become combined into the functional:

I have found that artists who fill their artwork with detail and texture, like Sarah, tend to also decorate or fill their work spaces in the same way.  This is true with her.  Sarah's former studio was an altar to life.  Walls, even the ceiling, celebrate the world, bringing cultures together into a collage of color and texture.

I contacted Sarah and told her how much I liked her work.  We exchanged several e-mails and she turned out to be as interesting in cyber-reality as her work.  I don't expect much when I contact people out of the blue like this.  Many never respond, people are busy, whatever...  but, Sarah was enthusiastic and shared quite a bit about what is going on with her.  She packed up her studio and is in the process of crossing the ocean to start a new phase in her life: Montana, USA!  She has friends there and eventually wants to make it back down to Mexico.  Montana is a long way from Kentucky, but it gets my hopes up that if we are at least in the same country, there is a tiny chance that we could meet someday.  

Meanwhile, visit Sarah at her blog, leave some comments here about how wonderful she is, and from us all, we wish you "Happy Travels, Sarah!"

Click on this short bio to see a larger image:


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Thursday, August 28, 2008

Watatu: Kanga, Kitenge and Proverbs from Tanzania


Kanga and Kitenge
– a living part of the East African culture
The Kanga (also spelled khanga) is an about 1 meter wide and 1,5 meter long piece of textile, which is used mainly in Kenya and Tanzania as garment, for carrying babies etc. In Uganda it is called Leso. The Kanga is of cotton and is printed using the silkscreen technique with a frame (pindo in Swahili) and a theme (mji) inside it. There is also often a slogan or proverb (ujumbe or jina) printed on the textile. The Kanga is easy to fold, tie and wind. It is often bought in pairs, and then cut to two pieces – one to wrap around you as a skirt and the other piece around your shoulders.

Kanga


The ujumbe or jina here says “I wish you all the best”.

The Kitenge (vitenge in plural) is another kind of textile, but of a thicker quality, and it has usually an edging only a long side or not at all. It is printed using rotary spinning machines. Even kitenge is sold in lengths sufficient to cover ones body. Specific patterns are designed for national holidays, jubilees etc. While similar textiles as the kitenge can be found all around Africa, the kanga is specific for East Africa and it has a fascinating history.

Kitenge


Women of Zanzibar created the Kanga
In the middle of the 19th century there was an abundance of imported goods in the bazaars in Zanzibar. Textiles were imported from India, the Far East and Europe. The Portuguese contributed with printed textiles to be used as shawls. They came in 0.50 meters wide rolls with square patterns. Normally you would cut off one square and sell it, but some women bought six squares instead, cut it in two pieces and sew them together to get new patterns.

The story goes that the new patterns were called “Kanga” as they reminded of the plumage of the speckled guinea fowl. In Swahili, the word kanga means precisely that: guinea fowl. However, in the book “Kanga – the cloth that speaks” - available at Watatu - the writer Sharifa Zawawi, who is Professor Emeritus of Classical Languages, has a completely different theory on the origin of the word, which we will not reveal here.

”I am also a kanga”

”A wife is a fruit to take well care of”
In the beginning of the 20th century the trader Kaderdina Hajee Essak in Mombasa, often called Abdullah, got the idea of printing texts on the textiles, preferably proverbs from the rich Swahili cultural heritage. His textiles, which carried the trademark "K.H.E.-Mali ya Abdullah", quickly created a new fashion, which lasts up till today.

The texts are in Swahili, which is spoken in East Africa and Central Africa. It is the official language in Kenya and Tanzania (a union of Zanzibar and Tanganyika). The words on the kangas can often - if not just being printed for a jubilee or being political or religious slogans - have a double meaning. With a kanga you can indirectly say what you want to your neighbour, rival or others. The texts can be seen as document of historical and political events as well as prevailing values in the Swahili society and how they have changed during times.

The Mji and Jina (see above) are what characterizes the kanga and its popularity. The popularity of the Mji, that occupies the most important area of the kanga, save for its colours and the art, may be overshadowed by the context of the jina. The jina is usually printed in uppercase letters in colours that match the central motif and most likely on white background to improve its readability. Kangas without text are called kanga bubu – a dumb kanga.

The ujumbe or jina here says, “A wife is a fruit to take well care of”.

In the beginning the pattern at the kangas was printed by hand using wooden stamps. Nowadays it is an industrial item, where the textile industry in Tanzania has to compete with cheaper copies (but of less good quality) of kangas from India and China, where even the text in Swahili is copied.

In sorrow and happiness
In Tanzania the kanga is used for all events in life. When a girl is going to be married, she is covered with kangas. She is also given kangas as gifts. Also when people go to celebrate the birth of a child, the women put a kanga around the waist, and when someone has passed, and people go to pay their respects, the women put a kanga around the waist.

Also notice here the dress at the bottom is made of a kanga!

There is a special design of a kanga called kisutu. It has a beautiful pattern with a lot of details and you can get it in red and black or blue. The red and black one is called kisutu cha arusi and in Zanzibar the bride is wrapped in it at the wedding day. At the permanent kanga exhibition at the National Museum of Zanzibar, they tell you that this specific ”wedding kanga” has a bloody story linked to it. It is said that a woman killed her husband with a knife, because he didn’t give her this kanga.

Kisutu cha arusi


A kanga or kitenge for you
The kanga and the kitenge are wonderful products, you can really use them for everything. Our online shop has a wonderful selection of kanga and kitenge, other African textiles, baby carriers, African fashion, coffee, and much more! And, if you sew, kanga and kitenge work great in quilts or made into your own clothing, bags, curtains, or table cloths.




We are three old friends, Watatu (=three in Swahili), one from Sweden and two from Tanzania who are trying to promote the use of kanga and kitenge also outside East Africa. Do come visit our site!


Written by

Karin Zetterqvist
Watatu Textil
©Watatu

Sources:
”Textil i Afrika” by Erik Cardfelt, Karin Olsson
“Kanga – The Cloth That Speaks” by Sharifa Zawawi
Article “The Kanga” in Bang Magazine, July/August 2007




See Karin's article on Bark Cloth in Uganda.

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Tuesday, August 5, 2008

The Costume Page, A Most Wonderful Resource


Have you heard of The Costume Page? Are you interested in clothing design, apparel throughout the ages? Do you have many, many, many hours at your disposal to explore this extensive list? The Costume Page is a resource that compiles links to websites with costume related information. Julie Zetterberg Sardo, who developed the site, states:

"Welcome to The Costume Page, my personal library of costume and costuming-related links. I'm sharing it for the benefit of those who study and/or make costumes: costumers, students, historical re-enactors, science fiction fans, professionals, amateurs, dancers, theatrical costumers, trick-or-treaters, writers, researchers, and all those interested in fashion, textile art, and costume history.

There are over 1,000 unique links listed on these pages. Some of them cover more than one area of interest. I recommend that you browse through all sections of The Costume Page if you don't immediately find what you're seeking. I've tried to cross-reference where possible, but you're likely to find some additional gems if you dig!"

The subjects are divided into the following topics:

Each of them opens the door to a vast compilation of links. Of course, my favorite is the Ethnic tab. This one is divided into:

Africa | Asia & India | Western Europe | Eastern Europe and Siberia
Near & Middle East | North, Central & South America | Pacific Islands


The linked sites are varied and include documentation of historical costumes, how-to pages, and ethnographic information. Photocollect deals with old photographs such as the Japanese warrior below. They target museums and private collectors as clients.


Macedonian Folk Embroidery offers samples of embroidered clothing and patterns such as the one below:


Maya Adventure has a page on woven symbolism in Mayan textiles.

Those three are just a small sampling of what is available in the ethnic section. There is a lot more on Japanese kimono, Indian saris, Middle Eastern garb, African wraps and a huge section on European costumes.

The Costume Page is especially rich with information on Western historical fashion. The Middle Ages, Renaissance, and Medieval links are fascinating! Footwear of the Middle Ages is one example of an excellent overview of how shoes were made, what tools were used, and what the various designs meant in that period.


One of the Paducah artists had a costume party last year with a 1960's theme. Another one used a flapper theme. I used this site as an idea place to figure out what to wear for both parties. Sometimes you just need to look at some good images to get some inspiration. This is the place to come.

There are also many links that have excellent educational resources for kids (or adults who like to play...). David Claudon Paper Dolls has a huge selection of designs from all over the world through the ages. My sister is home schooling her kids and I can just imagine her using these as teaching aids.

The Costume Page is an invaluable resource for theater people, designers, historians, and anybody just curious enough to poke around the site. I can only thank Julie Zetterberg Sardo for putting such an excellent collection at our disposal. Thank you for all your hard work!
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Sunday, August 3, 2008

Wola Nani: A Caring Response to AIDS

A friend of mine in Chicago, Karen Muir of Zulu Crafts, used to import these wonderful paper machie bowls from South Africa. I sold them on eBay and carried them in our Chicago gallery. I no longer have them, but Wola Nani, the fair trade organization that made them, continues to produce them through their income generation program. Wola Nani describes their mission:

"As society’s most vulnerable members, HIV is especially cruel to the poor. Khayelitsha, for example, a sprawling township 26km from Cape Town, has an HIV rate of 22%, the highest rate in the Cape Flats. One in three mothers will pass on their infection to their baby – most will die in their first year with few surviving to the age of five. With health services already stretched to the limit and unemployment at nearly 50%, making extreme economic hardship a daily reality, Wola Nani is working to fill the gap that leaves people with HIV & AIDS particularly exposed.

Through a counseling and case management approach, coupled with skills training and income generation opportunities, they can attain the necessary skills to help themselves achieve a better quality of life. Complementary holistic family and community support includes support groups, child health monitoring and day care, plus home based care to help families look after their loved ones living with the disease.

HIV and AIDS does not just touch individuals and families, it is a community issue. Only through education, awareness and understanding of HIV amongst the wider community can the culture of silence surrounding HIV be broken and the discrimination accompanying ignorance be eliminated. Myths and misconceptions surrounding HIV and AIDS not only breed fear of, and stigma against, people living with HIV and their families, but play a fundamental role in accelerating the spread of the virus.

Through Wola Nani’s outreach program of AIDS education workshops and awareness initiatives, staff work within the township communities to raise awareness, provide education and disseminate information. In this way, Wola Nani works towards improving community acceptance of people with HIV and AIDS, combating discrimination and developing community based responses to prevention, support and care.

Wola Nani’s focus on women and their children does not exclude men but has developed in response to where the need for the organization's services is greatest. However, all HIV+ persons regardless of gender, race, age or religious belief are welcome."

The paper machie bowls are made from discarded runs of food product labels commonly found in South Africa: sardine cans, corn, and other foods. They are donated by large factories which are supportive of the project. The bowls are sturdy, well made, light and covered with several layers of a protective lacquer. Perfect for storing dry goods, fruit and knick knacks, they are so attractive that many buy them as folk art. The bowls are one of many other crafts produced by Wola Nani. They also do bead work, make picture frames, and an assortment of other small crafts. Wola Nani does accept orders for corporate gifts or specialized retail designs.

South Africa has been devastated by the AIDS virus. The number of children orphaned by the disease is immeasurable. And, those living with the virus are often ostracized, lose their jobs and face a terrible future of loneliness and sickness. Projects like Wola Nani do help on the financial side, but even more importantly, they offer a community of acceptance where the participants can develop relationships, have the educational resources they need to understand their options, and their self-esteem is improved by feeling like they are contributing back to society with their labor.

Wola Nani does not have a web store, but their products are available through many fair trade stores. A couple of them include Ganesha Fair Trade in the UK and Global Goods in the US. Wola Nani's website does, however, offer much more information on their projects with stories of some of their project participants. "Wola Nani" means "we embrace and develop each other" in Xhosa. You can be certain that in purchasing these bowls, your dollars, pounds, euros, and yen will serve as that much needed wola nani between those of us who have our health and a community who has experienced profound suffering. Wola Nani is a place of hope!


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Monday, June 30, 2008

Five Faiths: Religious Head Coverings, Part 1 (Islam & Christianity)

This post is part of my Five Faiths series. I'm taking a look at religious textiles used in Islam, Christianity, Judaism, Hinduism and Buddhism. Click Five Faiths to see all the articles on one page. The topic of religious head coverings is huge and controversial, so I am breaking it down into two parts. This part takes a glimpse into Islam and Christianity. The second part looks at Judaism, Hinduism, and Buddhism.

A couple of years ago, my husband humored me by taking some role reversal photos for our Christmas card. I come from farmer stock, so he dressed up in my bib overalls, and he is part Berber. He helped me put on a shawl and drew a pretend tattoo on my face. I always have fun dressing up! I asked him what his mother, a real Berber, would think of me if she saw me like this and he shook his head and said, "Very weird..." Well, his mother and my mother would both agree on that!

Those of us who love ethnic textiles, know that shawls, hats, and other head coverings can be absolutely drop dead gorgeous. But, we also know of all the controversy that surrounds the religious coverings of women, especially in Islamic cultures. The burka has been strictly condemned by the West and shedding it is a symbol of emancipation.

Burka Graduation. Click on the photo for the source, although I could not find any information there about the context.

The rise of fundamentalist Islam in the last 20 years, especially through the Taliban rule in Afghanistan and modern Saudi Arabia, has created a public outcry against the burka (a full body cover which allows limited vision) and the dark veiling where only eyes are exposed. Women have suffered greatly not because of the veiling in itself, but because of the limitations that have been imposed on them in terms of employment, purchase power, education, access to sunlight, and mobility. Renowned photographer Harriet Logan documents the lives of several women in her book, Unveiled. These women had enjoyed the liberal 70's in Kabul and then were subjected to humiliation, beatings, and obscurity under Taliban rule. Logan interviewed Zargoona in 2001. She had been a physics teacher in the Polytechnic. She said she had a good salary and a good life. Now she was stricken with cancer, lived in a small room with no heating and no glass in the windows. Logan says they sat under blankets during the interview and Zargoona cried the whole time. She taught in secret to earn some income as her husband had passed away. "I was beaten by the Taliban for teaching only three months ago. My door was not locked, as I was expecting my students that day. One of the neighbors had shown them my door. Three Talibs just walked in; two more stood outside. They were terrifying. ... they said it was forbidden to teach girls, and they started to beat me with a cable until my leg bled." (page 60)

Stories like this one are abundant in areas where extremism is dominant. Ayaan Hirsi Ali was raised in Somalia, Kenya and Saudi Arabia. She was excised (female circumcision) with no warning when she was around 10, forcibly married to a man she did not like, and survived a childhood of violence. I recently read her book and was quite moved by her story. Ali made it to Denmark as a refugee, put herself through University and ended up in Danish Parliament, only to be then kicked out of the country because she had lied about her status when she first arrived. I think she now lives in the United States. Ali's experience made her question her traditions, religion, and finally the existence of God. There is a fatwa against her and a Danish colleague was shot to death while riding his bicycle because of a movie the two of them made.

Yet, not all women veil themselves or wear the burka because men force them to. In fact, Ali talks about the radicalization of Islam while she was a teenager and describes how a few crazed men drew crowds of women who hungered for the law. She describes how Islam for her nomad mother was a part of life, with certain rules, yes, but also mixed in with ancient lore that preceded it. The new Islam that they encountered in urban areas was imported from Saudi Arabia, very foreign to historic Somalia. Many of the husbands begged their wives to stay away from these new preachers, to take off the veil, to go back to a more flexible way of life. Divorces happened left and right on both sides, spurred on by women who refused to step back into normalcy. Some of the stories are absolutely unbelievable! Click on the photo below for an article about a woman from Saudi Arabia who divorced her husband because he lifted her veil while she was sleeping. He hadn't seen her face in 30 years! The article stated that this is a practice done by a small minority of people. Make sure you read the comments, too!

In terms of interest to fiber enthusiasts, the burka and Saudi veils are extremely boring as textiles. In other Muslim cultures, the coverings can be absolutely stunning! Intricate embroidery, bejeweled and exotic, these are pieces coveted by museums, cultural associations, and film directors. African Ceremonies documents the peoples and religious customs of Africa. Here they show a Rashaida dancer in Eritrea:

Veiled Rashaida Dancer, Eritrea At a Rashaida wedding, a young woman dances in celebration of her friend's marriage. Surrounded by admiring guests, the girl swirls in circles as the many layers of colorful fabrics she wears, including her richly appliqued skirt, enhance her movements. Veiled from the age of five, Rashaida women are required by the law of purdah to cover their faces when they are in public. The mask is considered an expression of female beauty and its elaborate style has remained unchanged for more than 150 years.

When I see photos of women dressed in these garments, yes even with the facial coverings, I feel a sense of sadness for the lack of ritual, adornment, and festivity in our modern lives. No, I don't want to be covered through a social decree, but there is something beautiful here that we do not see often in Western society. Perhaps there is a glimpse of this mystery in the bride who wears a veil over her face as she slowly approaches the altar... I grew up in Brazil where wearing nothing is an acceptable social code. I have to agree that when you see it all, the air of mystique is almost gone.

Accompanying some of the gorgeous head scarves and covering we also find beautiful jewelry that is often hidden under layers of cloaks and shawls. The Turkmen women are known for their large head pieces and pendants that hold shawls together or are incorporated into elaborate hair styles. This crown is a sample of Turkmen jewelry carried by Afghan Tribal Arts:

Abdul, my friend and owner of Afghan Tribal Arts, once teased me saying that I probably should not wear a burka in Afghanistan. I am tall, almost 6', and he said I would probably get bopped on the head, someone thinking that a man was hiding in there and up to no good. He struggles, too, with the question of how to raise his four daughters here in the United States. At first, they wore shawls to school, but it attracted attention and the principal spoke with him after 9/11 and encouraged him to let them blend in as much as possible. It is interesting to watch these girls as they mature. They are pious yet they have questions. It is not easy to choose what cultural practices to maintain and what to give up.

Another liberal Muslim Turkish friend of mine once said that there is also something liberating when you wear a covering that hides your face. She laughed and said you don't have to worry about "bad hair" days. And, you disappear in the crowd, which can sometimes be a relief. But, she said that it is nice to have the choice of whether to cover or not. In Turkey, you can do both.

And, yes. Muslim women cover themselves not because of the Koran, but because of cultural norms. Blogger Alixianna has a wonderful post in her blog, Beautiful Muslimah. She uses this photo to introduce her article on the context and history of veiling.

It is extensive and I encourage you to read it if you are interested in this issue. But, here are a couple of things she says:

"Misconception: The veil is homogenous.

Contrary to popular belief, there are many different kinds of veils. There is no one Arabic word for "veil" and even the English dictionary lists four distinct definitions of the word veil, in terms of material, space, communication, and religion. In regard to Islamic culture, the veil is best viewed as a part of dress in the manner that, like other elements of dress, it is specific to time and space. In different areas of the Islamic world, styles of veiling and reasons for it are distinct.

Here are three common types of veils:
a. Hijab- a head scarf that usually is worn for religious reasons. There is not one type or color.
b. Chador- a large black shawl that covers the hair and entire body. The chador is most commonly associated with Iran today. If it covers the face with a mesh screen it is the blue body garment worn by Afghani women.
c. Veil or burqa- two peices of cloth sewn together with a slit for the eyes worn over hijab, or a stiff mask made of cloth.

Misconception: The Quran states that Muslims have to veil

The Quran does not specifically mandate veiling, but simply speaks about modesty, respect, and the covering of the body. In fact, male modesty is more frequently referred to in the Quran then female modesty. In most Muslim societies veiling is not enforced, but a choice. It is a way for Muslims to outwardly show their devotion and respect for Islam."

She also points out that men also choose to veil in some Muslim cultures. The Tuareg men, for example, veil themselves, while the women do not. This transitions nicely to talk about Islamic head coverings for men, does it not? I've never understood why Western articles about Muslim women covering their heads do not also talk about men. The same circles that have strict codes for women do the same for men (Uh, except that they do get to have jobs, education, mobility, and all of that...). Men may have to wear beards and cover their heads as well.

Photo by one of my favorite photographers, BabaSteve.

The turban is the most recognized head covering worn by Muslim men. Again, Abdul explains how ingenious this long piece of cloth is in a nomadic culture. It's a helmet. If you fall off your horse, your head is protected. If you broke your arm in that fall, you have something to wrap it with. If you are cold, you can wrap yourself in it. If you need to carry things and don't have a bag, well, just cut off a bit and there you go! I found this photo of a Sikh, which doesn't really fit in this subject, but had to share it:

It's from an article from the Times Online: "This is Major Singh wearing a major turban - purported to be the biggest in the world at 30kg and 400 meters of cloth. He hopes it will be a source of inspiration to young Sikh boys who are opting for having their hair cut rather than covering it."

Sikhnet has an interesting article on the history of the turban in the Old Testament. Sikhs and Muslims both have historical ties to the Old Testament, along with Christians and Jews. Many texts there use the turban as a symbol of purity, royalty, courage, self respect, dignity, and strength.

But, turbans are only one of many styles of Muslim head coverings or hats. The kufi style is popular in Central Asia and in Africa.

Another photo by Baba Steve from his Pakistani collection.

Sometimes a turban is wrapped around a kufi. The hat style represents the region or village one belongs to. The two vintage Pashtun hats below are an example of a skull cap type style that would be worn with a turban around them. They are hard and would offer good protection, almost like a helmet.



Sometimes a hat will transcend its original context and become popular world wide. The Afghan "Rebel Hat" became popularized during the war against Russia. It's actually a traditional hat from Nuristan, a cold, mountainous region. The hat is ideal for that climate as it can be pulled down during extremely cold weather, although it is normally rolled tight and worn on the top of the head. This is a big seller for us on eBay during the Fall and winter!


All of this discussion of Islamic head coverings may seem exotic and foreign to Westerners. However, these traditions are not that far from home. Western women also covered their heads in public with hats and scarves until not long ago. Think of movies from the 50's and 60's and the stars from that period wore something to protect their heads. I lived close to a Polish neighborhood in Chicago and the older women still boast flowery scarves when they are in public. My parents live in rural Wisconsin and in the last 15 years they have seen more and more Amish families relocate to their area. This photo is from the Library of Congress, around 1940.

Amish women do not cut their hair and must have their heads covered, especially during prayer. They believe in keeping their appearance simple in order to focus on their inner qualities. OK. Still too exotic? Actually, as Islam has grown in fundamentalism, so has Christianity. There are many, many Christian pentecostal groups and non-denominational groups that adhere to head coverings, especially in Church. My own sister frequented a church where she had to wear a doily on her head. The church did not recognize women as equals nor give them a voice during the service. Eventually, she and her husband compromised on a Baptist church and I think both are very happy there.

The main text these churches use to support this practice is I Corinthians 11:2-16 in the Bible's New Testament:

2 Now I commend you because you remember me in everything and maintain the traditions even as I delivered them to you. 3 But I want you to understand that the head of every man is Christ, the head of the woman is the man, and the head of Christ is God. 4 Every man who prays or prophesies with his head covered dishonors his head, 5 but every woman who prays or prophesies with her head uncovered dishonors her head—it is the same as if her head were shaven. 6 For if a woman will not be covered, then let her be shorn! But since it is disgraceful for a woman to be shorn or shaven, let her be covered. 7 For indeed a man ought not to cover his head, being the image and glory of God; but woman is the glory of man. 8 For man was not made from woman, but woman from man. 9 Neither was man created for woman, but woman for man. 10 For this reason the woman should have authority on her head, because of the angels. 11 In any case, woman is not independent of man, nor man of woman, in the Lord; 12 for as woman is [created] from man, so man is now [born] through woman. And all things are from God. 1314 Does not nature itself teach you that if a man wears long hair it is a disgrace for him, 15 but if a woman has long hair, it is her glory? For her hair is given to her for a covering. 16 But if anyone is inclined to be contentious, we have no such practice, nor do the churches of God.


Michael Marlowe of the Bible Researcher dissects this text and explores it historically, reaching the following conclusion, among others:

"The old claim that fashion in clothing is morally neutral and essentially devoid of symbolism has now been destroyed by recent downgrade trends in women's fashion, and Christian parents are keenly aware of the significance of clothing in the case of their teenage daughters. Moreover, the feminist movement (which knows very well what clothing may say about a woman) has created a social environment which is so inimical to Christian values that many Christian women now finally recognize that they cannot allow themselves to be creatures of fashion. And so the church is ripe for a reconsideration of this whole question. In any case, church leaders and evangelical authors who have been discouraging the use of head coverings should reconsider their opposition to it."

Chapel Veil, available through Modesty Veils

Thus, the industry for Christian head coverings for women abound online, all quoting 1 Corinthians 11:2-16. Oh, that Paul! Such interpretation of Biblical text walks that fine line that determines the roles women and men have with each other. Wikipedia describes this line of Biblical thought as expressed by the Plymouth Brethren:

"There is no distinction made in Brethren teaching between men and women in their individual relation to Christ or position before God as believers. However, in most Brethren meetings, the principle of male "headship" is applied in accordance with teaching found in 1 Corinthians chapter 11, verse 3 and elsewhere in the Bible. 1 Corinthians 11:3 says:

But I would have you know, that the head of every man is Christ; and the head of the woman is the man; and the head of Christ is God.

Thus most Brethren meetings reserve leadership and teaching roles to men based on 1 Timothy 2:11, 12...

A woman should learn in quietness and full submission. I do not permit a woman to teach or to have authority over a man; she must be silent.
From this, Brethren teaching traditionally (there are regional exceptions) outlines a system in which the men take the "vocal" and leadership roles, and the women take supportive and "silent" roles. In practical terms, what is traditionally seen is the men being fully responsible for all preaching, teaching, and leading of worship. Therefore, in most Brethren groups, women will be heard to sing the hymns along with the group, but their voices will not otherwise be heard during the service. Often the men are, practically speaking, the only ones involved fully and vocally in all discussions leading up to administrative decision making as well."

The Bible is the Other Side states: "We need not to forget, with remaining sin in the world, and with radical feminism which is the liberal dogma on how women should act and their redefining roles contrary to Scriptures. Christians need to pray for these lost souls who believe in such things as they need the Gospel to be presented to them. Because just believing in head coverings as a Scriptural foundation and not knowing who Christ is, makes one's faith vain. The Lord doesn't save people who don't know Him."

The hope is that men will love and honor their wives and thus take their private counsel into consideration. How far removed is this, though, from the tyranny of the Taliban when society was perceived as a bit too free?

Still not mainstream enough? Well, alright, we'll finish this glimpse into Islam and Christianity by taking a look at Roman Catholicism. Although a diminishing church, Roman Catholics still have a strong presence in the United States, but much more in Latin America and other parts of the world. And, they like to wear hats! Or, traditionally, at least, they have a rich history of interesting head coverings. This book looks like a fascinating read! Click on the photo for the link.


The description says: Curiosity about nuns and their distinctive clothing is almost as old as the Church itself. 'The Habit' presents a comprehensive visual gallery of the diverse forms of habits through the ages and explains the principles and traditions that inspired them. Author Elizabeth Kuhns also examines the gender and identity issues behind the veil and presents engaging portraits of the roles nuns have played in ministering to the spiritual and social needs of the wider society.

I attended a Brazilian Catholic school, Regina Mundi, for a few years when I was growing up. I remember right after Vatican II, the order of nuns that ran our school opted out of the habit. Our head nun showed up from one day to the next in high heels, make-up, a skirt down to her knees, and wowzers! Was she gorgeous! It was hard to take her seriously anymore. (So what does THAT say?) Somebody sent me this photo in an e-mail a long time ago. I have no idea where it came from, but the nuns I knew had a good sense of humor and they would have enjoyed it.

Pope John Paul II, who hailed in Vatican II, also knew how to laugh. Tradition in Action states: "As a sign of the Vatican II spirit of inculturalization, John Paul II dons a feathered African headdress during his 1980 six-nation African tour. Curiously, he never wears the papal crown."

The current Pope Benedict XVI probably did not wear this hat as a sign of humor:

The Roman Catholic Church uses the same text by Paul to encourage women to veil themselves. The Catholic Planet has a page dedicated to the proper dress and behavior for Catholic women. Here is their take on the text:

"In obedience to Sacred Scripture, many Catholic women wear some kind of veil or headcovering. Some wear a headcovering only at Mass. Others feel called to wear a head covering at other times during the day, as well as at Mass. Many non-Catholic Christian women also wear a head covering. These women are following the call of the Holy Spirit. Society discourages women from wearing a head covering and from doing anything else which shows submissiveness and obedience. Yet these women have found the light of truth in the midst of dark times. The moral law requires all women to wear the veil on their hearts."

"The Virgin Mary wore a veil or head covering because she understood this symbol of the different roles given to men and women. Those women who wear the veil are imitating the Virgin Mary in her humility and submissiveness. Nearly every Catholic Church has a stature or image of Mary wearing a veil."

They have a sizable list of links on articles examining the topic.

So what is the moral of these stories? To me, nothing is simple when it comes to evaluating society and religion. I believe that our challenge is to look at our history and what is around us and try to sift the wheat from the chaff. Keep what is good, get rid of what isn't. Each of us has to decide what that might mean, but I believe that it has to do with breaking the cycles of violence in our lives.

Well, this post took all day, so hope you like it!
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