TAFA: The Textile and Fiber Art List

Showing posts with label Afghanistan. Show all posts
Showing posts with label Afghanistan. Show all posts

Monday, June 30, 2008

Five Faiths: Religious Head Coverings, Part 1 (Islam & Christianity)

This post is part of my Five Faiths series. I'm taking a look at religious textiles used in Islam, Christianity, Judaism, Hinduism and Buddhism. Click Five Faiths to see all the articles on one page. The topic of religious head coverings is huge and controversial, so I am breaking it down into two parts. This part takes a glimpse into Islam and Christianity. The second part looks at Judaism, Hinduism, and Buddhism.

A couple of years ago, my husband humored me by taking some role reversal photos for our Christmas card. I come from farmer stock, so he dressed up in my bib overalls, and he is part Berber. He helped me put on a shawl and drew a pretend tattoo on my face. I always have fun dressing up! I asked him what his mother, a real Berber, would think of me if she saw me like this and he shook his head and said, "Very weird..." Well, his mother and my mother would both agree on that!

Those of us who love ethnic textiles, know that shawls, hats, and other head coverings can be absolutely drop dead gorgeous. But, we also know of all the controversy that surrounds the religious coverings of women, especially in Islamic cultures. The burka has been strictly condemned by the West and shedding it is a symbol of emancipation.

Burka Graduation. Click on the photo for the source, although I could not find any information there about the context.

The rise of fundamentalist Islam in the last 20 years, especially through the Taliban rule in Afghanistan and modern Saudi Arabia, has created a public outcry against the burka (a full body cover which allows limited vision) and the dark veiling where only eyes are exposed. Women have suffered greatly not because of the veiling in itself, but because of the limitations that have been imposed on them in terms of employment, purchase power, education, access to sunlight, and mobility. Renowned photographer Harriet Logan documents the lives of several women in her book, Unveiled. These women had enjoyed the liberal 70's in Kabul and then were subjected to humiliation, beatings, and obscurity under Taliban rule. Logan interviewed Zargoona in 2001. She had been a physics teacher in the Polytechnic. She said she had a good salary and a good life. Now she was stricken with cancer, lived in a small room with no heating and no glass in the windows. Logan says they sat under blankets during the interview and Zargoona cried the whole time. She taught in secret to earn some income as her husband had passed away. "I was beaten by the Taliban for teaching only three months ago. My door was not locked, as I was expecting my students that day. One of the neighbors had shown them my door. Three Talibs just walked in; two more stood outside. They were terrifying. ... they said it was forbidden to teach girls, and they started to beat me with a cable until my leg bled." (page 60)

Stories like this one are abundant in areas where extremism is dominant. Ayaan Hirsi Ali was raised in Somalia, Kenya and Saudi Arabia. She was excised (female circumcision) with no warning when she was around 10, forcibly married to a man she did not like, and survived a childhood of violence. I recently read her book and was quite moved by her story. Ali made it to Denmark as a refugee, put herself through University and ended up in Danish Parliament, only to be then kicked out of the country because she had lied about her status when she first arrived. I think she now lives in the United States. Ali's experience made her question her traditions, religion, and finally the existence of God. There is a fatwa against her and a Danish colleague was shot to death while riding his bicycle because of a movie the two of them made.

Yet, not all women veil themselves or wear the burka because men force them to. In fact, Ali talks about the radicalization of Islam while she was a teenager and describes how a few crazed men drew crowds of women who hungered for the law. She describes how Islam for her nomad mother was a part of life, with certain rules, yes, but also mixed in with ancient lore that preceded it. The new Islam that they encountered in urban areas was imported from Saudi Arabia, very foreign to historic Somalia. Many of the husbands begged their wives to stay away from these new preachers, to take off the veil, to go back to a more flexible way of life. Divorces happened left and right on both sides, spurred on by women who refused to step back into normalcy. Some of the stories are absolutely unbelievable! Click on the photo below for an article about a woman from Saudi Arabia who divorced her husband because he lifted her veil while she was sleeping. He hadn't seen her face in 30 years! The article stated that this is a practice done by a small minority of people. Make sure you read the comments, too!

In terms of interest to fiber enthusiasts, the burka and Saudi veils are extremely boring as textiles. In other Muslim cultures, the coverings can be absolutely stunning! Intricate embroidery, bejeweled and exotic, these are pieces coveted by museums, cultural associations, and film directors. African Ceremonies documents the peoples and religious customs of Africa. Here they show a Rashaida dancer in Eritrea:

Veiled Rashaida Dancer, Eritrea At a Rashaida wedding, a young woman dances in celebration of her friend's marriage. Surrounded by admiring guests, the girl swirls in circles as the many layers of colorful fabrics she wears, including her richly appliqued skirt, enhance her movements. Veiled from the age of five, Rashaida women are required by the law of purdah to cover their faces when they are in public. The mask is considered an expression of female beauty and its elaborate style has remained unchanged for more than 150 years.

When I see photos of women dressed in these garments, yes even with the facial coverings, I feel a sense of sadness for the lack of ritual, adornment, and festivity in our modern lives. No, I don't want to be covered through a social decree, but there is something beautiful here that we do not see often in Western society. Perhaps there is a glimpse of this mystery in the bride who wears a veil over her face as she slowly approaches the altar... I grew up in Brazil where wearing nothing is an acceptable social code. I have to agree that when you see it all, the air of mystique is almost gone.

Accompanying some of the gorgeous head scarves and covering we also find beautiful jewelry that is often hidden under layers of cloaks and shawls. The Turkmen women are known for their large head pieces and pendants that hold shawls together or are incorporated into elaborate hair styles. This crown is a sample of Turkmen jewelry carried by Afghan Tribal Arts:

Abdul, my friend and owner of Afghan Tribal Arts, once teased me saying that I probably should not wear a burka in Afghanistan. I am tall, almost 6', and he said I would probably get bopped on the head, someone thinking that a man was hiding in there and up to no good. He struggles, too, with the question of how to raise his four daughters here in the United States. At first, they wore shawls to school, but it attracted attention and the principal spoke with him after 9/11 and encouraged him to let them blend in as much as possible. It is interesting to watch these girls as they mature. They are pious yet they have questions. It is not easy to choose what cultural practices to maintain and what to give up.

Another liberal Muslim Turkish friend of mine once said that there is also something liberating when you wear a covering that hides your face. She laughed and said you don't have to worry about "bad hair" days. And, you disappear in the crowd, which can sometimes be a relief. But, she said that it is nice to have the choice of whether to cover or not. In Turkey, you can do both.

And, yes. Muslim women cover themselves not because of the Koran, but because of cultural norms. Blogger Alixianna has a wonderful post in her blog, Beautiful Muslimah. She uses this photo to introduce her article on the context and history of veiling.

It is extensive and I encourage you to read it if you are interested in this issue. But, here are a couple of things she says:

"Misconception: The veil is homogenous.

Contrary to popular belief, there are many different kinds of veils. There is no one Arabic word for "veil" and even the English dictionary lists four distinct definitions of the word veil, in terms of material, space, communication, and religion. In regard to Islamic culture, the veil is best viewed as a part of dress in the manner that, like other elements of dress, it is specific to time and space. In different areas of the Islamic world, styles of veiling and reasons for it are distinct.

Here are three common types of veils:
a. Hijab- a head scarf that usually is worn for religious reasons. There is not one type or color.
b. Chador- a large black shawl that covers the hair and entire body. The chador is most commonly associated with Iran today. If it covers the face with a mesh screen it is the blue body garment worn by Afghani women.
c. Veil or burqa- two peices of cloth sewn together with a slit for the eyes worn over hijab, or a stiff mask made of cloth.

Misconception: The Quran states that Muslims have to veil

The Quran does not specifically mandate veiling, but simply speaks about modesty, respect, and the covering of the body. In fact, male modesty is more frequently referred to in the Quran then female modesty. In most Muslim societies veiling is not enforced, but a choice. It is a way for Muslims to outwardly show their devotion and respect for Islam."

She also points out that men also choose to veil in some Muslim cultures. The Tuareg men, for example, veil themselves, while the women do not. This transitions nicely to talk about Islamic head coverings for men, does it not? I've never understood why Western articles about Muslim women covering their heads do not also talk about men. The same circles that have strict codes for women do the same for men (Uh, except that they do get to have jobs, education, mobility, and all of that...). Men may have to wear beards and cover their heads as well.

Photo by one of my favorite photographers, BabaSteve.

The turban is the most recognized head covering worn by Muslim men. Again, Abdul explains how ingenious this long piece of cloth is in a nomadic culture. It's a helmet. If you fall off your horse, your head is protected. If you broke your arm in that fall, you have something to wrap it with. If you are cold, you can wrap yourself in it. If you need to carry things and don't have a bag, well, just cut off a bit and there you go! I found this photo of a Sikh, which doesn't really fit in this subject, but had to share it:

It's from an article from the Times Online: "This is Major Singh wearing a major turban - purported to be the biggest in the world at 30kg and 400 meters of cloth. He hopes it will be a source of inspiration to young Sikh boys who are opting for having their hair cut rather than covering it."

Sikhnet has an interesting article on the history of the turban in the Old Testament. Sikhs and Muslims both have historical ties to the Old Testament, along with Christians and Jews. Many texts there use the turban as a symbol of purity, royalty, courage, self respect, dignity, and strength.

But, turbans are only one of many styles of Muslim head coverings or hats. The kufi style is popular in Central Asia and in Africa.

Another photo by Baba Steve from his Pakistani collection.

Sometimes a turban is wrapped around a kufi. The hat style represents the region or village one belongs to. The two vintage Pashtun hats below are an example of a skull cap type style that would be worn with a turban around them. They are hard and would offer good protection, almost like a helmet.



Sometimes a hat will transcend its original context and become popular world wide. The Afghan "Rebel Hat" became popularized during the war against Russia. It's actually a traditional hat from Nuristan, a cold, mountainous region. The hat is ideal for that climate as it can be pulled down during extremely cold weather, although it is normally rolled tight and worn on the top of the head. This is a big seller for us on eBay during the Fall and winter!


All of this discussion of Islamic head coverings may seem exotic and foreign to Westerners. However, these traditions are not that far from home. Western women also covered their heads in public with hats and scarves until not long ago. Think of movies from the 50's and 60's and the stars from that period wore something to protect their heads. I lived close to a Polish neighborhood in Chicago and the older women still boast flowery scarves when they are in public. My parents live in rural Wisconsin and in the last 15 years they have seen more and more Amish families relocate to their area. This photo is from the Library of Congress, around 1940.

Amish women do not cut their hair and must have their heads covered, especially during prayer. They believe in keeping their appearance simple in order to focus on their inner qualities. OK. Still too exotic? Actually, as Islam has grown in fundamentalism, so has Christianity. There are many, many Christian pentecostal groups and non-denominational groups that adhere to head coverings, especially in Church. My own sister frequented a church where she had to wear a doily on her head. The church did not recognize women as equals nor give them a voice during the service. Eventually, she and her husband compromised on a Baptist church and I think both are very happy there.

The main text these churches use to support this practice is I Corinthians 11:2-16 in the Bible's New Testament:

2 Now I commend you because you remember me in everything and maintain the traditions even as I delivered them to you. 3 But I want you to understand that the head of every man is Christ, the head of the woman is the man, and the head of Christ is God. 4 Every man who prays or prophesies with his head covered dishonors his head, 5 but every woman who prays or prophesies with her head uncovered dishonors her head—it is the same as if her head were shaven. 6 For if a woman will not be covered, then let her be shorn! But since it is disgraceful for a woman to be shorn or shaven, let her be covered. 7 For indeed a man ought not to cover his head, being the image and glory of God; but woman is the glory of man. 8 For man was not made from woman, but woman from man. 9 Neither was man created for woman, but woman for man. 10 For this reason the woman should have authority on her head, because of the angels. 11 In any case, woman is not independent of man, nor man of woman, in the Lord; 12 for as woman is [created] from man, so man is now [born] through woman. And all things are from God. 1314 Does not nature itself teach you that if a man wears long hair it is a disgrace for him, 15 but if a woman has long hair, it is her glory? For her hair is given to her for a covering. 16 But if anyone is inclined to be contentious, we have no such practice, nor do the churches of God.


Michael Marlowe of the Bible Researcher dissects this text and explores it historically, reaching the following conclusion, among others:

"The old claim that fashion in clothing is morally neutral and essentially devoid of symbolism has now been destroyed by recent downgrade trends in women's fashion, and Christian parents are keenly aware of the significance of clothing in the case of their teenage daughters. Moreover, the feminist movement (which knows very well what clothing may say about a woman) has created a social environment which is so inimical to Christian values that many Christian women now finally recognize that they cannot allow themselves to be creatures of fashion. And so the church is ripe for a reconsideration of this whole question. In any case, church leaders and evangelical authors who have been discouraging the use of head coverings should reconsider their opposition to it."

Chapel Veil, available through Modesty Veils

Thus, the industry for Christian head coverings for women abound online, all quoting 1 Corinthians 11:2-16. Oh, that Paul! Such interpretation of Biblical text walks that fine line that determines the roles women and men have with each other. Wikipedia describes this line of Biblical thought as expressed by the Plymouth Brethren:

"There is no distinction made in Brethren teaching between men and women in their individual relation to Christ or position before God as believers. However, in most Brethren meetings, the principle of male "headship" is applied in accordance with teaching found in 1 Corinthians chapter 11, verse 3 and elsewhere in the Bible. 1 Corinthians 11:3 says:

But I would have you know, that the head of every man is Christ; and the head of the woman is the man; and the head of Christ is God.

Thus most Brethren meetings reserve leadership and teaching roles to men based on 1 Timothy 2:11, 12...

A woman should learn in quietness and full submission. I do not permit a woman to teach or to have authority over a man; she must be silent.
From this, Brethren teaching traditionally (there are regional exceptions) outlines a system in which the men take the "vocal" and leadership roles, and the women take supportive and "silent" roles. In practical terms, what is traditionally seen is the men being fully responsible for all preaching, teaching, and leading of worship. Therefore, in most Brethren groups, women will be heard to sing the hymns along with the group, but their voices will not otherwise be heard during the service. Often the men are, practically speaking, the only ones involved fully and vocally in all discussions leading up to administrative decision making as well."

The Bible is the Other Side states: "We need not to forget, with remaining sin in the world, and with radical feminism which is the liberal dogma on how women should act and their redefining roles contrary to Scriptures. Christians need to pray for these lost souls who believe in such things as they need the Gospel to be presented to them. Because just believing in head coverings as a Scriptural foundation and not knowing who Christ is, makes one's faith vain. The Lord doesn't save people who don't know Him."

The hope is that men will love and honor their wives and thus take their private counsel into consideration. How far removed is this, though, from the tyranny of the Taliban when society was perceived as a bit too free?

Still not mainstream enough? Well, alright, we'll finish this glimpse into Islam and Christianity by taking a look at Roman Catholicism. Although a diminishing church, Roman Catholics still have a strong presence in the United States, but much more in Latin America and other parts of the world. And, they like to wear hats! Or, traditionally, at least, they have a rich history of interesting head coverings. This book looks like a fascinating read! Click on the photo for the link.


The description says: Curiosity about nuns and their distinctive clothing is almost as old as the Church itself. 'The Habit' presents a comprehensive visual gallery of the diverse forms of habits through the ages and explains the principles and traditions that inspired them. Author Elizabeth Kuhns also examines the gender and identity issues behind the veil and presents engaging portraits of the roles nuns have played in ministering to the spiritual and social needs of the wider society.

I attended a Brazilian Catholic school, Regina Mundi, for a few years when I was growing up. I remember right after Vatican II, the order of nuns that ran our school opted out of the habit. Our head nun showed up from one day to the next in high heels, make-up, a skirt down to her knees, and wowzers! Was she gorgeous! It was hard to take her seriously anymore. (So what does THAT say?) Somebody sent me this photo in an e-mail a long time ago. I have no idea where it came from, but the nuns I knew had a good sense of humor and they would have enjoyed it.

Pope John Paul II, who hailed in Vatican II, also knew how to laugh. Tradition in Action states: "As a sign of the Vatican II spirit of inculturalization, John Paul II dons a feathered African headdress during his 1980 six-nation African tour. Curiously, he never wears the papal crown."

The current Pope Benedict XVI probably did not wear this hat as a sign of humor:

The Roman Catholic Church uses the same text by Paul to encourage women to veil themselves. The Catholic Planet has a page dedicated to the proper dress and behavior for Catholic women. Here is their take on the text:

"In obedience to Sacred Scripture, many Catholic women wear some kind of veil or headcovering. Some wear a headcovering only at Mass. Others feel called to wear a head covering at other times during the day, as well as at Mass. Many non-Catholic Christian women also wear a head covering. These women are following the call of the Holy Spirit. Society discourages women from wearing a head covering and from doing anything else which shows submissiveness and obedience. Yet these women have found the light of truth in the midst of dark times. The moral law requires all women to wear the veil on their hearts."

"The Virgin Mary wore a veil or head covering because she understood this symbol of the different roles given to men and women. Those women who wear the veil are imitating the Virgin Mary in her humility and submissiveness. Nearly every Catholic Church has a stature or image of Mary wearing a veil."

They have a sizable list of links on articles examining the topic.

So what is the moral of these stories? To me, nothing is simple when it comes to evaluating society and religion. I believe that our challenge is to look at our history and what is around us and try to sift the wheat from the chaff. Keep what is good, get rid of what isn't. Each of us has to decide what that might mean, but I believe that it has to do with breaking the cycles of violence in our lives.

Well, this post took all day, so hope you like it!
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Tuesday, June 10, 2008

Politics in the World of Fiber

I have been reading Obama's books, given to me by my Auntie Nyla. I finished "Dreams from My Father" and am about half way through "The Audacity of Hope". I would have voted for him even before reading the books, but now I feel even better about him. Only six months older than me, much of his experience as an organizer in Chicago coincided with the work I was doing at the same time in social service. While he worked in Black neighborhoods, I was mostly on the North side working with Latinos and mixed populations.

I also identify closely with his search for identity, growing up in such a mixed and multicultural environment. I was raised in Brazil (1962-1980), mostly in Maringa, Parana, a pre-planned city that grew out of new immigrants and settlers. My parents were Lutheran missionaries to a German congregation, my best friend was Japanese, another friend down the street was from Lebanon, my brother's best friend was of Italian descent, and many of our friends descended from African slaves mixed with Dutch colonialists, French, and so on. I was always perceived as an American. Then, when returning to the United States and going straight into a white, Lutheran school, St. Olaf College, where almost everyone looked like me, I experienced a terrific culture shock. My natural disposition connected me like a magnet to the other international or foreign students. Over the years, I continued to feel more comfortable with people who had either spent time overseas or who were from other countries. My father told me as a teenager, "You will be able to live anywhere, but will never be at home anywhere." How visionary of him!

Now, living in the South, it is almost like being in another country, or at least it feels more similar to the Brazil I grew up in. Time moves more slowly, values of friendship and family continue to have priority as compared to the constant rush of the city. Thinking about all of this, has brought back images of art, political debate, culture, and dissent that has had an impact on me in the past. I thought I would reflect a bit on this for today's post.

From Wikipedia:

Politics is the process by which groups of people make decisions. The term is generally applied to behavior within civil governments, but politics has been observed in all human group interactions, including corporate, academic, and religious institutions. Politics consists of "social relations involving authority or power"[1] and refers to the regulation of a political unit, [2] and to the methods and tactics used to formulate and apply policy.[3]

From Artworld Salon, article on dissent.

So, art relating to politics usually gets our attention when it comes in the form of dissent or protest. Several famous people and political leaders have declared dissent as a core pillar of democracy:

Evelyn Beatrice Hall: I disapprove of what you say, but I will defend to the death your right to say it. (paraphrasing Voltaire)
George Orwell: In a time of universal deceit, telling the truth becomes a revolutionary act.
Harry S Truman: Once a government is committed to the principle of silencing the voice of opposition, it has only one way to go, and that is down the path of increasingly repressive measures, until it becomes a source of terror to all its citizens and creates a country where everyone lives in fear.
John F. Kennedy: Without debate, without criticism, no administration and no country can succeed -- and no republic can survive.
Martin Luther King Jr.: Human salvation lies in the hands of the creatively maladjusted.
Mohandas K. Gandhi: Non-cooperation is a measure of discipline and sacrifice, and it demands respect for the opposite views.

Words have always had a powerful effect on my thinking. I remember very few of them, but retain the impact of what I read, if that makes any sense at all. I do remember some t-shirts and posters that were big twenty years ago:

  • We are the strangers our mothers warned us against.
  • Join the army. Travel to exotic places, meet interesting people and then kill them.
  • Nuke the gay whales for Jesus.
Syracuse Cultural Workers is one of the long-time suppliers of posters, t-shirts, buttons, and popular dissent tools for activists in issues concerning social justice. Here are some of their posters:




Che Guevara was one of our heroes when I was growing up in Brazil. Just the image of his face was enough to convey a whole system of thought. Thus, images have even more potential for moving people out of complacency into action.

What I am showing here is pretty tame compared to what is out there. Sometimes, a message can backfire when it is so in-your-face that the viewer becomes turned off and shuts down whatever feeling of empathy might have been had. I think this can happen with images of extreme hunger or war. Humor often works really well for me. Monty Python's "In Search of the Holy Grail" is loaded with wonderful jabs at society. This little piece finds King Arthur in an argument with a peasant. It's even subtitled!



My favorite political satire site, Jib Jab, can be pretty raunchy sometimes, but I think they nail the big issues of the day on the head. Here's one from their site:


It's interesting to look at some of their older ones and realize how quickly much of what is debated in the public arena becomes obsolete so quickly. This is certainly a challenge when an artist decides to address political ideas through his or her work. In examining and recording the decision-making process between those who have power and those who don't, artists interpret history and society from their own unique perspective. Fiber mediums, especially, demand both an enormous time commitment and a viewing platform that are more accessible to other art forms. Historically, the elite have had access to the materials and the time to either execute or commission tapestries, weavings, embroidery, or other fiber work that recorded political events, thus also controlling the message of the piece. This video of the Bayeux Tapestry has been animated and edited to show some action, but look at the size of this thing! 230 feet long! The poor king loses his head in the end...




The Bayeux Tapestry (French: Tapisserie de Bayeux) is a 50 cm by 70 m (20 in by 230 ft) long embroidered cloth which explains the events leading up to the 1066 Norman invasion of England as well as the events of the invasion itself. The Tapestry is annotated in Latin. It is presently exhibited in a special museum in Bayeux, Normandy, France. (Wikipedia)

There is also the ephemeral quality of fiber art. Perhaps there were more reactive pieces that have not survived the passages of time. In more recent history, we have documentation of fiber artists who have told their own stories from their perspective, given coded messages, or profited from political movements. Quilts played an important role during slavery, giving hidden messages to runaways about whether a house was safe on the underground railroad or how to proceed from there.
After the Vietnam War, the Hmong recorded their escape through embroidered Story Cloths. The soldiers, in this case, are good guys, helping them out of harm's way.

Baluchi rug makers began making war rugs to celebrate the defeat of the Russian invasion in the 1970's. These became so popular and collectible, that they now make 9/11 rugs and war rugs with a US theme, some pro, some against, and some just for the sure sale to soldiers and tourists.

Political symbolism comes and goes. The images and text that endure are ones that hit upon universal truths. Obama speaks in his books about the complexity of issues and the difficulty of problem resolution facing our times. His challenge to us all is to build on common ground. It will be interesting to see, if he wins, whether he can take the rhetoric and move it toward workable policies.

Meanwhile, I am especially inspired by artists who address our political problems by offering visions of hope. Hollis Chatelain is one such quilter. I have seen several of her pieces here at the Quilt Museum, and was especially enamored by her huge Tuareg portraits. She uses thread as her color palette, filling up space with machine quilting which can only truly be appreciated when viewing in real life. Many of her quilts are social commentaries, inspiring us towards unity and conservation of resources.

"In February 2002, I dreamed “Hope For our World”. The dream was in purple and Archbishop Tutu was standing in a field. Children from all over the world were approaching him like he was a Pied Piper. The dream seemed to be speaking about World Peace and the Future of our Children. Desmond Tutu represented Hope." Hollis Chatelain

I would love to hear back from the rest of you on what you think the role of art is concerning politics. One article I read about textiles and politics awhile back stated that the general preference is to create "nice" work- flowers, color, pretty scenery, things that don't rock the boat. I like beauty as well as the next person, but I know that when I walk through the Quilt show, the stoppers for me are images that speak about something in a new way. So, is there a place for you in the world of political fiber?
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Tuesday, June 3, 2008

A Shoe Fetish, Anyone?

Why is it that shoes capture our attention so completely? Hats, gloves, and other accessories also have their fan clubs, but shoes seem to beat the others in terms of a collective and historical obsession. Sure, they serve function in how we connect with earth: protecting from the elements, providing warmth, keeping our selves clean and enabling or preventing mobility. But, I think there is also something about the form itself that offers the maker and the wearer a challenging canvas to go beyond function into adornment. Shoes make or break an outfit. They define social status. They change how a person stands, walks or sits. Look at the shoes and a judgment is formed about the person. Adornment speaks of historical, cultural and personal statements of society.

Sioux quilled and beaded moccasins, circa 1900. (Cowan's Auctions Inc.)

My all-time favorite museum, The Field Museum of Natural History in Chicago, has a huge exhibit along one wall with hundreds of shoe samples from around the world, old and new. Their web description states:

"People everywhere face the common concern of how to cover and protect their feet. As you look around, you’ll notice that people have responded to this concern in countless (and often amazing) ways.

The kind of shoes a person might use depends on a combination of factors: what the environment is like, what kind of shoes his or her group traditionally wears, and what the shoemaker can create.

Imagine shedding your own shoes and standing in one of these pairs instead. Which ones would you choose? And what would it be like to look at life from that different point of view --even for just a moment?"

I carry mukluks from Afghanistan, one of my best sellers in my eBay store. I have several pairs and love wearing them during the cold, winter months.


Made by Afghan refugees out of recycled sweaters, the mukluks are more of a sock than a shoe or boot, but they come from a boot tradition, much like the felted boots of Tibet:

Tradtional Tibetan Felt Boots

These are examples of function needed for a cold climate offering comfort and protection. But, shoes have also been a source of pain and even death. Foot binding in China lasted over 1,000 years. Women bound their feet tightly, curling the toes under the feet and raising the arch of the foot. The smaller foot, the better. Lotus shoes, now highly collectible, encased these crippled foot remains. This pair is available on eBay for $345:

Chinese Lotus Shoes

I actually had a customer in my Chicago store who came looking for a pair of lotus shoes for her 90 year old mother who had bound feet. Shirley Two Feathers has an interesting article on her blog about foot binding. She doesn't know where she got this photo:

We may think of these customs as barbaric, but stiletto heels also cause severe tendon and back damage. The High Heel Shoe Museum has a bunch of sexy photos of women in stiletto shoes.

Most of the gorgeous, young models are sitting, kneeling, or laying down. Hmmm.... Wonder why? Could it be that they are NOT comfortable?!! One of my best friends when I was growing up in Brazil was Japanese. She and her sisters all tried to compensate for their height wearing these stilettos. Even back then, when we were young and flexible, they could not wear tennis shoes. They could run in those spikes, but not without.

Contemporary artists and designers continue to draw on traditional fabrics and needle work, as well as form, for inspiration for cool-looking shoes. Feltoman from Turkey sells beautiful suzani on felt boots on eBay. (There are flat soles available, too!)

Suzani boots, $115, Feltoman

The Natural Store uses vintage kimono fabric in their smart-looking pumps, $320 pounds.

Kimono covered shoes from The Natural Store, a fair trade outlet.

Diverso Studio on Etsy has a nice selection of mola shoes for $45.

Mola shoes from Diverso Studio on Etsy.

Shoe images are everywhere in art. They are painted, cast, quilted, silk screened, and framed. Travelers photograph them. Radical Sabbatical captured this happy photo in Morocco:

Moroccan slippers by Radical Sabbatical

Have a shoe fetish, anyone? Whether you do or not, walk gently on this good earth!
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Friday, May 16, 2008

Guest Artist: Diane Gerlach, Charity Knitter


Diane is a long time friend who started out as a customer in one of my retail stores in Chicago a long, long time ago. She lives in Kenosha, Wisconsin, most of the time. She must have some nomad blood in her because she is often off somewhere visiting some friend in need (including me). She was just here for the quilt show, lending her much needed support.

Diane is a charity knitter. I asked her to write about what she does because I think it is of interest to all of us in the fiber community. She knits both for children in Afghanistan and for American soldiers based there. When I first learned about what she was doing, it struck me as a bit odd, kind of like patting both the victim and the victimizer on the back. I am personally against the Bush Administration's position and action in Central Asia, but I also differentiate between the troops and our government's policies. When I lived in Chicago, I rarely met someone who was not a Democrat or who favored the war in Afghanistan and Iraq. Ironically, my Afghan partner in my former gallery is a Republican. Moving to Kentucky, especially during my one year stint at Home Depot, introduced me to wonderful guys and men who had either served in a war, were in the reserves or were on their way.

So, Diane's work, to me, is one of blind compassion to all who have cold fingers, toes and heads. I have also personally benefited from her swift fingers. I live in a house with no Central Heating (radiators and a gas wall unit) and it can be bitter on a few winter days. Diane supplied me with wonderful woolen gifts that made my cold house bearable.

Knitting in such volume has a price. Diane had surgery on both wrists last year for carpal tunnel problems. As soon as she healed, she took up her needles and went back at it! Thank you, Diane, for all that you do for all of us!

A Post from the Land of Yin/Yang Knitting

Rachel calls me the Yin/Yang Knitter because of my diametrical charity knitting activities. In real life, I'm Diane Gerlach, and I knit in Kenosha, Wisconsin...and most any other place I happen to be.

Diane Gerlach in Paducah, April 2008, with my monsters.

Now that I’m retired from teaching, with more time to knit and less need for new knitted garments for myself, charity knitting has come into my life. I was especially inspired by Candace Key, “How Knitting for Charity Changed MY [Knitting] Life.

We are both enthusiastic about Afghans for Afghans which, inspired by the Red Cross Knitting tradition, is a people-to-people project that sends hand-knit and crocheted blankets, sweaters, vests, hats, mittens, and socks to the people of Afghanistan. For so many of us, our first image of Afghanistan was Steve McCurry’s haunting young girl with beautiful eyes on the cover of National Geographic in 1985.


copyright Steve McCurry 1985


Since that time, we have seen all too much evidence of the effects of war on that country.


Helicopter Crash, Google photos


The climate is harsh,


"Near Kabul. 1975. The girls lived in a walled village of a kind fairly common in the region."

germán on Flickr


transportation is limited, and schools such as do exist are unheated,


Hazara schoolboy, copyright Steve McCurry 2008


or even out-of-doors.



An Afghan girl learns the letters of the Dari alphabet on a blackboard in an outdoor classroom, during a lesson on the first day of the official school year in Kabul March 23, 2002. Photo by Natalie Behring



Afghan girls attend their first class on the first day of the official school year at the Amir Dost Mohammad Khan Secondary School in Kabul March 23, 2002.

Copyright, Natalie Behring



Through AFA, American and Canadian knitters and crocheters have contributed more than 70,000 wool garments and blankets to displaced Afghan families since 2001. Recently hats were collected for the Afghan Mobile Mini Circus for Children in organizational colors of red, green, blue, and yellow.

Photo from Aghan Mobile Mini Circus for Children. Kids are wearing AFA hats.

Newborn-size hats were sent to CURE, the only hospital in Afghanistan with a neonatal unit. As we have been asked to provide a link rather than photos, you can see them here.



Afghans for Afghans also has links to many knit and crochet patterns, including a darling one dedicated to newborns in Afghanistan: http://sasw.blogspot.com/2006/03/infant-earflap-hat.html

"Young Packer Fan"
Diane reverse-engineered this hat from a tiny one found among her mother's things after she passed away.
The original pattern likely dates back to the late 30's
.

When I was laid up with bronchitis from January to March, I sat in my favorite chair, turned on audio books, and knitted: hats, socks, mittens, sweaters, and an occasional blanket [well, yes, afghan.]


The Ships Project sends handmade “hugs from home” to troops in all four services deployed in the War on Terror. Since 2001, when Ellen Harpin sent a single pair of knitted slippers to a young woman with whom she was corresponding, nearly 290,000 items [hats, slippers, “cool ties”] have been contributed, the product of several thousand crafters. People photos shown below are from their website.







My projects have included black wool hats requested by Special Forces units in cold weather, the always popular patriotic hats,

the bright, soft colorful hats sent to medical evacuation units year round,

and socks.

Knitting for Afghan kids and for Special Forces troops stationed in Afghanistan; there it is: the yin and yang of my charity knitting.


All knitted items shown in the photos were knit by Diane Gerlach for her charity knitting projects. Do you have yarn sitting around that you are not going to use? Think of donating it to the knitters of one of these wonderful projects.


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