TAFA: The Textile and Fiber Art List

Showing posts with label Afghan Tribal Arts. Show all posts
Showing posts with label Afghan Tribal Arts. Show all posts

Thursday, July 30, 2009

Afghan Tribal Arts at the Pasadena Bead and Design Show!

Handcarved semi-precious stones made into beads,
a specialty of Afghan Tribal Arts.


My friend, Abdul Wardak, is in Pasadena for the Bead and Design Show there. Abdul is the owner of Afghan Tribal Arts and has been importing from Afghanistan and the region since the mid-1980's. Beads are a big focus of his family owned business, but so are textiles, carpets, carvings and other tribal crafts from the region.



July 30 - August 2, 2009, 10AM to 6PM
300 Exhibitors and Workshops
Wearable Art, Bead and Fabric Handwork, Trade Supplies
The Hilton Pasadena, 168 South Los Robles Avenue, Pasadena, California



Abdul Wardak at a bead show.

Abdul does many of these bead shows, but he also wholesales to ethnic galleries, boutiques and sells directly to collectors. His normal route focuses on the Midwest and Southeast, but he is interested in making some contacts on the West Coast, too. Visit his website, Afghan Tribal Arts, for contact info and for more images of the types of beads, textiles and products he normally carries. The show info states:

AFGHAN TRIBAL ARTS
Nomadic and tribal jewelry from Afghanistan and Peshawar; Turkman and Pashtun crowns, silver jewelry, Pashtun wedding dresses, vintage clothing, beads, jade, carnelian, lapis lazuli, silver, findings, embroidered and beaded textiles, camel tassels, interior decor, kilims and carpets.
California Ballroom #C190


Catch your fancy? I know I absolutely love everything from that region! People may know about the war in Afghanistan, but little do they know about the beauty of that country and its people.

Abdul Wardak of Afghan Tribal Arts in Afghanistan, 2002

Abdul began the business when he realized what an economic impact his purchases had on the lives of small businesses and artisans in his home country. He also has a deep love and appreciation for the products themselves, their beauty and the skills involved in making them.

If you meet Abdul on this trip, you will have the pleasure of enjoying a warm heart, great storytelling and certain unpredictable laughs. His sense of humor is always brimming, even now as his back is giving out. You will also meet Roshan, Abdul's oldest son, who is learning the ropes and will hopefully keep Afghan Tribal Arts in business as my dear friend gives his back a needed fix through surgery and rehabilitation.



You can read other posts about Afghan Tribal Arts in this blog.
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Tuesday, May 19, 2009

LowerTown Art & Music Festival: A Great Time to Visit Paducah!

Paducah in Western Kentucky

May 23 & 24
Memorial Day Weekend


Doing anything this coming weekend? Feel like a road trip? Wondering about the Artist Relocation Program in Paducah? Aaaaaahhhhh...... Yes, there is a festival and this is a great time to visit Paducah! All of nature is in full expression of itself: trees, flowers, and anything else that is green is growing, growing. The LowerTown Galleries have their red carpets spread out, everyone decked out in their best, celebrating this wonderful community and all the talent that, with the green, abounds.

LowerTown? Yes, Paducah, a small city in Western Kentucky, has an artist's community. LowerTown is a neighborhood adjacent to the downtown business district that was designated by the City as artist friendly. The City, along with Paducah Bank, enticed artists from all over the country to come in and revitalize a formerly depressed and forlorn neighborhood. The response was met by talent from all over the country. Painters, printers, fiber artists, quilters, and others following a muse came and settled here in the last seven years or so. Most have a wonderful sense of humor and generosity that helps unify the community into a viable, workable entity. Cooperation and respect, enjoyment of each other's work and a seasoned understanding of all it takes to build a presence all help to bind this group together. And, this weekend, Memorial Day, celebrates this wonderful group of people through the LowerTown Art & Music Festival. The following video by Aynex Mercado, founder of Paducah Fiber Artists, interviews a few of the artists in this neighborhood:




I wrote about the Festival last year in this blog. Click here to see the article and photos. This year the set up is a little different, focusing on more local artists rather than those from out of town. Live music promises to be fun and all the galleries will have special highlights during the festival.

I will be at HeART of Healing Gallery, doing Mehndi! Yes, it's henna season again. Here's an older picture of me with some of my cousins at a family reunion. I thought they would either think it was a really weird thing to do or they would love it. Everybody lined up to get their temporary and painless tattoo!

Rachel Biel Taibi, henna artist,
at a family reunion in Mondovi, WI.


While you are waiting for your henna to dry, you will want to explore HeART of Healing's wonderful colleciton of Kuna molas, Chinese Peasant Paintings, vinatage kimono, and paper cuts. Oh, there is more than that! Those are just some of the treasures offered by Dr, Christi Bonds Garrett!


Ah, and one more treat! My good friend, Abdul Wardak of Afghan Tribal Arts, will take over the parking lot at HeART of Healing with his carpets, beads and textiles. He truly has an amazing collection of all things Central Asian, so if you have the same lust I do for this region, do not miss this! Abdul was my partner in my last store in Chicago, Dara Tribal Village. Here is a funny photo of him, trying to look mean (he has a great sense of humor, a big teaser!) that I took of him at his house in Arlington Heights, a suburb of Chicago.

Abdul Wardak of Afghan Tribal Arts, being funny.

7th St. and Monroe. 11PM-8PM on Saturday and 11PM-5PM on Sunday. Remember that and come see us! We, and all the others in LowerTown, promise you a wonderful weekend in Paducah, Kentucky!
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Wednesday, January 7, 2009

Afghan Tribal Arts: On the Way to the Tucson Bead Show!

Abdul Wardak owns and operates Afghan Tribal Arts

Every January thousands and thousands flock to Tucson, Arizona. Birds? No. Bead lovers. Bead fanatics. Bead addicts. Tucson hosts THE definitive bead show for stores, dealers, web outlets, and collectors. Vendors from all over the world spill out their wares... glass, stone, shell, pearls, silver, brass, copper, seeds, polished, raw, mass produced, hand made, collectible, tribal- you name it.

My dear friend, Abdul, will be there. Abdul and I have been friends for a long time and shared a partnership in a gallery in Chicago, Dara Tribal Village, for four years. I moved to Kentucky and continue to sell online, while he remains based in Chicago, but spends most of the time in his van, wholesaling his beads and textiles to galleries and specialty stores around the South East.

Abdul Wardak at a bead show in North Carolina

The love of beads is a nasty addiction and affliction. Once you have been bitten by the bug, the romance blossoms until the little orbs call you in the night, whispering... "You need more of me, more, more, more..." Most people buy beads for their obvious use in jewelry making. I've done my share of making necklaces and earrings, but I prefer to incorporate them into my quilts, garments or other objects I might work on. I've never had the patience to weave them, but have great admiration for Native American skills and others who use beads as a surface cover. Yes, I have my stash... Fortunately, beads don't take up as much space as fabric, but those little buggers can end up costing a lot more! Prices are all over the board, depending on the material, origin, and context of how they were made.

Hand carved carnelian beads from Afghanistan
so rich in color you could eat them!

Afghan Tribal Arts specializes in two kinds of beads: old collectible tribal beads and new metal or semi-precious gemstones made or carved by artisans in Peshawar and other parts of Central Asia. Afghanistan may seem poor and devastated, but it has great mineral wealth. Although I sometimes shudder at the thought of mountains being blown up for carnelian, lapis or jade, the stone industry is a great source of employment which helps provide stability in a country devastated by war and drought. Abdul immigrated to the United States in the early 1980's. He brought back some samples of handicrafts from Afghanistan on a couple of visits, found that there was a market in the US for them and began bringing more and more until he established Afghan Tribal Arts as one of the largest US importers of beads, carpets, textiles, and other handicrafts from Afghanistan and the region. He has an intimate relationship with his suppliers and has designed many of the cuts of the beads he carries.

Abdul Wardak on a visit to Afghanistan

Where we get things counts. Paying fair wages counts. Quality counts. Bead shows are flooded with imitation beads or beads that were made with cheap labor. Is it really turquoise? Blood red coral for how much? In this lean economy, quality beads often get passed over for cheaper imitations, a fact that has had an impact on Afghan Tribal Arts and other quality bead suppliers. But, once you develop a love for the genuine, replacing it with cheapness feels like a betrayel. Take a close look at just some of the beauty given to us by Mother Earth:

The greens of jade, citrine and malachite...

Deep oranges and buttery tones of carnelian and agates...


Fluorite, a veiny stone that ranges in shades of purples and blues...

And, the royal stone, lapis lazuli,
a treasure found only in Afghanistan and Chile.


Afghan Tribal Arts also carries tribal beaded remnants and vintage pendants and jewelry. The beaded disc below is found on all kinds of Pashtun apparel, in hats, on garments and on bags. Some call it a "Kabul disc".

Kabul disc from Afghanistan.

Jewelry from Central Asia shows centuries of craftsmanship.

Afghanistan and neighboring countries have embellished their garments and utilitarian objects with beads for centuries. The photo below shows a display we had in our gallery.

Afghan Tribal Arts on display at Dara Tribal Village.

So, if you are one of those heading towards Tucson, make sure to look up Afghan Tribal Arts. There are two shows, back to back, organized by the same group where you will find him. The links will take you to the show's website:


To Bead True Blue
(Tucson)
February 1st-6th

Abdul Wardak of Afghan Tribal Arts.

Abdul is on his way!


The night has come to an end,
Dawn awaits the ship to depart.
It’s a new day in the making,
Two friends dear and one say goodbye-
Very hard, but wise.
As he looks back in his mind
He knows that the memory of the past
Is the only untouchable and priceless treasure
That he took and left behind
And the simple wish is that someday
If he returns to shore
A friend may remember who he is.

Abdul Ahad Wardak
12/06/06


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Friday, November 7, 2008

New Arrivals: Knit Mukluks and Mittens from Afghanistan!

My best sellers on eBay: Mukluks!

I live in these all Fall, Winter and Spring. Mukluks keep your feet warm, are comfortable and soft. Dancers love them, too!

Knit Mukluks from Pakistan and Afghanistan

I get the mukluks, mittens and gloves from my former gallery partner, Abdul Wardak of Afghan Tribal Arts, who imports them directly from Pakistan and Afghanistan. Hand-knit out of recycled sweaters, refugees from Afghanistan began making these for the Western market in the 1970's. Today, knitting remains a vital source of income for many low income families and women.

Mukluks are available with leather soles and without.

I get two kinds of mukluks from Abdul, with and without leather. The leather soled ones will be selling on eBay for $18 and the ones without for $16. The photos here are pretty representative of the colors and quality of most of the mukluks. I haven't started photographing the new ones and am hoping that some of you out there will want to buy them sight unseen. This will save me a lot of time, effort and cost (eBay fees just keep going up!).

So, here is the deal:

Order in quantities and get the following discounts:

  • 1-5 pairs, 10% off
  • 6-10 pairs, 15% off
  • 11 pairs +, 20% off
Tell me what your color preferences are and I will get as close as possible. Most of the mukluks come in two colors, usually a light and a dark one. You can say blues, reds, pink, black, or be more general like pastels, earthy, bold or bright. I bought a shoe sizer, so this year I will have an easier time at that, too.


Same thing goes for the mittens and gloves, which are $7.50 a pair. The mittens are traditional and run on the larger side, fitting most adults.

The gloves are fingerless with an attached cap. The photos below show an average pair:

Fingerless Knit gloves from Afghanistan and Pakistan


If interested, either leave a comment or use the contact me link at the top right hand corner of the blog. Purchases of these help support Abdul's business and all these wonderful knitters! Afghanistan's infrastructure is a mess, so any income the women can make through their handicrafts is definitely needed income! These make great Christmas gifts, too, so hopefully the discounts will encourage you to buy in quantity.


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Friday, September 12, 2008

War Rugs from Afghanistan and the Twin Towers

War rugs became a popular motif in Afghanistan after the victory over the invasion of the Soviet Union in the late 1970's. My former partner, Abdul Wardak, from our Chicago gallery, Dara Tribal Village, imports rugs, beads and a huge assortment of new and old crafts and artifacts from Afghanistan. The war rugs he brought in always inspired heated debates and were quickly snatched up by collectors.

After 9/11, war rugs began to depict the Twin Towers and images of the the American presence in Afghanistan. The best source I have seen for war rugs is appropriately named Warrug.com. They have a huge selection of rugs, stories and data on the origin and weave of the rugs. This is an example of the Twin Towers motif:


The banner through the middle shows the two flags of the United States and Afghanistan and a dove of peace. Warrug.com describes the history of how women began weaving these rugs:

The Art of Making Their Voices Heard

"For thousands of years, the women of nomadic tribes in what is now Afghanistan and its environs have been weaving rugs by hand. The oldest known and intact example of these rugs in the world is the “Pazyryk” rug dating from the 4th century B.C. (currently housed in the St. Petersburg Museum). These traditional pieces of folk art have long depicted the same deeply rooted motifs and patterns, with occasional images derived from the artist’s everyday experiences. However, about 25 years ago, all that suddenly changed. Following the 1979 Soviet invasion into Afghanistan, rug dealers began seeing drastic alterations in the content of Afghani rugs. Tanks replaced flowers, rocket launchers replaced vases and airplanes replaced abstract borders!

After the Soviet departure from Afghanistan the new ruling power instituted the strict Muslim Sharia law which governs the religious, political, social, domestic and private life. This law stripped many Afghani women of basic rights including banning them from talking to men outside of their family, walking outside alone, or working. Women were also made to abide by the practice of purdah which is the seclusion of women from public observation by having them wear concealing clothing from head to toe, like a burka, and by the use of high walls, curtains and screens erected within the home. This separates the women from learning about the outside world in order to make them ignorant of the practicalities of life and deprives the woman of economic independence by not allowing them to work outside the home. In order to keep females submissive, women know only what their fathers, husbands, and sons want them to know. The women who practice purdah have no voice or free will.

For women who break the fatwas, or edicts, associated with Sharia law, including purdah, there are dire consequences including harsh beatings or even death. Additionally, since Sharia law dictates that it is taboo to represent animate subjects in art; weavers were no longer allowed to portray images of birds, animals or people.

Thus as the artists iconography changed so did their outlets for expressing it. Those living outside of the war-torn Afghanistan can’t comprehend the reality of living in a world where the images depicted through the rugs are a part of everyday life. To the women of Afghanistan the rugs have become a way to make their voices heard and to communicate to the rest of the world what they live with everyday.

This new category of rugs has been termed “war rugs” and has sparked an underground movement in the art world. Many collectors see the rugs not only as art, but also as historical documents and a testament to the times."

NPR's Jim Zarroli interviewed Warrug.com's owner, Kevin Sudeith, in a moving piece while they were at a flea market in New York. Passersby stopped with either admiration or disgust for the rugs. The interview concluded with whatever the reaction, the rugs are a powerful testament to the political reality of and on an ancient culture.
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Monday, June 30, 2008

Five Faiths: Religious Head Coverings, Part 1 (Islam & Christianity)

This post is part of my Five Faiths series. I'm taking a look at religious textiles used in Islam, Christianity, Judaism, Hinduism and Buddhism. Click Five Faiths to see all the articles on one page. The topic of religious head coverings is huge and controversial, so I am breaking it down into two parts. This part takes a glimpse into Islam and Christianity. The second part looks at Judaism, Hinduism, and Buddhism.

A couple of years ago, my husband humored me by taking some role reversal photos for our Christmas card. I come from farmer stock, so he dressed up in my bib overalls, and he is part Berber. He helped me put on a shawl and drew a pretend tattoo on my face. I always have fun dressing up! I asked him what his mother, a real Berber, would think of me if she saw me like this and he shook his head and said, "Very weird..." Well, his mother and my mother would both agree on that!

Those of us who love ethnic textiles, know that shawls, hats, and other head coverings can be absolutely drop dead gorgeous. But, we also know of all the controversy that surrounds the religious coverings of women, especially in Islamic cultures. The burka has been strictly condemned by the West and shedding it is a symbol of emancipation.

Burka Graduation. Click on the photo for the source, although I could not find any information there about the context.

The rise of fundamentalist Islam in the last 20 years, especially through the Taliban rule in Afghanistan and modern Saudi Arabia, has created a public outcry against the burka (a full body cover which allows limited vision) and the dark veiling where only eyes are exposed. Women have suffered greatly not because of the veiling in itself, but because of the limitations that have been imposed on them in terms of employment, purchase power, education, access to sunlight, and mobility. Renowned photographer Harriet Logan documents the lives of several women in her book, Unveiled. These women had enjoyed the liberal 70's in Kabul and then were subjected to humiliation, beatings, and obscurity under Taliban rule. Logan interviewed Zargoona in 2001. She had been a physics teacher in the Polytechnic. She said she had a good salary and a good life. Now she was stricken with cancer, lived in a small room with no heating and no glass in the windows. Logan says they sat under blankets during the interview and Zargoona cried the whole time. She taught in secret to earn some income as her husband had passed away. "I was beaten by the Taliban for teaching only three months ago. My door was not locked, as I was expecting my students that day. One of the neighbors had shown them my door. Three Talibs just walked in; two more stood outside. They were terrifying. ... they said it was forbidden to teach girls, and they started to beat me with a cable until my leg bled." (page 60)

Stories like this one are abundant in areas where extremism is dominant. Ayaan Hirsi Ali was raised in Somalia, Kenya and Saudi Arabia. She was excised (female circumcision) with no warning when she was around 10, forcibly married to a man she did not like, and survived a childhood of violence. I recently read her book and was quite moved by her story. Ali made it to Denmark as a refugee, put herself through University and ended up in Danish Parliament, only to be then kicked out of the country because she had lied about her status when she first arrived. I think she now lives in the United States. Ali's experience made her question her traditions, religion, and finally the existence of God. There is a fatwa against her and a Danish colleague was shot to death while riding his bicycle because of a movie the two of them made.

Yet, not all women veil themselves or wear the burka because men force them to. In fact, Ali talks about the radicalization of Islam while she was a teenager and describes how a few crazed men drew crowds of women who hungered for the law. She describes how Islam for her nomad mother was a part of life, with certain rules, yes, but also mixed in with ancient lore that preceded it. The new Islam that they encountered in urban areas was imported from Saudi Arabia, very foreign to historic Somalia. Many of the husbands begged their wives to stay away from these new preachers, to take off the veil, to go back to a more flexible way of life. Divorces happened left and right on both sides, spurred on by women who refused to step back into normalcy. Some of the stories are absolutely unbelievable! Click on the photo below for an article about a woman from Saudi Arabia who divorced her husband because he lifted her veil while she was sleeping. He hadn't seen her face in 30 years! The article stated that this is a practice done by a small minority of people. Make sure you read the comments, too!

In terms of interest to fiber enthusiasts, the burka and Saudi veils are extremely boring as textiles. In other Muslim cultures, the coverings can be absolutely stunning! Intricate embroidery, bejeweled and exotic, these are pieces coveted by museums, cultural associations, and film directors. African Ceremonies documents the peoples and religious customs of Africa. Here they show a Rashaida dancer in Eritrea:

Veiled Rashaida Dancer, Eritrea At a Rashaida wedding, a young woman dances in celebration of her friend's marriage. Surrounded by admiring guests, the girl swirls in circles as the many layers of colorful fabrics she wears, including her richly appliqued skirt, enhance her movements. Veiled from the age of five, Rashaida women are required by the law of purdah to cover their faces when they are in public. The mask is considered an expression of female beauty and its elaborate style has remained unchanged for more than 150 years.

When I see photos of women dressed in these garments, yes even with the facial coverings, I feel a sense of sadness for the lack of ritual, adornment, and festivity in our modern lives. No, I don't want to be covered through a social decree, but there is something beautiful here that we do not see often in Western society. Perhaps there is a glimpse of this mystery in the bride who wears a veil over her face as she slowly approaches the altar... I grew up in Brazil where wearing nothing is an acceptable social code. I have to agree that when you see it all, the air of mystique is almost gone.

Accompanying some of the gorgeous head scarves and covering we also find beautiful jewelry that is often hidden under layers of cloaks and shawls. The Turkmen women are known for their large head pieces and pendants that hold shawls together or are incorporated into elaborate hair styles. This crown is a sample of Turkmen jewelry carried by Afghan Tribal Arts:

Abdul, my friend and owner of Afghan Tribal Arts, once teased me saying that I probably should not wear a burka in Afghanistan. I am tall, almost 6', and he said I would probably get bopped on the head, someone thinking that a man was hiding in there and up to no good. He struggles, too, with the question of how to raise his four daughters here in the United States. At first, they wore shawls to school, but it attracted attention and the principal spoke with him after 9/11 and encouraged him to let them blend in as much as possible. It is interesting to watch these girls as they mature. They are pious yet they have questions. It is not easy to choose what cultural practices to maintain and what to give up.

Another liberal Muslim Turkish friend of mine once said that there is also something liberating when you wear a covering that hides your face. She laughed and said you don't have to worry about "bad hair" days. And, you disappear in the crowd, which can sometimes be a relief. But, she said that it is nice to have the choice of whether to cover or not. In Turkey, you can do both.

And, yes. Muslim women cover themselves not because of the Koran, but because of cultural norms. Blogger Alixianna has a wonderful post in her blog, Beautiful Muslimah. She uses this photo to introduce her article on the context and history of veiling.

It is extensive and I encourage you to read it if you are interested in this issue. But, here are a couple of things she says:

"Misconception: The veil is homogenous.

Contrary to popular belief, there are many different kinds of veils. There is no one Arabic word for "veil" and even the English dictionary lists four distinct definitions of the word veil, in terms of material, space, communication, and religion. In regard to Islamic culture, the veil is best viewed as a part of dress in the manner that, like other elements of dress, it is specific to time and space. In different areas of the Islamic world, styles of veiling and reasons for it are distinct.

Here are three common types of veils:
a. Hijab- a head scarf that usually is worn for religious reasons. There is not one type or color.
b. Chador- a large black shawl that covers the hair and entire body. The chador is most commonly associated with Iran today. If it covers the face with a mesh screen it is the blue body garment worn by Afghani women.
c. Veil or burqa- two peices of cloth sewn together with a slit for the eyes worn over hijab, or a stiff mask made of cloth.

Misconception: The Quran states that Muslims have to veil

The Quran does not specifically mandate veiling, but simply speaks about modesty, respect, and the covering of the body. In fact, male modesty is more frequently referred to in the Quran then female modesty. In most Muslim societies veiling is not enforced, but a choice. It is a way for Muslims to outwardly show their devotion and respect for Islam."

She also points out that men also choose to veil in some Muslim cultures. The Tuareg men, for example, veil themselves, while the women do not. This transitions nicely to talk about Islamic head coverings for men, does it not? I've never understood why Western articles about Muslim women covering their heads do not also talk about men. The same circles that have strict codes for women do the same for men (Uh, except that they do get to have jobs, education, mobility, and all of that...). Men may have to wear beards and cover their heads as well.

Photo by one of my favorite photographers, BabaSteve.

The turban is the most recognized head covering worn by Muslim men. Again, Abdul explains how ingenious this long piece of cloth is in a nomadic culture. It's a helmet. If you fall off your horse, your head is protected. If you broke your arm in that fall, you have something to wrap it with. If you are cold, you can wrap yourself in it. If you need to carry things and don't have a bag, well, just cut off a bit and there you go! I found this photo of a Sikh, which doesn't really fit in this subject, but had to share it:

It's from an article from the Times Online: "This is Major Singh wearing a major turban - purported to be the biggest in the world at 30kg and 400 meters of cloth. He hopes it will be a source of inspiration to young Sikh boys who are opting for having their hair cut rather than covering it."

Sikhnet has an interesting article on the history of the turban in the Old Testament. Sikhs and Muslims both have historical ties to the Old Testament, along with Christians and Jews. Many texts there use the turban as a symbol of purity, royalty, courage, self respect, dignity, and strength.

But, turbans are only one of many styles of Muslim head coverings or hats. The kufi style is popular in Central Asia and in Africa.

Another photo by Baba Steve from his Pakistani collection.

Sometimes a turban is wrapped around a kufi. The hat style represents the region or village one belongs to. The two vintage Pashtun hats below are an example of a skull cap type style that would be worn with a turban around them. They are hard and would offer good protection, almost like a helmet.



Sometimes a hat will transcend its original context and become popular world wide. The Afghan "Rebel Hat" became popularized during the war against Russia. It's actually a traditional hat from Nuristan, a cold, mountainous region. The hat is ideal for that climate as it can be pulled down during extremely cold weather, although it is normally rolled tight and worn on the top of the head. This is a big seller for us on eBay during the Fall and winter!


All of this discussion of Islamic head coverings may seem exotic and foreign to Westerners. However, these traditions are not that far from home. Western women also covered their heads in public with hats and scarves until not long ago. Think of movies from the 50's and 60's and the stars from that period wore something to protect their heads. I lived close to a Polish neighborhood in Chicago and the older women still boast flowery scarves when they are in public. My parents live in rural Wisconsin and in the last 15 years they have seen more and more Amish families relocate to their area. This photo is from the Library of Congress, around 1940.

Amish women do not cut their hair and must have their heads covered, especially during prayer. They believe in keeping their appearance simple in order to focus on their inner qualities. OK. Still too exotic? Actually, as Islam has grown in fundamentalism, so has Christianity. There are many, many Christian pentecostal groups and non-denominational groups that adhere to head coverings, especially in Church. My own sister frequented a church where she had to wear a doily on her head. The church did not recognize women as equals nor give them a voice during the service. Eventually, she and her husband compromised on a Baptist church and I think both are very happy there.

The main text these churches use to support this practice is I Corinthians 11:2-16 in the Bible's New Testament:

2 Now I commend you because you remember me in everything and maintain the traditions even as I delivered them to you. 3 But I want you to understand that the head of every man is Christ, the head of the woman is the man, and the head of Christ is God. 4 Every man who prays or prophesies with his head covered dishonors his head, 5 but every woman who prays or prophesies with her head uncovered dishonors her head—it is the same as if her head were shaven. 6 For if a woman will not be covered, then let her be shorn! But since it is disgraceful for a woman to be shorn or shaven, let her be covered. 7 For indeed a man ought not to cover his head, being the image and glory of God; but woman is the glory of man. 8 For man was not made from woman, but woman from man. 9 Neither was man created for woman, but woman for man. 10 For this reason the woman should have authority on her head, because of the angels. 11 In any case, woman is not independent of man, nor man of woman, in the Lord; 12 for as woman is [created] from man, so man is now [born] through woman. And all things are from God. 1314 Does not nature itself teach you that if a man wears long hair it is a disgrace for him, 15 but if a woman has long hair, it is her glory? For her hair is given to her for a covering. 16 But if anyone is inclined to be contentious, we have no such practice, nor do the churches of God.


Michael Marlowe of the Bible Researcher dissects this text and explores it historically, reaching the following conclusion, among others:

"The old claim that fashion in clothing is morally neutral and essentially devoid of symbolism has now been destroyed by recent downgrade trends in women's fashion, and Christian parents are keenly aware of the significance of clothing in the case of their teenage daughters. Moreover, the feminist movement (which knows very well what clothing may say about a woman) has created a social environment which is so inimical to Christian values that many Christian women now finally recognize that they cannot allow themselves to be creatures of fashion. And so the church is ripe for a reconsideration of this whole question. In any case, church leaders and evangelical authors who have been discouraging the use of head coverings should reconsider their opposition to it."

Chapel Veil, available through Modesty Veils

Thus, the industry for Christian head coverings for women abound online, all quoting 1 Corinthians 11:2-16. Oh, that Paul! Such interpretation of Biblical text walks that fine line that determines the roles women and men have with each other. Wikipedia describes this line of Biblical thought as expressed by the Plymouth Brethren:

"There is no distinction made in Brethren teaching between men and women in their individual relation to Christ or position before God as believers. However, in most Brethren meetings, the principle of male "headship" is applied in accordance with teaching found in 1 Corinthians chapter 11, verse 3 and elsewhere in the Bible. 1 Corinthians 11:3 says:

But I would have you know, that the head of every man is Christ; and the head of the woman is the man; and the head of Christ is God.

Thus most Brethren meetings reserve leadership and teaching roles to men based on 1 Timothy 2:11, 12...

A woman should learn in quietness and full submission. I do not permit a woman to teach or to have authority over a man; she must be silent.
From this, Brethren teaching traditionally (there are regional exceptions) outlines a system in which the men take the "vocal" and leadership roles, and the women take supportive and "silent" roles. In practical terms, what is traditionally seen is the men being fully responsible for all preaching, teaching, and leading of worship. Therefore, in most Brethren groups, women will be heard to sing the hymns along with the group, but their voices will not otherwise be heard during the service. Often the men are, practically speaking, the only ones involved fully and vocally in all discussions leading up to administrative decision making as well."

The Bible is the Other Side states: "We need not to forget, with remaining sin in the world, and with radical feminism which is the liberal dogma on how women should act and their redefining roles contrary to Scriptures. Christians need to pray for these lost souls who believe in such things as they need the Gospel to be presented to them. Because just believing in head coverings as a Scriptural foundation and not knowing who Christ is, makes one's faith vain. The Lord doesn't save people who don't know Him."

The hope is that men will love and honor their wives and thus take their private counsel into consideration. How far removed is this, though, from the tyranny of the Taliban when society was perceived as a bit too free?

Still not mainstream enough? Well, alright, we'll finish this glimpse into Islam and Christianity by taking a look at Roman Catholicism. Although a diminishing church, Roman Catholics still have a strong presence in the United States, but much more in Latin America and other parts of the world. And, they like to wear hats! Or, traditionally, at least, they have a rich history of interesting head coverings. This book looks like a fascinating read! Click on the photo for the link.


The description says: Curiosity about nuns and their distinctive clothing is almost as old as the Church itself. 'The Habit' presents a comprehensive visual gallery of the diverse forms of habits through the ages and explains the principles and traditions that inspired them. Author Elizabeth Kuhns also examines the gender and identity issues behind the veil and presents engaging portraits of the roles nuns have played in ministering to the spiritual and social needs of the wider society.

I attended a Brazilian Catholic school, Regina Mundi, for a few years when I was growing up. I remember right after Vatican II, the order of nuns that ran our school opted out of the habit. Our head nun showed up from one day to the next in high heels, make-up, a skirt down to her knees, and wowzers! Was she gorgeous! It was hard to take her seriously anymore. (So what does THAT say?) Somebody sent me this photo in an e-mail a long time ago. I have no idea where it came from, but the nuns I knew had a good sense of humor and they would have enjoyed it.

Pope John Paul II, who hailed in Vatican II, also knew how to laugh. Tradition in Action states: "As a sign of the Vatican II spirit of inculturalization, John Paul II dons a feathered African headdress during his 1980 six-nation African tour. Curiously, he never wears the papal crown."

The current Pope Benedict XVI probably did not wear this hat as a sign of humor:

The Roman Catholic Church uses the same text by Paul to encourage women to veil themselves. The Catholic Planet has a page dedicated to the proper dress and behavior for Catholic women. Here is their take on the text:

"In obedience to Sacred Scripture, many Catholic women wear some kind of veil or headcovering. Some wear a headcovering only at Mass. Others feel called to wear a head covering at other times during the day, as well as at Mass. Many non-Catholic Christian women also wear a head covering. These women are following the call of the Holy Spirit. Society discourages women from wearing a head covering and from doing anything else which shows submissiveness and obedience. Yet these women have found the light of truth in the midst of dark times. The moral law requires all women to wear the veil on their hearts."

"The Virgin Mary wore a veil or head covering because she understood this symbol of the different roles given to men and women. Those women who wear the veil are imitating the Virgin Mary in her humility and submissiveness. Nearly every Catholic Church has a stature or image of Mary wearing a veil."

They have a sizable list of links on articles examining the topic.

So what is the moral of these stories? To me, nothing is simple when it comes to evaluating society and religion. I believe that our challenge is to look at our history and what is around us and try to sift the wheat from the chaff. Keep what is good, get rid of what isn't. Each of us has to decide what that might mean, but I believe that it has to do with breaking the cycles of violence in our lives.

Well, this post took all day, so hope you like it!
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